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Arthur Smith
Rare Lynching Painting WPA artist Social Justice African American Americana

$3,200List Price

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Film Still #5 (Clint Eastwood, portrait, western movie, cowboy, Hat)
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This restrained profile, rendered in subdued purples and dusty violets, evokes the stoic silence of the lone gunman archetype. With face partly turned away and hidden beneath a wide-...
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Film Still #3 (portrait, western movie, cowboy, Hat, shadow, monochrome art)
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Rudolf Kosow’s Film Still #3 continues his haunting exploration of the Western genre through a contemporary surrealist lens. A close-up of a stoic, rugged cowboy figure—likely inspired by Clint Eastwood—dominates the square composition. The figure’s face is heavily shadowed by a broad-brimmed hat, his lips...
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Film Still #2 (portrait, western movie, cowboy, Hat, shadow, monochrome art)
By Rudolf Kosow
Located in Quebec, Quebec
A crooked smile creeps from the shadow of a cowboy hat, casting unease beneath the bright desert sky. In Film Still #2, Kosow captures the sinister edge of Americana with cinematic p...
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Film Still #4 (portrait, western movie, cowboy, Hat, shadow, monochrome art)
By Rudolf Kosow
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With eyes obscured and hat lowered, this figure is both iconic and unknowable—a faceless cowboy adrift in a pale, open void. Kosow distills the visual codes of Americana and cinemati...
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“Penobscot” Ship Portrait Sidewheeler Steamboat Paddle Steamer Oil on Canvas
Located in Yardley, PA
A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...
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“Early Morning, 1999” by Anna Brelsford Mccoy Sunlit Bedroom Interior Oil Canvas
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A serene and exquisitely composed work that captures the quiet poetry of a sunlit bedroom in the early hours of daybreak. A descendant of the renowned Wyeth artistic dynasty, McCoy h...
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"Beach Landscape" Karl Fortess, WPA, Dramatic, Cloudy Sky, Beach, Dunes
Located in New York, NY
Karl Fortess Beach Landscape Signed lower left Oil on canvas 8 x 10 inches Karl Fortess was born in Belgium, moving United States and studying at the Art Institute of Chicago, the ...
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"Beach Landscape" Karl Fortess, WPA, American Landscape, Sand Dunes, Clouds
Located in New York, NY
Karl Fortess Beach Landscape Signed lower left Oil on canvas 8 x 10 inches Karl Fortess was born in Belgium, moving United States and studying at the Art Institute of Chicago, the ...
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“Eastern White Pines, c. 1910”, New England Landscape, Signed Oil Painting
By Charles Warren Eaton
Located in Yardley, PA
“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...
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Large American Modernist Oil Painting Baseball Game the Tryout Sidney Goodman
Located in Surfside, FL
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1930s Vintage Oil Painting Girl, Puppy Dog, American Illustrator Lawrence Wilbur
By Lawrence Wilbur
Located in Surfside, FL
A girl and her dog This was possibly used as an advertisement. It is in a great illustrator style. 22 x 18. framed. 19.5 x 15.5 canvas. Lawrence Wilbur (1897 - 1960) was active/l...
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Social Realist Street Scene of Youth at Play (African American)
By Paul Zimmerman
Located in Surfside, FL
Oil on artist's board, late 20th century, signed "P. Zimmerman" lower right; [Sight: 8 1/2" x 20 1/2"; Frame: 12 1/2" x 25"]. Reminiscent of the Mid Century Social Realist and WPA wo...
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Western Scene (Cowboy on Horseback)
By Denes de Holesch
Located in Surfside, FL
This is an oil on artist board (unframed) by the important Hungarian-born and internationally celebrated Denes de Holesch (1910-1983). Denes de Holesch was an international equestrian artist. His works have been exhibited all over the world, including in New York, Beverly Hills, Boston, Chicago, Paris, Mexico City, Montreal, Tokyo, Sydney, and Madrid. His horse paintings fall into one of seven themes, including polo, cowboys, circus, rodeo, hunt, bull-fight, race-course and running free. His mastery of the subject has been compared to that of Picasso, Delacroix and Franc Marc. 1910 Denes Dezo George de Holesch was born on 9 February, 1910 at Banska-Bystrica, Northern Hungary. He was the third child and youngest son of Hugo de Holesch, an architect and Margit, nee Wagner. Many generations of the de Holesch family had worked as professional architects. He studied at the Hungarian Academy of Fine Arts in Budapest on a scholarship. Early in his career he traveled to China, Japan, Philippines, Java, Bali and Australia, where his reputation grew rapidly. Here he produced portraits in oils, and lithographs of the Chinese, as well as landscape works in oils,depicting the local countryside, and canal, street and city scenes. His exposure to the arts of the Chinese, with their simplicity of line, greatly influenced his later works. In 1939 he established a studio at Lavender Bay near Sydney. In 1940 he exhibited at the Macquarie Galleries in Sydney. In 1944 he married Joyce Greer, the Melbourne concert pianist. In 1945 the couple moved to New York where his interest in horses grew. He held exhibitions at Gallery Wildenstein, Herve, and FAR Gallery. In 1946 Holesch moved to Montreal where he exhibited at the National Gallery of Montreal. In 1947 he moved to Boston where he continued painting portraits and horses. He exhibited there at the Ehrmann and Vose galleries. Later in the year he moved to San Francisco where he was invited to participate in the "Renoir to Picasso" Exhibition held at the Maxwell Gallery.1946 He moved to Montreal, Canada and exhibited at the National Gallery of Montreal. (Frederic Remington and Charles Russell) 1947 Early in the year he moved to Boston and continued painting portraits and horses. In June, he painted the portrait of Harvard Law School Dean, Erwin N. Griswold, and in October his works were exhibited at Margaret Brown's Galerie Intime, Newbury Street, Boston. 1948 He produced a clay sculpture head of Egon Petri, one of a number of clay sculptures that he produced. He also produced a number of wood carvings. His paintings were chosen for inclusion in a Group Exhibition in the National Gallery of San Francisco, and in the important and prestigious 'Renoir to Picasso' Exhibition held at Maxwell's Galleries, 372 Sutter Street, San Francisco. 1953 His works were included in a Group Impressionists Exhibition held at the Ohana Gallery, London 1954 He travelled to New York, where he was commissioned to paint Herbert Gasser, Nobel Prize Winner in Biochemistry. 1955 He returned to England, and then travelled to Paris to exhibit works in the Galerie Marcel Lenoir. 1956 He again returned to New York to work on portrait commissions and for exhibitions of his works, mainly of horses. These exhibitions were held in New York, Boston, San Francisco and late in the year at the Galleries of Frank J. Oehlschlaeger at 107 East Oak Street, Chicago. During this year, visits with his family to Ringling Circus and to a rodeo in Tucson, Arizona must have impressed him greatly, for images of these events soon appeared on his canvases. His work was greatly admired by Hollywood film- stars, such as Ann Rutherford and Burt Lancaster, and David Niven purchased one of the horse paintings to give as his wedding present to Grace Kelly on her marriage to Sovereign Prince Rainier III of Monaco. 1959 The prints of 'Courtship' and 'Chargers' were produced. It has been estimated that close to a million copies of his prints were sold over the next ten years, with 'Courtship' being advertised by Stern's Book Dpt. on 5th Avenue, New York along with prints by Picasso...
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20th Century American Realist Figurative Paintings

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Large Jack Balas Contemporary Modernist Horse Enamel Oil Painting Western Art
By Jack Balas
Located in Surfside, FL
Jack Balas Grid Study, Appaloosa Oil and Enamel on Board Inscribed verso, dated 1997-99 and hand signed l.l. Sight: 24 x 48 in. (61 x 121.9 cm.), Frame: 26 x 50 x 2 in. (65.4 x 127 ...
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1990s American Realist Animal Paintings

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Original Oil Painting Pickup Crossing Gregory Sumida California Artist Americana
By Gregory Sumida
Located in Surfside, FL
Gregory Sumida (American, b.1948) 'Pick-Up Crossing' Oil paint on masonite board. Hand signed lower right 1976 Depicting a rural landscape and buildings, in a linen-lined pickled w...
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