Barbara Friedman

Before

2018

Alessandra Gasparini was born in Genova in 1964, but she would say that she was born in the sea. When she was a child she used to run along the beach like a beginner siren, and there she remained alone, listening to the spells of waves, to the magic of tides and the secrets hidden in the shells? Right there her painting was born; an alchemic mix between brackish water and the pungent fragrance of colors. Alessandra had a long artistic training that was for her not only a study, but a way of thinking. She studied in Italy and in Germany, and her works were exposed in many important private and public exhibitions. When Alessandra was a child she had her own sweet muse, hidden somewhere at home, waiting for her. She waited for the right impastos like the cadmio that she desired so much for her dress. When at the end, Adelaide revealed, Alessandra’s painting had an emotional blow, a new creative impulse. Just like a real muse, Adelaide is exigent and she demands complete devotion. As she appears perspective becomes oblique, lines and forms get in trouble and follow her changing moods. And Alessandra indulges her. Her paintings, where Adelaide is the only protagonist, are made up of warm and dense colors, creating metaphysical atmospheres coming from a rebellious and naughty soul. So painting is a blade, a weapon. The blade is a sharp mirror...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to...