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bazevian animalPortrait PUG Dog - FRENCH SCHOOL - Where is my body?03 Chut les Barbizons! DOG2024
2024
$419.23
$1,964.4078% Off
£313.59
£1,469.4078% Off
€350
€1,64078% Off
CA$577.68
CA$2,706.8578% Off
A$635.01
A$2,975.4978% Off
CHF 333.38
CHF 1,562.1278% Off
MX$7,550.77
MX$35,380.7478% Off
NOK 4,281.35
NOK 20,061.1678% Off
SEK 3,899.84
SEK 18,273.5578% Off
DKK 2,667.36
DKK 12,498.5078% Off
About the Item
Portrait of a Pug _ dog.
In the artistic world, animals have always been key protagonists in expressing the power and beauty of the wild.
Artists often use animals as symbols to convey deeper messages. For instance, the serpent has long been associated with temptation and sin in Western art. It frequently appears in biblical scenes such as the fall of Adam and Eve or the temptation of Jesus in the desert.
On the other hand, some animals are elevated to the status of deities or hold sacred significance in certain cultures. The elephant, for example, is revered in Asia for its wisdom and tranquil strength. In Asian art, it is often depicted with delicacy and finesse to symbolize prosperity and happiness.
The eagle, by contrast, is a symbol of power and freedom in many cultures around the world. Its majestic flight inspires admiration and respect. Painters like John James Audubon sought to capture this grandeur by portraying the bird of prey with remarkable scientific precision.
The symbolism of animals can also vary across historical periods. In medieval Europe, for instance, the lion was considered a royal emblem embodying the nobility and strength of the reigning monarch. Kings were often depicted alongside a roaring lion to assert their undeniable authority.
It is worth noting that attitudes toward animals have evolved over time. In the past, animals were often depicted as hunting trophies or symbols of human domination over the animal kingdom. Today, many artists highlight the importance of preserving biodiversity and promoting respect for animals.
They carry a complex symbolic language and evoke a multitude of emotions and meanings. Whether through their raw beauty or profound symbolism, these works remind us of how rich and inspiring the animal world is for human imagination.
⏩Technique: oil, acrylic, glue, ink on old book pages on wooden frame 40x40cm ■■ 15,7 x15,7inch⏪
⭐Sustainability⭐: Wooden frame is made by the artist by recycling old books. In an ecological approach, each packaging is tailor-made and is itself from a recycling network.
⏩》R E A D Y -- T O -- H A N G《⏪
🟢 → Original signed work. Certificate of authenticity included.
🟢 → Protection for shipping (plywood, foam, thick cardboard)
🟢 → International Delivery Company – DHL/UPS/FEDEX 3-6days from France to USA.
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Discover my work on Channel 4 UK in the TV Show "Huges Home" with Hugh Dennis _ Episode 4
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Bazévian Delacapucinière is a French artist whose works have appeared in numerous exhibitions and publications in Europe, America and Asia.
My work focuses on oxidized images from the collective memory of the 20th century. According to Aristotle, from memory to reminiscence, it is necessary to reactivate images through the imagination to know their sensitive power. Consequently, the gaze (of portraits) becomes power, texture becomes light. Finally, this transposition of images becomes my individual memory.
At the Concept store in La Baule - FRANCE
- Creator:bazevian animal (French)
- Creation Year:2024
- Dimensions:Height: 15.75 in (40 cm)Width: 15.75 in (40 cm)Depth: 1.46 in (3.7 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:1stDibs: LU2203215686522
Bazévian Delacapucinière is an artist, now based in France who painted vibrant figurative painting with vivid colors. Norwegian, Brasilian, Korean, Bazévian spent 10 years on the road, meeting a lot of artists and people. Bazévian focuses mostly on portraits, because the face is a vital part of how we express ourselves. «Face is language and meaning. It is obviously the location for the expressions and emotions which gives information about the character. However, the face is also the only part of the body that is normally exposed and naked. We can't hide it in our society. Finally, it belongs to social issue". Bazévian unpacks the consumerist imagery that saturates society— namely impossibly perfect magazine pictures— by composing figures whose bodies disappear and faces form in an explosion of vivid colour. For Delacapucinière, these faces are vessels of social standards, and their interpretation therefore becomes an invitation to challenge such norms. Bazévian used several techniques with oil, oil pastel and acrylic to create small, medium and large painting, developing new technique of expression by dilatation and extracting the painting. Bazévian has held solo exhibitions in France, Norway, Brazil and South Korea. Emerging artist, Bazévian’s painting can be found in all collection from US to Europe and now Asia.
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