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Bazevian DelaCapuciniereFrench School PS 126 de Guerre lasse - Chut les Barbizons!2022
2022
$1,172.78
£872.11
€980
CA$1,609.67
A$1,758.25
CHF 930.70
MX$21,136.96
NOK 11,830.48
SEK 10,820.88
DKK 7,466.16
About the Item
Portrait PS 126 De Guerres lasses
Portrait of a woman with blue and yellow hair with a crown of flowers.
Technique: oil, acrylics, spray paint and ink on canvas 70x50cm ■■ 27.6x19.7inch
⏩》R E A D Y -- T O -- H A N G《⏪
🟢 → Original signed work. Certificate of authenticity included.
🟢 → Protection for shipping (plywood, foam, thick cardboard)
🟢 → International Delivery Company – DHL/UPS/FEDEX 3-6days from France to USA.
This painting presents a powerful and evocative portrait that combines the intimacy of figurative art with the intensity of expressive abstraction. At first glance, the viewer is drawn to the subject’s profile: a young woman gazing into the distance, her expression poised between serenity and tension. The careful rendering of her facial features, especially the eye and the sharply defined nose and lips, anchors the work in realism. Yet everything surrounding this delicate precision—her skin tones, her hair, and the background is alive with vibrant, chaotic energy, making the piece as much about emotional atmosphere as about physical likeness.
One of the defining aspects of this work is its bold use of color. The artist rejects naturalistic tones in favor of heightened, almost surreal shades. The woman’s skin is painted in fiery reds, oranges, and yellows, broken by cool blues and blacks. These colors do not simply model the form; they seem to dramatize her inner life, as if her emotions have risen to the surface. The hot tones suggest passion, intensity, or even vulnerability, while the cooler streaks temper this heat with moments of calm or distance. This tension between warmth and coldness imbues the portrait with psychological complexity.
Her hair is another key element of the painting’s expressiveness. It cascades down her back in energetic strands, streaked with luminous yellows, turquoise blues, and deep blacks. The brushwork here is sweeping and free, creating a sense of movement that contrasts with the stillness of her profile. Splashes and drips of paint break across the hair, further dissolving the boundary between control and chaos. The effect is almost elemental: her hair becomes not just a part of her body but an extension of surrounding forces, like light, fire, or water flowing around her.
Atop her head rests a crown of flowers, primarily daisies. This detail, rendered with a lighter and more delicate touch, stands as a symbol of innocence, purity, or a connection to nature. The whiteness of the petals and the calm central yellows seem almost fragile when set against the storm of colors and textures enveloping the rest of the composition. The crown provides a striking contrast, suggesting that even within turbulence and struggle, there remains a core of beauty, simplicity, and renewal.
The background of the painting might at first seem understated in its neutral gray tones, but it plays an essential role in the overall composition. It is animated by splatters of black and yellow, echoing the expressive energy found in the woman’s hair and skin. These speckles suggest chaos or fragmentation, creating an atmosphere where the subject both emerges from and dissolves into her environment. Rather than isolating her, the background becomes a mirror of her inner world, reinforcing the idea that her identity is entwined with larger forces—emotional, psychological, or even cosmic.
Texture is another striking feature of this piece. Thick layers of paint and dynamic brushwork create a tactile surface that invites the eye to linger. The roughness of the strokes on the shoulder and the density of the pigment in the flower crown highlight the physicality of the painting. This material richness deepens the emotional resonance, reminding the viewer that this is not a smooth, idealized image but one born of labor, movement, and intensity.
Ultimately, the painting conveys a narrative of contrast and resilience. The woman appears strong and dignified, yet the fiery tones of her skin suggest that she has endured struggle or transformation. The flowers on her head hint at gentleness and vulnerability, but they are held in place with a sense of pride, as though they are both a crown and a shield. Her gaze, fixed on something unseen beyond the frame, suggests hope, determination, or perhaps a confrontation with the unknown.
In its blending of beauty and raw energy, the painting captures the complexities of human experience. It is not simply a portrait of a woman but a visual meditation on strength, fragility, chaos, and renewal. The viewer leaves with an impression of both turbulence and grace, a reminder that art, like life, thrives in the space where contrasts meet and coexist.
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Discover my work on Channel 4 UK in the TV Show "Huges Home" with Hugh Dennis _ Episode 4
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Bazévian Delacapucinière is a French artist whose works have appeared in numerous exhibitions and publications in Europe, America and Asia.
My work focuses on oxidized images from the collective memory of the 20th century. According to Aristotle, from memory to reminiscence, it is necessary to reactivate images through the imagination to know their sensitive power. Consequently, the gaze (of portraits) becomes power, texture becomes light. Finally, this transposition of images becomes my individual memory.
- Creator:Bazevian DelaCapuciniere (1977, French)
- Creation Year:2022
- Dimensions:Height: 27.56 in (70 cm)Width: 19.69 in (50 cm)Depth: 1.46 in (3.7 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:1stDibs: LU2203216998132
Bazévian Delacapucinière is an artist, now based in France who painted vibrant figurative painting with vivid colors. Norwegian, Brasilian, Korean, Bazévian spent 10 years on the road, meeting a lot of artists and people. Bazévian focuses mostly on portraits, because the face is a vital part of how we express ourselves. «Face is language and meaning. It is obviously the location for the expressions and emotions which gives information about the character. However, the face is also the only part of the body that is normally exposed and naked. We can't hide it in our society. Finally, it belongs to social issue". Bazévian unpacks the consumerist imagery that saturates society— namely impossibly perfect magazine pictures— by composing figures whose bodies disappear and faces form in an explosion of vivid colour. For Delacapucinière, these faces are vessels of social standards, and their interpretation therefore becomes an invitation to challenge such norms. Bazévian used several techniques with oil, oil pastel and acrylic to create small, medium and large painting, developing new technique of expression by dilatation and extracting the painting. Bazévian has held solo exhibitions in France, Norway, Brazil and South Korea. Emerging artist, Bazévian’s painting can be found in all collection from US to Europe and now Asia.
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