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Boris Deutsch1947 Expressionist Oil Painting Flute Player Musician Boris Deutsch WPA Artist1947
1947
$5,500
£4,192.20
€4,835.26
CA$7,811.64
A$8,394.43
CHF 4,504.10
MX$98,881.30
NOK 56,634.07
SEK 51,734.86
DKK 36,136.82
About the Item
Boris Deutsch (American Lithuanian Russian, 1892-1978)
"The Flute Player," 1947
Oil paint on canvas,
Hand signed and dated upper left,
Provenance: gallery label (Pasadena Art Museum) verso, (deaccessioned)
Dimensions overall (with frame): 36"h x 31"w (canvas is about 24 X 20)
Expressionist portrait painting of flute player.
Boris Deutsch was a modernist figurative painter important in Southern California during the 1930s and 1940s. Before immigrating from Russia, he studied briefly in Riga, Lithuania at the art academy and with a commercial artist, and in 1912 he attended the Kunstgewerbemuseum, Berlin. After coming to the United States he spent three years in Seattle before settling in Los Angeles. He began exhibiting in 1922 and was one of the four organizers of the Group of Independent Artists exhibition in 1923 at the MacDowell Women’s Club in Los Angeles, the West Coast equivalent of the Armory Show. Deutsch was given his first solo exhibition in 1926 by the Los Angeles Museum and thereafter had numerous exhibitions in other cities, including a solo exhibition in New York in 1933. At times he supported himself by working as a commercial artist and set designer for motion pictures. He received numerous mural commissions sponsored by the New Deal projects, winning in 1941 the large competition to decorate the Terminal Annex Post Office in Los Angeles.
Boris Deutsch was born in Krasnogorsk Lithuania june 4 1892 died in Los Angeles, California 1978. His work marries the social protest of Pablo Picasso to the humanism of Georges Rouault. Deutch entered the polytechnic school in Riga, Latvia in 1905. School of applied arts Berlin, Germany in 1912. Settled in L.A. 1919 married Riva Segal 1924. Solo show U.C.L.A. 1926. Exhibited palace of the legion of honor San Francisco 1930. Works for the resettlement administration (WPA) 1936. Oakland art gallery annual exhibition guest of honor 1937. Exhibition at U.S.C. 1939. Post office murals for the treasury dept and downtown main post office major murals 1941-1944. Teaches at Otis art institute L.A. 1944-1950. First price in Pepsi Cola competition for his painting "What atomic war will do to you" 1946 collection of the Whitney museum N.Y. Exhibited westside jewish community center L.A. 1966. Chagall calls him the greatest jewish artist of our time 1955. The legacy of Boris Deutsch a centennial exhibition by the Judah l. Magnes museum berkeley ca. May 24 -sept.20 1992. This is the most important jewish subject painting by this great artist painted in 1947 it resembles a William Gropper, Marc Chagall or Issachar Ber Ryback work of art very art deco in style. He painted scenes from depression era California and from the Jewish shtetl of his youth in particular Klezmer musicians. A painting of his wife Riva sold at butterfields auction for 17000 dollars a painting of three girls sold at sotheby's in 1982 for 32.000.
He has been exhibited with Judaica artists from around the world. Ephraim Moshe Lilien in Vienna, Joseph Budko, Hermann Struck and Jakob Steinhardt in Berlin and Marc Chagall in Paris, Jankel Adler, Benn, Boris Deutsch, Todros Geller, Henryk Glicenstein, Chaim Goldberg, Chaim Gross, Arthur Kolnik, Ilya Schor, Jacques Zucker and Frank Meisler. In Russia Deutsch had studied for the rabbinate, and his Jewish heritage furnished him with subject matter and endowed his art with an emotional intensity. His first major series, on contemporary Jewish life, revealed a brooding, contemplative aspect and reflected his Talmudic studies. In the 1930s he began painting portraits of his wife, exploring the emotional power of form and color. In 1946 he won the third annual Pepsi-Cola Art Competition with his What Atomic War Will Do to You, 1946 (Magnes Museum, Berkeley). Late in life he turned to printmaking and experimented with monotypes.
- Creator:Boris Deutsch (1892-1978, American)
- Creation Year:1947
- Dimensions:Height: 36 in (91.44 cm)Width: 31 in (78.74 cm)
- Medium:
- Movement Style:
- Period:
- Condition:minor wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38213029192
Boris Deutsch
Boris Deutsch (1892-1978) was a 20th century modernist figurative painter and printmaker. He was born in Krasnagorka, Lithuania on June 4, 1892. Deutsch began drawing at age five and remained a self-taught artist, except for brief intervals at the Bloom Academy of Art in Riga, Latvia and the Kunstgewerbe Schule in Berlin. He moved to Seattle, WA in 1916 and then to Los Angeles in 2019. He began his career as a commercial art and set designer for movies. In the late 1930's he was recruited to paint murals for the New Deal, WPA, receiving numerous mural commissions to paint murals for the treasury department and several post office buildings. In 1941 he won the large competition to decorate the Terminal Annex Post Office in Los Angeles with eleven large murals. During the last decade of his life he experimented with monotypes and other printmaking techniques. Deutsch died in Los Angeles on Jan. 16, 1978. Boris Deutsch's art has been the focus of many exhibitions, including: The University of California, Los Angeles in 1926, The Palace of the Legion of Honor in San Francisco in 1930, Oakland Art Gallery in 1937, The University of Southern California (USC) in 1939, The Whitney Museum in New York in 1946 and a centennial exhibition by the Judah l. Magnes Museum in Berkeley California in 1992. In 1955, Marc Chagall called him the greatest Jewish artist of our time. Deutch's works are held by several institutions and museums, including the Smithsonian American Art Museum, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Los Angeles County Museum of Art, the San Diego Museum of Art, the Scribal Museum, the Judah L. Magnes Museum Berkeley, California, and the Pomona College Museum of Art.
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Genre: Other
Subject: People
Medium: Oil
Surface: Canvas
Dimensions: 35" x 16.5
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The last photo shows it in a group of three that I have available. This listing is for the one painting.
The artist Jovan Obican iconic style is child-like yet masterfully adult; a style that tells a story with sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness.
JOVAN OBICAN
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Jovan Obican (1918-1986) artist, painter, sculpture and mosaic ceramic artisan was born in Cannes, France, to his Yugoslavian parents. From childhood on, Jovan practically devoted himself to art, scratching designs into the dirt when paper was unavailable. He trained with many recognized teachers and with many styles. He finished his training, imbued with the spirit of his native country, the people, their legends, and their philosophy. It has been said that his work has a "timeless quality" and a naive, folk art, outsider art brut quality, child-like primitive style. Obican is identified with his style the world over, a style that is simple yet sophisticated; child-like yet masterfully adult; a style that tells a story with psychological, philosophical or sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness. Best known for his depictions of folklore and traditional costumes rendered in a playful, childlike style and for his happy Jewish wedding scenes. He often used bright colors and black outlines in his renderings of figures and animals, giving his work an illustration-like quality. Thematically, the artist’s work is similar to Marc Chagall and Jean Dubuffet for its dreamlike images and so-called naïve style of painting. Over the course of his career, the artist maintained a studio in Boca Raton, Florida and Dubrovnik, Croatia—part of former Yugoslavia— where he developed an interest in Eastern Europe’s Jewish culture. Many of his mature works depict Jewish traditions and ceremonies, including traditional Jewish weddings, the dancing of the Hora, and traditional music. There is a display of his works in his former Dubrovnik studio.
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Subject: People
Medium: Oil
Surface: Canvas
Dimensions: 35" x 16.5
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The artist Jovan Obican iconic style is child-like yet masterfully adult; a style that tells a story with sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness.
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Jovan Obican (1918-1986) artist, painter, sculpture and mosaic ceramic artisan was born in Cannes, France, to his Yugoslavian parents. From childhood on, Jovan practically devoted himself to art, scratching designs into the dirt when paper was unavailable. He trained with many recognized teachers and with many styles. He finished his training, imbued with the spirit of his native country, the people, their legends, and their philosophy. It has been said that his work has a "timeless quality" and a naive, folk art, outsider art brut quality, child-like primitive style. Obican is identified with his style the world over, a style that is simple yet sophisticated; child-like yet masterfully adult; a style that tells a story with psychological, philosophical or sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness. Best known for his depictions of folklore and traditional costumes rendered in a playful, childlike style and for his happy Jewish wedding scenes. He often used bright colors and black outlines in his renderings of figures and animals, giving his work an illustration-like quality. Thematically, the artist’s work is similar to Marc Chagall and Jean Dubuffet for its dreamlike images and so-called naïve style of painting. Over the course of his career, the artist maintained a studio in Boca Raton, Florida and Dubrovnik, Croatia—part of former Yugoslavia— where he developed an interest in Eastern Europe’s Jewish culture. Many of his mature works depict Jewish traditions and ceremonies, including traditional Jewish weddings, the dancing of the Hora, and traditional music. There is a display of his works in his former Dubrovnik studio.
His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective.
One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide.
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The artist Jovan Obican iconic style is child-like yet masterfully adult; a style that tells a story with sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness.
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Cannes, France, b. 1918, d. 1986
Jovan Obican (1918-1986) artist, painter, sculpture and mosaic ceramic artisan was born in Cannes, France, to his Yugoslavian parents. From childhood on, Jovan practically devoted himself to art, scratching designs into the dirt when paper was unavailable. He trained with many recognized teachers and with many styles. He finished his training, imbued with the spirit of his native country, the people, their legends, and their philosophy. It has been said that his work has a "timeless quality" and a naive, folk art, outsider art brut quality, child-like primitive style. Obican is identified with his style the world over, a style that is simple yet sophisticated; child-like yet masterfully adult; a style that tells a story with psychological, philosophical or sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness. Best known for his depictions of folklore and traditional costumes rendered in a playful, childlike style and for his happy Jewish wedding scenes. He often used bright colors and black outlines in his renderings of figures and animals, giving his work an illustration-like quality. Thematically, the artist’s work is similar to Marc Chagall and Jean Dubuffet for its dreamlike images and so-called naïve style of painting. Over the course of his career, the artist maintained a studio in Boca Raton, Florida and Dubrovnik, Croatia—part of former Yugoslavia— where he developed an interest in Eastern Europe’s Jewish culture. Many of his mature works depict Jewish traditions and ceremonies, including traditional Jewish weddings, the dancing of the Hora, and traditional music. There is a display of his works in his former Dubrovnik studio.
His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective.
One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide.
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