Ecce Homo, after Carlo Dolci (1616–1686)

This finely executed 19th-century devotional painting, rendered in oil on copper, depicts Saint Thomas the Apostle, traditionally recognized as the patron saint of architects and bui...

Michael Grimsdale (b. 1936) Michael Grimsdale is a British painter known for his refined portrayals of horses, sporting subjects, and commissioned portraits. Born in London in 1936,...

Michael Grimsdale is a British painter known for his refined portrayals of horses, sporting subjects, and commissioned portraits. Born in London in 1936, Grimsdale spent much of his early life abroad, following his family’s military postings to Hong Kong, Singapore, and South Africa. These formative experiences, coupled with his early exposure to varied landscapes and cultures, would later inform the breadth and vitality of his artistic vision. Educated at Cheltenham College and the Royal Military Academy, Sandhurst, Grimsdale initially trained for a military career before pursuing his true vocation as a painter. He later studied at St Martin’s School of Art in London, where he developed a disciplined, realist approach to painting grounded in keen observation and a deep respect for traditional technique. Periods of residence in Mexico and Australia broadened his visual vocabulary and deepened his sensitivity to light and colour. Grimsdale established his reputation through a steady stream of private commissions—portraits of individuals, equestrian studies, and sporting scenes, especially polo—executed with precision and elegance. His celebrated work Galileo at Coolmore Stud exemplifies his command of equine anatomy and his ability to convey both the physical presence and inner nobility of his subjects. His paintings have been exhibited at the Royal Academy Summer Exhibition, Cowdray Park Polo Club, and galleries in London, Jersey, Sydney, and Houston, and they are represented in numerous private collections worldwide. Working primarily in oil, Grimsdale paints in a realistic yet lyrical style, characterized by clarity of form, balanced composition, and a polished surface. His art stands firmly within the British tradition of sporting and animal painting, yet it also reflects a modern sensibility—an attention to atmosphere, light, and personality that transcends genre. Now an established and widely collected artist, Michael Grimsdale continues to embody the enduring appeal of fine figurative painting in the contemporary era, blending technical mastery with the warmth and grace of lived experience. This painting commemorates the 1991 edition of the British Open Championship Gold Cup...

This mid-19th-century portrait depicts a seated lady rendered in the sober elegance characteristic of Victorian portraiture. She wears a black dress, modestly cut with long sleeves a...