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Charlotte Buell Coman"A View from Highland Inn, Stroudsburg, Pennsylvania" Charlotte Buell Coman1911
1911
$24,000
£18,364.48
€21,018.33
CA$33,894.32
A$36,837.31
CHF 19,741.43
MX$447,270.36
NOK 247,841.69
SEK 229,835.50
DKK 156,981.06
About the Item
Charlotte Buell Coman
A View from Highland Inn, Stroudsburg, Pennsylvania, 1911
Signed lower left
Oil on canvas
25 x 27 inches
Provenance
The artist
(with) Macbeth Gallery, New York
Estate of the artist
by descent, Storrs J. Case, Van Nuys, California (great-nephew of the artist)
by descent, Carolyn Brink, Los Angeles (daughter of the above)
Michael James, Thousand Oaks, California (acquired from the above)
Exhibited
New York, National Academy of Design, 87th Annual Exhibition, March 9 - April 14, 1912.
Dallas, State Fair of Texas, October 12 - 27, 1912, no. 23, p. 9.
Brooklyn Museum, Exhibition of Contemporary American Art, April 5 - May 3, 1915.
(probably) New York, Macbeth Gallery, Exhibition of Painting and Sculpture by Women Artists for the Benefit of the Woman Suffrage Campaign, September - October 1915.
San Francisco, Post-Exposition Exhibition in the Department of Fine Arts, Panama-Pacific International Exposition, January 1 - May 1, 1916, no. 4711, p. 44.
New Rochelle, New York, Woman's Club of New Rochelle, Summer Exhibition, June 15 - September 1, 1918.
Pittsburg, Kansas, Manual Training Normal School, Carney Hall, April 17 - May 1, 1922, no. 14.
Wichita, Wichita Forum, The Wheat Show, September 1922.
The Sioux City Fine Arts Society, Iowa, Davidson Bros., April 1923.
Charlotte Buell Coman was born in Waterville, New York in 1833. She married and moved with her husband to Iowa City, then on the American Frontier, only to return to Waterville after his death a few years later.
Coman did not take up painting until she was in her mid 40s. She studied in New York with James Renwick Brevoort and in Paris with Harry Thompson and Émile Louis Vernier. With Vernier she studied plein-air and watercolor painting, and sketched on trips to rural parts of France and Holland. She was influenced by the French Barbizon painters, especially Jean-Baptiste Corot and Charles-Francois Daubigny, and her popular works were compared to those of Corot. Her artwork betrays a Barbizon-influenced preoccupation with the way that natural light is affected by time of day and weather conditions.
After ten years spent abroad, Coman returned to New York and focused on painting American landscapes in the tonalist style. Her paintings were based on sketches made on trips to the Adirondacks, New Jersey, and Saint Augustine, Florida. She painted quiet, atmospheric landscapes with high horizon lines, often dominated by one muted color and using a heavy impasto. Her canvases are signed "C.B. Coman"; like many women artists of her era, she used her initials to conceal her gender.
Coman showed two paintings at the National Academy of Design in 1875, and she showed her work often in New York and at the Paris Salons. She exhibited her work at the Palace of Fine Arts at the 1893 World's Columbian Exposition in Chicago, Illinois.
In 1905 Coman received the Shaw Memorial Prize given by the Society of American Artists. She was elected an associate of the National Academy of Design in 1910. Coman was also a member of the National Association of Women Painters and Sculptors, the New York Watercolor Club, and the Art Workers' Club.
Coman continued sketching and painting until she was in her eighties. She died in Yonkers, New York in 1924.
Her work is in the collections of the Metropolitan Museum of Art and the Arnot Art Museum. A portrait of her by Helen Watson Phelps is in the collection of the National Academy of Design.
- Creator:Charlotte Buell Coman (1833 - 1924)
- Creation Year:1911
- Dimensions:Height: 31 in (78.74 cm)Width: 32 in (81.28 cm)
- More Editions Sizes:Unique workPrice: $24,000
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841217150702
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