Ciro De Lucia

HOLY SCENE - Italian School - Italy - Figurative- Oil on canvas painting

2007

INSIDE SCENE - Oil on canvas painting, Eugenio De Blasi, Italy, 2005 Gold leaf gilded wooden grame cm. 90X130 The painting by Eugenio De Blasi is inspired by the work of David Tenier...

Youth and wisdom -Ciro De Rosa Italia 2007 - Oil on canvas cm.60x50 Gold leaf gilded wooden frame cm.82x73 available on request The painting by Ciro De Rosa is characterized by light...

Pompeian Scene - Angelo Granati Italia 2011 - Oil on canvas mis. cm. 50 x 80. Gold leaf gilded wooden frame ext. mis. cm. 70 x 100. In this painting, Maestro Angelo Granati drew in...

Country scene - Oil on canvas cm.80x120, Giovanni Santaniello, Italy 2002 Gold gilded wooden frame available on request The painting by Giovanni Santaniello depicts a scene of return...

A splendid 17th-century Italian painting. This oil on canvas artwork depicts the mystical marriage of Saint Catherine of Alexandria, recognizable by the cogwheel of martyrdom in the ...

Oil on Canvas. Emilian school of the 17th-18th centuries. This is an early copy of Correggio's famous panel painting entitled La Madonna di San Girolamo or Il Giorno (Our Lady of St....

Italian School, 17th century Madonna and Child with St. John Oil on canvas, 86 x 99 cm Framed, 113 x 93 cm The seventeenth-century painting presents the Virgin intent on presenti...

Anton Maria Piola (Genoa, 1654 - 1715) circle Madonna and Child Genoese school of the second half of the 17th century Oil on canvas 93 x 74 cm.- In antique frame 110 x 92 cm. (Work with expertise by Dr. Arabella Cifani) In the pleasing work proposed, depicting a classical Nativity scene, the Madonna is immortalised in adoration as she gently holds the sheet on which the Child is lying, with a gesture of protection and pride that facilitates an atmosphere of intimate recollection, in addition to the presence of three cherubs at the top. The stylistic analysis of the canvas can easily be traced back to a painter of the Genoese school and active during the 17th century, specifically with the devotional works from the workshop of Domenico Piola (Genoa, 1627-1703), an absolute protagonist of Genoese Baroque culture. Piola was the owner of the most important city painting workshop of the time, known as 'Casa Piola', where his sons Paolo Gerolamo and Anton Maria also collaborated. His production, which specialised in a type of highly decorative, profane and allegorical paintings, destined for the decoration of Genoese patrician palaces, also included a refined series of works of a religious nature. In particular, the style of our beautiful breast painting...