Delphin Enjolras

Soap Bubbles - Antique Painting of Belle Epoque Beauty by Tiffany Lamplight

Circa 1920

Head and Shoulders Portrait of a Man French School, signed and dated 1957 sanguine chalk/ pastel on paper stuck on board board: 13 x 10.25 inches Provenance: private collection, Pari...

French School Portrait of a young woman in Louis XV period dress Pastel on paper mounted on oval canvas H. 68 cm; W. 54 cm (Frame: H. 102 cm; W. 71 cm) 18th century frame, anti-refle...

Early 20th-century French School Portrait of Daniel Schlumberger at age 34 Pastel H. 99.5 cm; W. 63.5 cm Title and dated lower right. Unsigned 1913 The Schlumberger family, of Prote...

François-Maurice ROGANEAU (Bordeaux 1883 - Aix-en-Provence 1973) Portrait of the model and future wife of the painter: Almerinda Caira Graphite, charcoal, and sanguine on paper H. 25...

SPRING BEAUTY - Oil on canvas painting by Angelo Granati, Italy 2011 Gold leaf gilded, pleated silk and mirror wooden frame ext. mis. cm. 164x106. This is his reinterpretation of pa...

Portrait of a Woman in Red French School, first half of the 20th century indistinctly signed oil on canvas, framed canvas : 14 x 9.5 inches Provenance: private collection, France Co...

Joseph BEAUME (Marseille, 1796 – Paris, 1885) Souvenir from Italy: pifferaro playing the zampogna with the family Oil on canvas Signed lower left 73.5 x 60 cm Provenance: probably...

Nicolas Edward GABE (Paris, 1814 - Paris, 1865) The death of General Négrier on Place de la Bastille on June 25, 1848 Oil on canvas Signed and dated lower right 82 x 101 cm 1849 Nicolas Edward Gabé is a 19th century artist who is still little studied to this day and yet seems to have enjoyed, according to the artistic press of the time, a certain notoriety, in particular for his seascapes. The few bibliographical elements that we have come from the Salon booklets and tell us that the artist was born in Paris in 1814, therefore shortly before the end of the Empire. No elements on his artistic training are mentioned in the booklets, we just know that Gabé exhibited at the Paris Salon from 1835 to 1864 where he first practiced miniature then then approached easel painting, risking himself as well in still life that the seascapes, the landscape, the portrait or the hunting. According to press articles, he also took part in various exhibitions in the provinces such as Boulogne-sur-Mer and Marseille. Notably, Gabé did not exhibit at the Salon his large historical canvases on the revolution of 1848, which today are of obvious documentary and iconographic interest; probably for political reasons which are easily understandable to us today in view of the historical events of then. Gabé died in Paris at the age of 51 on January 4, 1865 with a mention in the January 7, 1865 edition of L'Union des Arts: “The death of Mr. Gabé, painter, well known in the export trade in paintings as well as to the auctioneers' hotel, whose sales it supplied through its numerous navies. “ "On June 25, 1848, in front of the barricades erected in the Bastille by the insurgents of the Red Republic, General Négrier fell to death, while he was uttering words of order and conciliation". Here are the opening lines of the tribute paid by Colonel Borgarelli d´Ison, friend of General Négrier. General Négrier belonged to a family from Maine, brought back by Marshal Lannes from emigration. Born in Le Mans on April 27, 1788, François Marie Casimir de Négrier entered, barely 18, as a volunteer in the 2nd Light Infantry Regiment. He began in 1806 with the campaigns of Prussia and Poland, during which he earned, through his bravery, the rank of sergeant and the decoration of the Legion of Honor. He made the following campaigns in Spain and Portugal, and left, with his regiment, only for the campaign of France, in 1814, after having risen successively, by actions of brilliance and by a serious wound, to the ranks of head of battalion and officer of the Legion of Honor, with which he was provided from October 1813. The Restoration retained his rank in his regiment. After having fought and wounded a second time seriously in Waterloo, Négrier was recalled in 1816 under the second Restoration. He was appointed, in 1825, lieutenant-colonel, then colonel in 1830, brigadier general in 1836, and of division in 1841. From March 1837 he participated in the conquest of Algeria. The Revolution of 1848 found Negrier in possession of the important command of the 16th Military Division in Lille. Quaestor of the Assembly in these times which promised to be troubled, Négrier reviewed the Place de la Concorde on June 23 at around noon various mobile guard battalions. He then took the head of 2,000 men provided by the 10th and 11th legions of the national guard and bivouacked on the Place du Palais until the next day 24. On Sunday 25 at nine o'clock, the Négrier division resumed the fight towards the Saint suburb. -Antoine. The troop gains continual advantages. At around two o'clock the column of Négrier had seized the Pont Marie: it had removed the barricades from the Quai Saint-Paul, the rue de l'Etoile, the rue des Barres...

French school of the second half of the 19th century, follower of Oudry Blue macaw perched on a branch Oil on canvas 73 x 60 cm

Marie Madeleine Amélie LOISEAU, born DUMONT (Paris, 1860 - ?) Portrait of a worldly woman Oil on canvas Signed and dated lower left 117 x 89 cm 1881 Exhibition: Salon de Pontoise of 1881 or 1882 under number 292 Marie Madeleine Amélie Dumont was born in Paris on January 23, 1860. She married on June 10, 1883 in Paris Mr. François Paul Raoul Loiseau, lawyer at the Paris Court of Appeal. Three children were born from this union, two girls and a boy. Marie Loiseau was a student of Mademoiselle Espérance Langlois (active between 1860 and 1890) and Pierre Dupuis...