Didier Lourenço

Blue Siesta

2017

Sally Michel Biography American, 1902-2003 Sally Michel Avery was an American painter known for her lyrical depictions of everyday life. Though she used techniques and stylized form...

Hand signed by artist "The Party (Study)". Figurative, Human figure, Realism, oil on panel

Hand signed by artist "Glass and dried flowers". Figurative, Realism, still life, oil on panel

Hand signed by artist Antinoo. Figurative, Human figure, Realism, surrealistic, mythology, acrylic and oil on panel

Hand signed by artist "Bucket". Figurative, Realism, still life, oil on canvas

Hand signed by artist "All you need". Figurative, Human figure, Realism, oil on canvas, feminist

Hand signed by artist Lemmons. Figurative, Realism, still life, oil on canvas

Interior with Man at Table American Modernism WPA Social Realism Modern Painting Philip Evergood (1901 - 1973) Untitled (Interior with Man at ...

"Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century Realism. 30 x 24 inches. Oil on canvas. Signed on stretcher, c. 1940s. Frame is likely original to the painting. Realist painter-printmaker Kyra Markham...

Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...