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Dino Valls
Glycofilusa

Price:$53,369.86

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The Card Players by a Flemish 1600s Artist
By Flemish School, 17th Century
Located in Stockholm, SE
Flemish 1600s School The Card Players oil on oak panel panel dimensions 22.5 x 20 cm frame included Provenance: From a Swedish private collection. Condition: Flat and stabl...
Category

17th Century Old Masters Figurative Paintings

Materials

Oak, Oil, Panel

Madonna with Holy Child and St. John
Located in Fredericksburg, VA
Madonna with Holy Child and St. John is a masterful depiction of a tender religious scene, capturing the sacred relationship between the Virgin Mary, the infant Jesus, and St. John t...
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17th Century Old Masters Portrait Paintings

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Wood, Oil

17th century portrait of the wine merchant Caspar Rommerskirchen - Old master
Located in Aartselaar, BE
17th-century German portrait of the wine merchant Caspar Roemerskirchen at the age of 26 in 1628, Franz Kessler (attr.) This highly decorative portrait depicts the 26-year-old Caspa...
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17th Century Old Masters Portrait Paintings

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Portrait of a lady in blue dress ”Countess of Peterborough”
Located in Stockholm, SE
This exquisite portrait, with its new attribution to Theodore Russel, is believed to depict Lady Penelope O'Brien, daughter of Barnabas O'Brien, the sixth Earl of Thomond, and wife of the Earl of Peterborough, whom she married in 1644. The painting thus belongs to a historically significant period, capturing the refined elegance of the time. The portrait has a prestigious provenance from Elleholms Hofgård, a historic estate in Mörrums socken, Blekinge, Sweden. Elleholms Hofgård, whose two-story, timber-framed main building was constructed in 1730 and expanded in 1804, has changed ownership several times since the 17th century. The ancestors of the present owners acquired the estate in 1915, and from the 20th century until 2023, this painting was prominently displayed in the estate’s main building, making it an integral part of the estate’s history. Theodore Russel, an English portrait artist born in 1614, studied under the renowned Sir Anthony van Dyck, whose influence can be seen in Russel’s meticulous style. Russel often painted on cabinet-sized panels, such as this one, which measures approximately 39 x 31 cm. This preference for panels is a notable characteristic that sets him apart from contemporary artists like Sir Peter Lely, who exclusively used canvas. The size of the panel is a key reason for the reattribution to Russel from Peter lely, as Lely never used panels for his works. This distinctive format, along with Russel’s characteristic style, strongly supports the new attribution. Russel, the son of Nicasius Rousseel, a goldsmith and jeweler to James I and Charles I, refined his skills under the mentorship of his uncle, the famous portrait painter Cornelis Janssen. He also worked as an assistant and copyist for van Dyck, further honing his artistic style. This captivating portrait exemplifies Russel’s craftsmanship, reflecting the elegance of the period’s fashion and the artist's refined techniques. oil on wood panel with indistinct inscription Countess of Peter[...] upper left. with inscription on the reverse: ”Countess of Peterborough. P. Lely 1670. S Beatty Picture Restorer [...] Warwick”. unframed 39 x 31 cm = 15.35 x 12.2 inches framed 52 x 41.5 cm = 20.47 x 16.34 inches Condition: The portrait has just been restored by a professional art conservator in Stockholm and is now in a very good condition. The colors are vivid, and the skin tones appear more natural than before. It is a very fine painting. The frame is newly made and included. Provenance: Elleholms Hofgård, Mörrums socken, Blekinge, Sweden **; Stockholms Auktionsverk, Fine Art & Antiques Autumn...
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17th Century Old Masters Portrait Paintings

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Answer Within
Located in Ibadan, Oyo
Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery)
Category

21st Century and Contemporary Old Masters Portrait Paintings

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Canvas, Oil

Portrait Of A Gentleman By Frans Hals
Located in New Orleans, LA
Frans Hals 1582-1666 Dutch Portrait of a Gentleman (possibly Theodore Blevet) Oil on panel “Frans Hals is a colourist among the colourists...Frans Hals must have had twenty-seven blacks...
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17th Century Old Masters Portrait Paintings

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Oil, Panel

Portrait Of A Gentleman By Frans Hals
Price Upon Request
H 25.5 in W 22.38 in D 2.75 in
17th Century Italian Old Master Oil Painting Moses Striking Water from the Rock
By Pier (Pietro) Dandini
Located in Cirencester, Gloucestershire
Moses Striking Water from the Rock; Circle of Pietro Dandini, Italian 1646-1712 Italian School, late 17th century oil on canvas, framed framed: 3...
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Early 18th Century Old Masters Portrait Paintings

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Soldier in an Interior, Early 17th Century Dutch Oil
Located in London, GB
Pieter Symonsz Potter Dutch 1600 - 1652 Soldier in an Interior Oil on oak panel, red seal to reverse Image size: 15 x 10 3/4 inches Dutch Ebonised frame Bathed in a well lit roo...
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Early 17th Century Old Masters Portrait Paintings

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Oil, Board

18th Century French Portrait of Mysterious Man Oil on Canvas for restoration
Located in Cirencester, Gloucestershire
Portrait of a Gentleman French School, 18th century oil on canvas, unframed canvas : 25 x 20 inches provenance: private collection, France condition: the painting is in sound conditi...
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18th Century Old Masters Portrait Paintings

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Oil

18th century Portrait of a young girl, Miss Cator in a landscape, white dress
By John Russell
Located in Woodbury, CT
Portrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...
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1780s Old Masters Portrait Paintings

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"Iris" Surrealistc Beautiful Woman´s Body emerging from a flower. Large format.
By Lluis Rizzo Rey
Located in Segovia, ES
"Iris" oil on panel, mixed technique by Lluis Rizzo. Hyperrealist painting. Measurements: (H) 114 x (W) 146 cm. Framed: (H) 144 x (W) 176 x (D) 5 cm. « Iris » Here we have a rare species of Iris that will not be found in botanical books but in art catalogs...
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Early 2000s Surrealist Figurative Paintings

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Oil, Acrylic, Color Pencil, Wood Panel

Before The Horse Race. Jori Duran expressionist high society sport scene
By Jori Duran
Located in Segovia, ES
The oil on canvas titled 'Avant la Course' (65 x 81 x 3 cm.) reflects the world of high society in the context of horse racing, a setting where eleganc...
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21st Century and Contemporary Expressionist Figurative Paintings

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Canvas, Oil

Regattas day (a tribute to Seurat). Large format Riverside scene with figures.
By Fabio Hurtado
Located in Segovia, ES
Reggatas day (tribute to Seurat), by Fabio Hurtado, is an oil painting on canvas which was created in 1995 and which obtained the Honorary Medal at the C...
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1990s Art Deco Figurative Paintings

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Canvas, Oil

Spanish Contemporary Woman Portrait Lying On The Couch. Figurative Realism.
Located in Segovia, ES
¨Serenidad¨. Spanish Contemporary Woman Portrait Lying On The Couch. Figurative Realism. Oil on canvas. Dimensions: (H) 130x (W) 162 x (D) 2 cm. / Inches 51.18 x 63.78 x 0.79 " Framed: (H) 153 x (H) 185 x (D) 4 cm. / Inches 60.24 x 72.83 x 1.57 " Juan Carlos Ospina Ortiz (Colombia 1963), practices realistic figuration with themes of clear Spanish influence. The artist settled in Andalusia (Spain), where, searching for his roots, he immersed himself in the music, folklore, and traditions of that country. This painting, ¨Serenidad¨, is reproduced on a double page in the article that the renowned art publication Prestige Magazine edited in 2003, where the cover is a female portrait by Ospina Ortiz. (number 63, 2003, pages 24-25). ABOUT THE ARTIST Juan Carlos Ospina Ortiz (Tolima-Colombia 1963) studied design and painting in Bogotá, which he later complemented with specializations in Paris and Madrid. He practices a realistic figurative style, where he alternates between portraits, still lifes, landscapes and horse paintings. In 1993 he visited Spain for the first time, being greatly influenced by two renowned contemporary painters: Antonio López and Eduardo Naranjo. His works, from those years on, would be strongly influenced by the vision he had of them. He obtained a scholarship to continue his training with the Colombian painter Guillermo Muñoz Vera...
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Early 2000s Realist Figurative Paintings

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Icon of The Holy Virgin of Tenderness (Korsunskaya).
Located in Segovia, ES
Icon of THE KORSUN VIRGIN (KORSUNSKAYA), egg tempera, and gold leave on gesso, over a piece of wood. Dimensions: (H) 26.5 x (W) 23.5 x (D) 3 cm. Also called The Holy Virgin of Tenderness, represents the Mother of God and infant Christ in a tender cheek-to-cheek embrace. The Virgin's hands tenderly surround the head and hands of the Child Jesus while he takes the cloak of the Mother of God with his left hand and plays with the fingers of his right hand, between his mother's neck and his own. Two very old icons, from the 12th and 13th Centuries, painted on the same theme, are respectively in the Uspenskii Cathedral in Moscow and in the Russian Museum in St. Petersburg. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterward, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold. Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...
Category

1990s Byzantine Figurative Paintings

Materials

Gold Leaf

Virgin of Kataphyge and St. John, after a Byzantine Bulgarian Icon 14th Century
Located in Segovia, ES
The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...
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Early 1900s Byzantine Figurative Paintings

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Gold Leaf

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