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Edouard GoergEdouard Goerg, Les 3 Brunes, Large Oil on Canvas, 19551955
1955
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$15,000
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£11,331.95
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€12,995.28
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CA$20,929.64
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A$22,777.88
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CHF 12,074.53
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MX$274,035.24
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NOK 153,143.82
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SEK 140,115.87
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DKK 97,084.62
About the Item
Large oil on canvas by Edouard GOERG (1893-1969), France, 1955. LES 3 BRUNES. With frame : 114x95cm - 44.9x37.4 inches ; without frame : 92.2x73 cm - 36.3x28.75 inches. Format 30F. Signed "E.Goerg" (see photo). On the back, inscription by the hand of the painter "Les 3 brunes E. Goerg mai-Juin 1955". One of his masterpieces in theme and format! Edouard Goerg possessed an immediately identifiable and particularly poetic style, which made him one of the most sought-after French painters of his time. One could draw many comparisons between her life and that of Chagall, both marked by the death of adored wives, and by the emergence of the work that followed. On this subject, art critics comparing the work of the two painters wondered which of the two was at the origin of the flowery themes developed, on the one hand, by Edouard Goerg through his flower-women and, on the other hand, by Marc Chagall in the continuation of his work. hus Goerg developed a dreamlike imagination highly prized by collectors, where women and flowers would become inseparable.
Édouard Goerg is one of the major artists of his generation. Coming from a Champagne family, he was born in Sidney, Australia, in 1893, during a professional stay of his father. After passing through London, he arrives in Paris at the age of seven. At twenty, between 1913 and 1914, he studieds painting at the Académie Ranson with Maurice Denis and Paul Sérusier. He travels to Italy and India. Mobilized in 1914, he is sent to Artois, then to Argonne. From 1920, he exhibits at the Salon des Independants, then at the Salon d'Automne where he joins with Laboureur. At Berthe Weil, in 1924, he participates in the exhibitions of the Gromaire group, a prelude to a series of exhibitions in Paris (Berthe Weill, Bernheim Jeune), as in Brussels (Le Centaure). Goerg illustrates books including Table of the beyond by F.Boutet. In 1928, he meets Paul Guillaume who exhibits his works in Boston and the Art Institute of Chicago. He continues to show his works, satires of the bourgeois manners, at Bernheim Jeune, then at Lucie Krogh. In 1934, he travels to Belgium and Holland where he paints surrealist paintings that will be exhibited at Jeanne Castel. In 1935-1936, he meets Aragon, who opened the doors of the houses of the cultures created by the Association of Writers and Revolutionary Artists. The Spanish war and the Second World War mark it deeply. He must protect his daughter and his Jewish women against the pursuit of the Nazis. The latter will die by lack of care. In 1949, Goerg is appointed professor of Fine Arts and teaches at the Grande Chaumière. He is elected to the Academy of Fine Arts in 1965. He dies in 1969.
" His satirical verve is that of a Toulouse-Lautrec of the Roaring Twenties. Goerg instigates the world from which he comes, his ceremonial, morgue and the falsity of important people " (Michel Charzat, La jeune peinture française)
In the paintings of his early period he attacks the morality of post-war bourgeois society, and in that sense was similar to expressionist painters like Georg Grosz. The major works of this period are: Pirate (1922); Gourmand (1923); Bar (1923); Marriage (1924); Window (1924); Don Quixote (1925); and Good fortune (1925). He travels extensively, and in 1935 visits the museums of Holland, where he is deeply influenced by the works of Hieronymus Bosch and Bruegel. He then directs a series of paintings on the theme of the tragedy of the human condition, under the generic title: "eThis is how the world turns under the eye of the police".
After the Second World War, he savs his vitriolic commentary for his etchings, and in his paintings ceased to criticize real life and instead celebrated the evil charms of the flower-girls. He illustrates many books, including: Tales of Hoffmann, Picture of the Beyond by Frederick Boutet, Knock by Jules Romains, The Flowers of Evil by Charles Baudelaire, The Book of Job and Apocalypse of St. John by Sir Isaac Newton, who have all demonstrated his engraving skills. Asked about his art, he confesses that he had first wanted to try to unblock the "comedy of everyday forms". Essentially a painter of figures, he generally paints groups of feminine nudes; however, these nudes are often accompanied by conservatively dressed male spectators, who are the most enduring symbol of his first comic intentions. Nevertheless, the comedy is loaded with bitterness and sarcasm.
After several refusals, he is accepted at the Salon des Artistes Indépendants in 1922. His work then appears at the Salon d'Automne, at the Salon des Tuileries, at the Salon des Peintres Témoins of Their Time and at the Salon of the Society of Painters-Engravers, where he becomes honorary president from 1945 to 1958. He makes his first personal exhibition in Paris in 1925. After that, he exhibits regularly in France and abroad. There have been several retrospectives of his work, notably in 1988 at the Grand Palais in Paris and the Salon du Verney in Vichy. In 1949, he receives the very prestigious Hallmark prize for Nativity. In 1950 he receives the Lugano Prize for Engraving.
"In the mid-twenties, he developed his plastic code: canvases with a flat surface, a chromatic range that has brightened with phosphorescent blues and greens, a craft that wants to transcend the subject by intrinsic beauty. Goerg works with the patience of the alchemist his paste that he superimposes to obtain the sumptuousness of enamels. A pictorial magic unifies the different periods of the work" (Michel Charzat, La jeune peinture française)
- Creator:Edouard Goerg (1983-1969, French)
- Creation Year:1955
- Dimensions:Height: 44.89 in (114 cm)Width: 37.41 in (95 cm)Depth: 2.76 in (7 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Saint Amans des cots, FR
- Reference Number:1stDibs: LU1088214859822
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