Edward Percy Moran

"Portrait of a Woman" Edward Percy Moran, Early American Portrait, Bucolic

circa 1890s

Vlaho Bukovac (Croatian, 1855 - 1922) Portrait of a Lady Oil on canvas 18 1/2 x 15 inches Signed left middle Provenance: Private Collection Toronto Kuns...

Attributed to Margaret Carpenter Portrait of Mary Pringle Oil on canvas 48 x 38 inches Unsigned Margaret Carpenter was a painter of portraits and figure subjects. She was born Marga...

Harriet Peale Portrait of Rebecca, 1840 Inscribed verso, “Portrait of Rebecca Greenwood (?)/ Aged 25 years/ Painted by Harriet C. Cany/ May 1840” Oil on canvas 28 3/4 x 23 3/4 inches...

Émile-Pierre Metzmacher (French, 1815 - 1890) A Young Beauty Crossing a Brook, A Hunter Beyond Oil on panel 24 x 19 1/2 inches Signed lower left Provenance: Christie's New York, Oct...

Oil Painting by H. Sinclair Jackson "A Cornish Lass" who flourished 1887 - 1896 An Exeter artist of coastal scenes with figures. He exhibited at the Manchester city art gallery. Oi...

This lovely portrait oil painting is by much exhibited British artist Edwin Roberts. The painting is an excellent example of Victorian romantic genre art and is of a Summer Beauty. T...

Jane Maria Bowkett British, (1837-1891) Collecting Flowers Oil on canvas, signed with monogram Image size: 23.5 inches x 17.75 inches Size including frame: 29.25 inches x 23.5 inches A highly appealing genre painting of a young girl holding flowers by Jane Maria Bowkett. The girl is posed in a wild flower meadow in front of a wooded area and wears a white lace dress with a pink sash. On her head is a yellow straw hat decorated with white feathers and a ribbon. She is shown gripping the brim of her bonnet with one hand whilst holding a posy of flowers in the other. The girl bears a resemblance to the models featured in some of the artist's other paintings and could well have been a family member. Jane Maria Bowkett was a figure and genre painter born in Poplar, London on 17 September, 1837, the eldest child of Thomas Edward Bowkett and Jane Bowkett (nèe Watkinson). The family lived at East India Road where he father practiced as a surgeon, later becoming a doctor and was involved in the Chartist movement. Three of her sisters, Eliza Martha Bowkett (1839-1867), Jessie Undine Bowkett (1861-1886) and Leila Matilda Bowkett (1853-1924) also became artists. She attended the Government School of Design (now Royal College of Art) and in 1858 began her exhibiting career at the Society of Female Artist. In 1860, she started exhibiting at the British Institution and a year later made her debut at the Royal Academy and Royal Society of British Artists. As well as exhibiting in London, she also exhibited more widely at the Birmingham Society of Artists, Royal Scottish Academy, Bristol Academy of Art and the Brighton Art Society. Most of her paintings were genre scenes featuring woman and children in a mixture of both interior and landscape settings. Her work also included a number of beach and coastal paintings. She married the still life and landscape artist Charles Stuart on 7 February, 1862 at All Saints Church in West Ham. Although married, she continued exhibiting under her maiden name. The couple spent the first years of their married life living in Stepney Causeway where they started a family. One of their sons Charles Edward Gordon...

Herman Hyneman (1849-1907) Sunday Morning, 1907 Oil on board 15 3/4 x 11 1/2 in. Framed: 21 1/3 x 17 1/2 in. Signed lower right: Copyright 1907 by H.N. Hyneman Inscribed verso: Sunday Morning by H.N. Hyneman The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...