French School

19th Century French Academic Oil Painting Semi Nude Man Posing for Artist

Staunch and utterly absorbed, the Art School Model is seized in a moment of confident detachment, posing not for the students, but for posterity. Here is a remarkable and historicall...

Antique naked woman, nude oil painting, post impressionist female nude signed and dated oil painting by French artist Fernand Labat, Nude in ...

Oil on Canvas 46cm × 37cm (57cm × 49cm framed) Until the 1930s, this painting was considered to be by Théodore Géricault. Indeed, since its creation c.1810, it has been sold twice a...

Painting Oil On Canvas, a Reclining Nude by Legendre French school of the 20th century Beautiful and large oil on canvas, French school from the 1920's representing a naked young rec...

Nude before a mirror by French artist Auguste Leroux Beautiful oil on canvas, French school from the 1920' . The painting is not framed Title: " Nude before a mirror " Medium: or...

Spanish Oil painting on Canvas, a reclining Nude 19Th attr. to Luis Ricardo Falero (23 May 1851 – 7 December 1896) Additional Info painting : Title: reclining nude Medium: original...

Nude Model on a White and Blue Bed in Acrylic on Paper Colorful painting of a woman in bed by acclaimed bluegrass musician and San Francisco artist Katherine "Kathy" Kallick (Americ...

Rafael Maria de Soto y Hernandez was born February 18, 1904 in Aguadilla, Puerto Rico. It's high drama in the swamp. Woman in the Swamp is a masterfully executed example of Pulp Art and showcases Rafael DeSoto's full command of academic painting. DeSoto did pulp covers up until the industry's demise in the 1950s for such magazines as Adventure, Argosy, Black Mask, Captain Zero, Crack Detective, Fantastic Novels, 15-Story Detective, Fifteen Western Tales, New Detective, Smashing Detective, and Walt Coburn's Western Magazine. He also painted many covers and interior story illustrations for men's adventure magazines, such as Action For Men, Adventure, Battle Cry, For Men Only...

A young man at a crowded upper-class Haitian swimming pool attracts attention. We see him only from the back in a Magritte-like pose. The transfixed expressions of some of the nubile bare-breasted bathing beauties and one man with his hands down his pants give us a clue that the mystery man is special. This is a fascinating work packed with drama and overflowing with pent-up emotion.
Bigaud's narrative is as complex as his figural composition of lookers and swimmers. Notice the sight lines of the lookers go back to front while the two swimmers go from left to right. The twenty-two figures are contained in the rectangular shape of the pool, which is pushed to the front of the picture plane. The cars of the pool partygoers are seen in the background with one witness. He is fully clothed and is most likely a chauffeur. The fully clothed female at the pool offering food is a servant. A boxy-looking radio with a pack of cigarettes and the style of the cars give glue to the date. Most Haitian art depicts average working people. The pool party departs from that tradition and shows life of the Haitian upper class. Most likely, this was painted in Petion-Ville. The higher the elevation in Port-au-Prince the more wealthy the homes. Although the artist's painting technique may be described as naive or lacking polish.
 t's one of the reasons why the work radiates charm and interest. The painting is oversized with huge dimensions of 55 x 48 and will be a statement in any room. Wilson Bigaud is considered to be a Haitian master. The condition is good. Three repaired one-inch issues on the extreme center and upper right edge. Visible only on close inspection. Otherwise presents very well and is elegantly framed, ______________________________________ Haitian master Wilson Bigaud is renowned for works portraying everyday life and rites of passage—vodou rituals, fortune-tellers, weddings, cockfights, and carnivals—with voluminous figures and lucid colors. Born in Port-au-Prince, in 1946 Bigaud was among the first to attend DeWitt Peters’s Le Centre d’Art d’Haïti, where he studied with Hector Hyppolite...

Jacqueline Marval was close friends with Kees van Dongen and her work is of the same school as, Matisse and Marie Laurencin. Les Odalisques is quite contemporary looking with it's main figure having joyful life and vitality to her. Some refer to her as a Fauve and some as a post-impressionist. Clearly, she is an overlooked female artist. This work is over...