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French School Masters
French school Landscape riverside Signed

1893

$346.69
$1,673.6979% Off
£258.74
£1,249.1179% Off
€290
€1,40079% Off
CA$478.24
CA$2,308.7379% Off
A$523.11
A$2,525.3779% Off
CHF 275.43
CHF 1,329.6779% Off
MX$6,245.42
MX$30,150.3079% Off
NOK 3,510.43
NOK 16,946.8979% Off
SEK 3,211.20
SEK 15,502.3679% Off
DKK 2,209.32
DKK 10,665.7079% Off

About the Item

➡️Vivid Landscape⬅️ ➡️Impressionist Scene⬅️ ⏩It is signed Jeanneau.⏪ Possibly Fernand Jeanneau, ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. High textured ⭐Size:⭐29.5x41cm / 11.4x 16.1inch with frame: 35.5x46cm / 13.8x18.1 inch ⭐Date: 1893⭐ ⭐Condition : ⭐ Vivid color. Good condition small cracks, high texture, 0ne restoration (see back), beautiful frame Ready to hang. ⭐Provenance:⭐ Private collection - France. ⭐Shipping:⭐ from France is fast 4-6 days with Fedex / DHL 🟢🟢🟢🟢🟢🟢🟢🟢🟢🟢🟢🟢🟢🟢🟢🟢🟢🟢 His evocative landscape painting captures a quiet riverside village, rendered with a gentle romanticism that recalls 19th-century French regional painting. The artist focuses on atmosphere and daily life rather than dramatic narrative, resulting in a work that feels intimate, nostalgic, and grounded in a sense of place. The crackling of the varnish or paint layer visible across the surface suggests age, adding to its old-world charm and reinforcing the impression that this scene belongs to another era. The composition is structured around two main elements: the row of rustic village houses on the left, and the sweeping river on the right. The buildings are painted in warm earth tones ochres, browns, and soft reds creating a welcoming ambiance. Their simple architecture, with stone façades, external staircases, shuttered windows, and sloping roofs, suggests a small rural settlement. The perspective leads the viewer’s eye along the gently curving dirt road that runs between the houses and the riverbank, guiding us naturally toward the background where a bridge spans the river. This bridge, softly rendered and slightly hazy, adds depth and helps to anchor the distant horizon. Foreground activity gives the scene its human presence. A solitary figure bends over a small boat at the river’s edge. This person’s posture leaning forward intently implies work, perhaps repairing the boat, loading equipment, or preparing for a task on the water. The inclusion of this figure animates the landscape and pays homage to the labor and rhythm of rural life. The weathered boat and scattered objects around the man reinforce a lived-in environment, not idealized but authentic. The river itself is calm, painted in cool muted blues and greys, reflecting the soft light of the overcast sky above. The sky occupies nearly half of the canvas, filled with gentle, pale clouds rendered with delicate brushstrokes. The artist achieves an airy, atmospheric effect, creating an impression of a quiet day perhaps early morning or late afternoon when the village is neither bustling nor asleep, but suspended in peaceful routine. The contrast between the warm tones of the village and the cooler tones of the water and sky generates a harmonious balance. This careful juxtaposition underscores the theme of coexistence between human settlement and nature. The faint suggestion of distant buildings on the far bank of the river reinforces the idea of a broader world beyond this small riverside moment. Brushwork varies throughout the composition. The buildings are treated with more defined lines and subtle textural details, while the sky and water are handled with smoother, more fluid strokes, giving them softness and movement. The ground in the foreground features more expressive marks, creating a textured, earthy feel. These variations in technique contribute to a dynamic yet overall unified visual experience. Emotionally, the painting evokes calmness, nostalgia, and a reflective connection to the simplicity of rural life. It invites the viewer to pause, breathe, and appreciate the quiet poetry of an ordinary day by the river. The presence of the artist’s signature and date at the bottom left marks the work as a personal statement—an attentive, affectionate portrait of a place that likely held meaning to its creator.
  • Creator:
    French School Masters (French)
  • Creation Year:
    1893
  • Dimensions:
    Height: 11.62 in (29.5 cm)Width: 16.15 in (41 cm)Depth: 0.79 in (2 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Zofingen, CH
  • Reference Number:
    Seller: Jeanneau1stDibs: LU2203217330202

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