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Georgina Lara19th Century landscape oil painting of a village with figures
animals
$6,280.48
£4,600
€5,411.17
CA$8,745.25
A$9,396.28
CHF 5,041.09
MX$110,699.06
About the Item
Georgina Lara
British, (fl. 1862-1871)
Bustling Village Life
Oil on canvas, signed
Image size: 19.5 inches x 29.5 inches
Size including frame: 25.5 inches x 35.5 inches
A charming village scene with figures, horses and other animals congregating around a village square. To the far left, a hay cart is being unloaded as children play marbles in the foreground. Meanwhile, figures on horseback wait their turn by a horse trough in front of villagers sat at a table. To the right, a wagon and horses are shown entering the village passing a group of figures and horses outside a thatched cottage. To the far right, an elderly couple sit on a log watching on as children buy apples from a seller.
Georgina Lara also known as Edwina Lara was a London painter of rustic farmyard and village scenes. Her work also closely resembles that of Edward Masters who also went by the name of William Masters. They are believed by many to be one in the same. However, there is evidence to suggest Lara was the pseudonym of Georgiana Laura Rogers who was related to the artists William Paul Lara (1827-1898) and Ernest William Lara (1858-1943).
Georgiana Laura Rogers was born in London on 17 July, 1828 and was the daughter of the artist William Paul Rogers (1801-1875) and sister of William Paul Lara (Rogers). She was listed as an artist in the 1851 census and at the time lived on Acton Street, St Pancras. In 1859, she married John Alexander McIntosh, a photographic artist. In the 1871 census she was recorded as living at 13 Chalk Farm Road, from where her husband ran a photographic studio. This was the same exhibition address listed as Lara’s from 1868. Her husband’s next business address was listed as 2 Prospect Terrace, which was also the last exhibition address for Lara. After her death in 1871, her brother William Paul Rogers changed his surname to Lara which may or may not have been related.
Lara made her debut at the Royal Society of British Artists in 1862, continuing to exhibit there until 1871. She also exhibited at the British Institution from 1863. Her exhibition addresses included 24, George Street, Euston Square, 32 Carlton Road Villas, Kentish Town, 13 Chalk Farm Road and 2 Prospect Terrace, Upper Holloway. Her paintings are full of charm, often containing groups of small figures and detailed buildings. Many of her works are also centred around villages or hamlets such as this lovely example.
Examples of her work are held by the Russell-Cotes Art Gallery
Museum.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.
© Benton Fine Art
- Creator:Georgina Lara (1832, British)
- Dimensions:Height: 25.5 in (64.77 cm)Width: 35.5 in (90.17 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Nr Broadway, GB
- Reference Number:1stDibs: LU15626646382
Georgina Lara
A painter of farmyard and village scenes, Georgina Lara exhibited at the British Institution as well as exhibiting 16 works at Suffolk Street. Very little is known about her life. Her work is sometimes attributed to Edward Masters, whose style is very similar to her own. Lara’s work is noted for large numbers of doll-like figures included in her paintings and setting them in country and village scenes, where they are going about their daily chores and duties. As a rural idyll we might all like to emulate today, the artist’s work remains very collectible.
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View All19th Century landscape oil painting of a village
By Georgina Lara
Located in Nr Broadway, Worcestershire
Georgina Lara
British, (fl. 1862-1871)
A Busy Village
Oil on canvas, unsigned
Image size: 11.75 inches x 19.25 inches
Size including frame: 16.25 inches x 24.25 inches
Provenance: Cooling Galleries, Bond Street, London
A pleasing village scene featuring figures, horse and other animals in a village square. To the left, a team of horses with a hay cart can be seen resting whilst a group of people chat outside a village store. In the foreground a group of children play marbles by a dog as two women chat by a log. Meanwhile, a horse and cart is shown entering the village alongside a barn.
Georgina Lara also known as Edwina Lara was a London painter of rustic farmyard and village scenes. Her work also closely resembles that of Edward Masters...
Category
19th Century Victorian Landscape Paintings
Materials
Oil, Canvas
19th century landscape oil painting of a village tavern
By John Holland Senior
Located in Nr Broadway, Worcestershire
John Holland Snr
British, (1830-1886)
The Malt Shovel Tavern
Oil on canvas, signed
Image size: 13 inches x 20.5 inches
Size including frame: 18.25 inches x 25.75 inches
Provenance: Frost & Reed
A wonderful painting of figures sat outside a village inn by John Holland Senior. A wagon is shown delivering supplies as another cart drives off towards a windmill in the distance. In the foreground two people cut a log in half whilst their family looks on. The Malt Shovel Inn was most likely the one at Upper Lambourn in Berkshire. Over 500 years old, it was located on Malt Shovel Lane, and was originally a bakery, becoming an inn sometime during the mid 1700’s. It remained as a pub until its closure in 2016. The windmill in the distance was situated outside Lambourn on the road to Baydon. It was built in 1771 but was demolished around 1887 and is now the site of a farm.
John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists.
By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint.
He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886.
A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...
Category
19th Century Landscape Paintings
Materials
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Early 19th Century landscape oil painting of a farm
By Hermanus van Brussel
Located in Nr Broadway, Worcestershire
Hermanus van Brussel
Dutch, (1763-1815)
The Farmyard
Oil on canvas
Image size: 18.25 inches x 21.25 inches
Size including frame: 24.5 inches x 27.5 inches
Provenance: Frost & Reed
A...
Category
Early 19th Century Landscape Paintings
Materials
Canvas, Oil
19th Century landscape oil painting of figures with cattle near a country river
By Thomas Thomas
Located in Nr Broadway, Worcestershire
Thomas Thomas
British, (1831-1913)
A Country Idyll
Oil on canvas, signed
Image size: 19.25 inches x 29.25 inches
Size including frame: 28.75 inches x 38...
Category
19th Century Victorian Landscape Paintings
Materials
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Pair of 19th century landscape oil paintings of a village
By John Holland Senior
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13.75 INCHES X 16.75 INCHES**
John Holland Snr
British, (1830-1886)
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Oil on canvas, pair, both signed
Image siz...
Category
19th Century Landscape Paintings
Materials
Canvas, Oil
19th Century oil painting of a farm with horses, pigs, goats, poultry
cattle
By John Frederick Herring Jr
Located in Nr Broadway, Worcestershire
John Frederick Herring Jnr
British, (c1820-1907)
Farmyard Friends
Oil on canvas, signed
Image size: 23.25 inches x 35.25 inches
Size including frame: 29.75 inches x 41.75 inches
Provenance: Frost & Reed; Stacy Marks, Eastbourne
A fantastic rural farmyard scene featuring horses, pigs, goats, chickens, ducks and cattle by John Frederick Herring Jnr. In the foreground, pigs, goats and chickens are shown foraging for food whilst horses watch on. To the right, a bay horse drinks from a pond next to some ducks as cattle graze outside a barn. In the distance two figures can be seen walking along a country path towards a church.
John Frederick Herring was born in Doncaster c1820 to the artist John Frederick Herring (1795-1865) and his wife Anna Catharina (nee Harris) and was baptised on 2 May, 1821. There is some confusion about the date of his birth due to an earlier birth record existing for 21 June, 1815. To complicate matters further, all of the census records indicate he was born in 1816. Some sources suggest this was an earlier child who died and that Herring was the child born in 1820.
Herring’s brothers Charles Herring (1828-1856) and Benjamin Herring (1830-1871) also became artists. He and his brothers were exposed to art at an early age and were all tutored by their father whose subject matter influenced their work. The family moved to Newmarket during the early 1830’s and Herring would visit the racecourse to study the horses. The brothers would often collaborate with their father on paintings, however, Herring Jnr soon developed his own style and began painting farmyard and rustic scenes featuring horses and other farm animals. His emerging success caused some discord with his father, who from around 1836 began adding ‘SR’ or ‘Senr’ to his signature to avoid confusion between the two artists. Herring did not join his father when he later moved to London but at some point moved to Cambridgeshire where he met and married Emma Jane Dawson on 29 August, 1836. Together, they lived at Great Wilbraham with their 5 children.
By 1861, he had moved to nearby Fulbourn and continuing his successful career made his debut at the Royal Academy in 1863. He began exhibiting at the British Institution from 1864 and also exhibited at the Royal Society of British Artists at Suffolk Street.
After the death of his first wife, Herring married the artist Catherine Augusta Rolfe on 5 December 1865 at St Pauls Church, Hammersmith in London. Catherine (or Kate) was the sister of the artists Alexander Frederick Rolfe (1814-1875) and Henry Leonides Rolfe (1823-1881) and the daughter of William E Rolfe, a friend of his father. They lived at Wilbraham Road in Fulbourn, later moving to The Poplars in Fulbourn where Herring spent the rest of his life. He died at Fulbourn on 6 March 1907.
Examples of his work are held by a number of museums and public collections including the Bradford Museum, Hawarth Art Gallery, Government Art Collection, Grundy Art Gallery, the Tate, National Gallery of Art, Washington DC and the Watford Museum & Witt Library.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine Art
Category
19th Century Animal Paintings
Materials
Canvas, Oil
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