Gin Stone

From the Extinction(s) Series: The Dodo

2024

From 1989 until 2010, Gin Stone worked solely as a painter- this background gave her a strong knowledge of color and form. Over a decade ago, she began experimenting with textile, particularly reclaimed fishing gear and line. From trial and error with different types of gear, she found that longline, used to commercially fish haddock and cod local to her studio, could be hand-dyed and manipulated into a strong color pallet with a uniform gauge. She create three dimensional work by cutting and re-piecing material to make the animal’s ‘pelt’s. Other details are hand carved from shell, stone, wood and metal. In 2018, she was invited by the Provincetown Art Association and Museum to conduct a course at the Lillian Orlowsky and William Freed Museum School on exploring new processes and creating a cohesive body work. Stone is a PAAM member with her work in their permanent collection alongside such notables as Robert Motherwell, Hans Hoffman and Edward Hopper. Stone has delivered talks at the Chandler Gallery, Cambridge, MA; the Fountain Street Gallery, Boston; and the Cambridge Art Association, Cambridge. In collaboration with Fountain Street, Chandler and Kathryn Schultz galleries, she has curated several shows in the Boston and Cambridge area. Her work has been included in exhibitions by such notable curators as Randi Hopkins, Director of Visual Arts Boston Center for the Arts; Paul Ha, Director of the MIT List Visual Arts Center; and Sam Tager, Independent Curator and Exhibition Designer. Gin has been awarded grants from the Rauschenberg Foundation, the Arts Foundation of Cape Cod and the Berkshire Taconic Community Foundation. Born in New York in 1971, Stone currently lives and works in eastern coastal Massachusetts.