Hartmut Ritzerfeld

Relative Nähe / Relative Closeness

2000

- signed and dated lower right, titled verso

María Corte (*1983, Barcelona) is a Catalan-Argentine painter and illustrator who stands out on the contemporary art scene for her colorful and energetic work. She completed her stud...

Alex Kiessling war der erste Mitarbeiter der Galerie in Wien und engagierte sich auch gleich dafür, Künstler seiner Generation im Ausstellungsprogramm unterzubringen. Die Ausstellung...

"Das Dinner" is a typical work of Roberto Guglielmino, known for his surrealistic, figurative paitings. The artist is represented by the artgallery Ursula Stross (Austria). The artwo...

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

Acrylic paint on canvas Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance...

Acrylic paint on canvas Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance the jig while thundering. A charivari of African masks, children's drawings and neon colors invades the meticulously meshed backdrops with volcanic overflows. It seems that within a kindergarten class, merry feathered wizards have joined together to cover the canvas or the paper with totemic figures strewn with the most inventively unexpected graffiti, in a creative frenzy so bubbling that the anarchy that threat recovers as in spite of itself a semblance of balance. The graphic design performs an enveloping and virtuoso dance that passes from the most wisely academic exercise to the most exuberant and Dionysian lyrical expressionism. It's flamboyant, paroxysmal and wonderfully joyful. Should we detect here any influence of the spirit of "outsider art", today widespread worldwide? Perhaps, but then it is undeniable that the personal temperament of Mohammad ARIYAEI...