Lauren Rinaldi

"Sweetie Two" Nude Portrait on Wood Panel

2015

"Trash Venus" is an original oil painting by Lauren Rinaldi. This piece ships in the pictured frame and measures 26"h x 22"w. Lauren Rinaldi (b. 1983, Brooklyn, NY) is an America...

This piece titled "Short Shrift" is an original artwork made from oil on panel by Lauren Rinaldi. This piece measures 7”h x 5”w. Lauren Rinaldi (b. 1983, Brooklyn, NY) is an America...

This piece titled "Bouquet" is an original artwork made from oil on paper by Lauren Rinaldi. This piece is shipped with the pictured white frame and measures 15"h x 12"w. This piece...

"It’s Complicated" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The pa...

Mychaelyn Michalec is a textile artist and painter working in Dayton, OH. Her work depicts the private, awkward, and mundane moments of family life through a medium traditionally ass...

Materials : Multimedia Date : 2016 Dimensions : 6″ x 2″ x 8″ Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a dialog about these...

Medium: acrylic paint and embroidered thread on canvas MONICA ZERINGUE received her Masters of Fine Arts from the University of New Orleans in 2006 and her BA in 1993. In 1999 she w...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...