Mihály Kovács

Czech 19th Century Dalmatian Costume Young Man Orientalist Oil Portrait Kovács

Mashallah Antique Large German Orientalist Watercolour Portrait Carl Haag German, 1870 Paper: Height 50cm, width 34cm Frame: Height 90cm, width 70cm, depth 8cm This captivating wate...

Antique French Orientalist Oil Painting Alphonse Léon Germain-Thill French, 1906 Canvas: Height 46cm, width 39cm Frame: Height 67cm, width 59cm, depth 5cm This is a striking oil on ...

Large antique Orientalist oil painting by Jean Baptiste Louis Guy French, 1884 Canvas: Height 49cm, width 67cm Frame: Height 72cm, width 91cm, depth 9cm Pai...

This exceptional painting depicts the Tomb of Esther and Mordechai with the Alvand subrange of the Zagros Mountains behind. This monument is located in Hamadan, Iran. The painting was created by the important 19th-Century artist, Charles-Théodore Frère (French, 1814-1888) for one John Wright-Osmaston (English, 1831-1901). Since Frère had never been to Iran, he based this painting on sketches and descriptions of the site found in a book written by Osmaston, titled ‘Old Ali’ or ‘Travels Long Ago’. This text recorded Osmaston’s travels across Scandinavia, Russia and the Middle East in 1860-61. The journey took eight months to complete and covered 11,000 miles. There are clear parallels between details in Frère’s painting and passages in Osmaston’s text. For instance, Osmaston describes how ‘just as the sun rose, a splendid view was opened up to us [...] It was exceedingly beautiful […] the mountains looking very remarkable in their icy covering, being curiously divided into an exact half by the snow-line; the upper half, in its mantle of white, the very picture of cold; the lower half, in its mantle of brown, hot-looking tawny, and bare.’ The Alvand range is depicted in just this way, with the brown mountains before the tall snowy peaks. In his account of visiting the Tomb of Esther and Mordecai, Osmaston also describes ‘A tall, old Israelite, with a long, white beard that had seen seventy summers at least...[who] led us in through a low doorway’ to the ‘two wooden sarcophagi, one in memory of Esther, the other of Mordecai’. Similarly, in this painting, a grey bearded man gazes out at the beholder and gestures to the tomb, as though inviting us to enter. By employing short, blended brushstrokes, Charles-Théodore Frère has managed to portray the scene in exceptional detail. The figures, horses, architecture and landscape are highly naturalistic in their depiction. Frère has also captured the beautiful warm rays of light, as they fall across the scene. Frère was an exceptionally talented artist, as demonstrated in this painting and in the fact that his work is today held in the Metropolitan Museum of Art in New York, the Heritage Museum in St. Petersburg, and many other prestigious international art galleries. This work is signed ‘Th Frere...

“Orientalist Portrait of an Arab Man” Half-length, turned to the left, oval Jean-Horace Vernet (French 1789-1863) Circa 1830s Watercolor heightened with touches of white on paper Sig...

French School, Portrait of an Ottoman, Oil on Canvas, 19th century, unsigned, giltwood frame. Image: 24" H x 19.5" W; frame: 30" H x 24.25" W.

ARTIST: Alfredo Florez Gonzalez (Spanish, 19/20 century) TITLE: Portrait of Middle Eastern Man YEAR: 1910 MEDIUM: oil on board CONDITION: Few minor paint losses. No visible inpai...

Antique Oil Painting Portrait of an Austrian Folksy Man, Vienna 1892 This painting depicts the portrait of a 19th-century Viennese man in his traditional costume. Shown in a three-q...