Nataliya Bagatskaya

Contemporary portrait "Black ang Gold"

2023

This artwork presents a striking figure in a black hooded jacket, exuding mystery and confidence. The subject stands with hands in pockets, partially obscured face adding intrigue. S...

This is a partial homage to David Hockney's art. In this painting, I explored the interplay of realism and symbolism through the figurative use of acrylic. The central figure, clad i...

I love walking the streets of the private sector when the weather is nice. It feels like being in a small town rather than in the center of a metropolis. I've aimed to capture the co...

This artwork captivates with its blend of cultural and surreal elements. The central figure, a poised woman in a traditional East Asian kimono, radiates elegance through intricate fl...

Al Saralis – "Nothing Gold Can Stay 5" Oil on Canvas 39 x 39 inches - 100 x 100 cm) Al Saralis’s Nothing Gold Can Stay is a hauntingly beautiful meditation on impermanence, memory,...

'Infanta' is a contemporary portrait of a young woman created in oil and gold leaf on wood panel. from Russian American Elena Zolotnitsky who is Inspired by the concepts of beauty, a...

"Lady in Black” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

In this acrylic creation, I've delved into the depths of anticipation, weaving a tapestry of emotions onto the canvas. Through the subdued hues and the contemplative gaze of the figu...