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Natasha Lelenco
Blue and Magenta Portrait with Galician Inscription, Currency #267. Contemporary

2025

$261.20
$637.5059% Off
£194.55
£474.8559% Off
€219.20
€53559% Off
CA$359.69
CA$877.8959% Off
A$391.51
A$955.5659% Off
CHF 207.45
CHF 506.3259% Off
MX$4,708.54
MX$11,492.1159% Off
NOK 2,637.66
NOK 6,437.7259% Off
SEK 2,417.13
SEK 5,899.4659% Off
DKK 1,670.16
DKK 4,076.3559% Off

About the Item

Vibrant circular portrait in blue and pink hues, exploring identity, migration, and resilience through contemporary figurative language. This work, Currency #267, is a hand-painted acrylic portrait on a round pine wood panel, 26 cm in diameter and 2 cm thick. The piece belongs to the ongoing series Monedas de Cambio (I am sorry, I am not from here) by Natasha Lelenco, a project examining personal and collective value systems through coin-like portraits that commemorate lived experience. Circular figurative portrait in rich blue and magenta tones, inscribed in Galician and painted on a sculptural pine wood panel. Currency #267 is part of Natasha Lelenco’s ongoing series Currencies (I Am Sorry, I Am Not From Here), a body of work that reflects on migration, identity, and the negotiation of personal value through coin-shaped portraits. Executed in acrylic on a 26 cm diameter, 2 cm thick wooden disc, each piece in the series functions as both a stand-alone object and a modular element in expansive wall installations. This particular portrait depicts a woman in profile, bathed in violet and pink light against a vibrant cobalt ground. A circular inscription, hand-lettered in Galician, reads “Non foi doado, pero valeu a pena” (“It wasn’t easy, but it was worth it”), asserting the subject’s endurance and agency. The use of Galician—a regional language historically undervalued—emphasizes the layered nature of identity, and the resilience of hybrid voices navigating systems of displacement. Each piece in the Currencies series presents a variation in symbolic and monetary value, subverting the standardization of coinage with individualized, anonymous faces. The artist’s decision to assign fluctuating prices and exchange functions to the works also critiques the commodification of identity and artistic labor. These sculptural-format portraits are designed to be exhibited individually or grouped into site-responsive installations, creating scalable constellations of voice and presence. Their chromatic intensity and conceptual clarity make them ideal for contemporary interiors, public programming, or curated groupings. At Casa das Peritas Gallery, we operate globally with the same attention and proximity we extend to our local neighbors. We oversee every detail and guide you through the purchase process with the utmost professionalism, ensuring complete satisfaction for each client, whom we regard as valued members of our community. As a small, specialist gallery driven by a deep commitment to art, we carefully select every artist and artwork, presenting our curated collection to an international audience from our corner of the Galician coast. Read our clients’ testimonials and join the discerning collectors who trust our expertise.
  • Creator:
    Natasha Lelenco (1982, Spanish, Moldovan)
  • Creation Year:
    2025
  • Dimensions:
    Height: 0.99 in (2.5 cm)Diameter: 10.24 in (26 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    FISTERRA, ES
  • Reference Number:
    1stDibs: LU2626216431382

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