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Otto Aguiar
SOIREE

$5,625List Price

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These paintings are images taken directly from life with my daughters. They each represent a fragment of their childhood that is rapidly disappearing. I have chosen to create visual images that celebrate all that comes with the evolution from girlhood to womanhood. ADRIENNE BROWN...
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13
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"The Hourglass" Abstract Painting 39" x 27.5" inch by Karim Abd Elmalak Karim Abdel Malak's layered multi-media works are influenced by the old masters. Abdel Malak textured oils are a celebration of the female identity in every sense of the word. His beautiful faces and suave figures grace the canvases together embracing our Egyptian architectural monuments creating a powerful dialogue between women’s identity, her rights, her suffering and our heritage and what it holds in its historical meanings and the deteriorating state. Graduate from the faculty of Fine Arts, Minia University, Graphic Design Department. Illustrator for Sabah El Kheir & Rosalyoussef, Egyptian local magazines. Practice Sculpture. Participant in the 1st Child’s Biennale workshop “Fantasia 1”, Cairo 2003. Won the silver medal in the International Competition of “SHANKERS World Association”, India 1993. Exhibitions: Private Art Works Exhibition at Cairo Gallery, 2001. Public Exhibition at Ahmed Shawky Museum, Cairo 2001. Public Exhibition at Mahmoud Said...
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"Lady in Black” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...
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French Contemporary Art by Karine Bartoli - LA 2 Characters
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