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An 18th-19th Century Oil on Canvas "The Triumph of Venice" After Paolo VeroneseCirca 1800
Circa 1800
$59,850
$89,45033% Off
£44,736.22
£66,861.4033% Off
€51,619.02
€77,148.2333% Off
CA$83,783.96
CA$125,220.9733% Off
A$88,525.23
A$132,307.1333% Off
CHF 47,616.23
CHF 71,165.7833% Off
MX$1,059,946.85
MX$1,584,164.5133% Off
NOK 596,575.70
NOK 891,62433% Off
SEK 546,376.75
SEK 816,598.1733% Off
DKK 385,450.76
DKK 576,083.0533% Off
About the Item
A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800.
Measures:
Height: 45 1/4 inches (115 cm).
Width: 29 inches (73.7 cm).
Frame height: 58 1/4 inches (147.9 cm).
Frame width: 43 1/4 inches (109.9 cm).
Frame depth: 5 1/4 (13.3 cm).
Provenance: Royal Academy of Scotland.
Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at Cana and The Feast in the House of Levi. He adopted the name Paolo Cagliari or Paolo Caliari and became known as "Veronese" from his birthplace in Verona.
Veronese, Titian and Tintoretto constitute the triumvirate of pre-eminent Venetian painters of the late Renaissance (16th century). Veronese is known as a supreme colorist, and for his illusionistic decorations in both fresco and oil. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful Mannerist style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially notable. His brief testimony with the Inquisition is often quoted for its insight into contemporary painting technique.
Veronese's secular and allegorical history painting falls into two groups: His public commissions for the Ducal Palace and the Library of St. Mark's and his decoration of villas and palaces belonging to the Venetian nobility. His greatest accomplishment of the first type is the Triumph of Venice (1583) in the Sala del Maggior Consiglio of the Ducal Palace, which shows in its center Venice a female allegorical figure, resplendent in opulent beauty and ease, crowned by Victory and raised by clouds, slowly ascending to the heavens. In the second group are the Rape of Europa circa 1580, which follows the account of Ovid in his at once playful and yet awed praise of the power of Cupid, and Darius and the Family of Alexander circa 1565-1567. More about Varonese – More.
Bibliography:
The Art of Paolo Veronese, 1528–1588. Exh. cat. Edited by W. R. Rearick. Washington, D.C., 1988.
Nuovi studi su Paolo Veronese. Edited by M. Gemin. Venice, 1990.
Pedrocco, Filippo, and Terisio Pignatti. Veronese catalogo completo. Florence, 1991.
Pignatti, Teresio. Veronese. 2 vols. Venice, 1976.
- Creation Year:Circa 1800
- Dimensions:Height: 58.25 in (147.96 cm)Width: 43.25 in (109.86 cm)Depth: 5 in (12.7 cm)
- Medium:
- Movement Style:
- After:Paolo Veronese (1528 - 1588, Italian)
- Period:
- Condition:A truly beautiful and impressive painting, very decorative. Minor restorations, craquelure. Under UV Light there is evidence of exposure to humidity as in most antique Venetian artworks. Canvas will benefit from cleaning. Old varnish residue.
- Gallery Location:LA, CA
- Reference Number:Seller: Ref.: A1761 - Lot 109981stDibs: LU2755214738152
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