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1740s Figurative Paintings

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Period: 1740s
18th century French Old Master Portrait of a woman in oriental costume
Located in Aartselaar, BE
French 18th century old master portrait of a majestic lady dressed "à la Turque" The sitter at the viewer with a kind and enigmatic smile and twinkling eyes. She looks elegant and kind, yet also has an intelligent and determined aura, reflecting the character of someone who is in charge of her own life and destiny. De Silvestre paid great attention to her spectacular outfit, which is striking in its portrayal of the sumptuous fabrics and their decorative richness. She is wearing a luxurious royal blue robe à la...
Category

Old Masters 1740s Figurative Paintings

Materials

Canvas, Oil

18th century portrait painting of a boy with a spinning top on a garden terrace
Located in Bath, Somerset
Portrait of a young boy, full-length in a blue velvet coat and breeches, standing on a stone terrace in a garden landscape, playing with a spinning top. Signed and dated ' Phil. Merc...
Category

Old Masters 1740s Figurative Paintings

Materials

Canvas, Oil

Fete Champetre - Garden Party - French 18thC figurative landscape oil painting
Located in Hagley, England
This charming 18th century French Old Master oil painting is attributed to circle of Joseph Frans Nollekens. Painted circa 1740 it is described as a fete champetre - a form of entertainment in the 18th century, taking the form of a garden party. They were often elegant affairs and became very popular in 18th French paintings. Antoine Watteau invented the genre, from around 1710 and they were also included as a category in the French Academy. In this painting, several well dressed figures are sat in the foreground by a fountain and statue, being entertained by a musician. Beyond, a wide avenue of trees leads towards a very grand country house with countryside beyond. There is superb detail in the figures and their colourful clothing. The brushwork in the trees and sky is also superb. This is a charming example of an 18th century fete champetre and of a French Old Master oil painting. Provenance. Gloucester estate. Condition. Oil on canvas. Image size 49 inches by 30 inches and in good condition. Frame. Housed in a fine gilt frame, 56 inches by 37 inches and in good condition. Josef Frans Nollekens or Joseph Frans Nollekens (1702–1748)[2] was a Flemish painter who was principally active in England where he is often referred to as "Old Nollekens" to distinguish him from his famous son, the sculptor Joseph Nollekens. He painted conversation pieces, galant companies and fêtes champêtres in the style of Watteau, genre scenes as well as portraits. He was also active as a picture restorer. A fête champêtre was a form of entertainment in the 18th century, taking the form of a garden party. This form of entertainment was particularly practised by the French court, where in the Gardens of Versailles and elsewhere areas of the park were landscaped with follies, pavilions, and temples to accommodate such festivities. The term is a French expression, very literally translating as "party in the fields", meaning a "pastoral festival" or "country feast" and in theory was a simple form of entertainment, perhaps little more than a picnic or informal open air dancing. In practice, especially in the 18th century, the simplicity of the event was often contrived. A fête champêtre was often a very elegant form of entertainment involving on occasions whole orchestras hidden in trees, with guests sometimes in fancy dress. Such events became a popular subject in French 18th-century painting, representing a glamourized aristocratic form of pastoral, with "scenes of well dressed dalliance in a park setting". Antoine Watteau invented the genre, from around 1710, and is its best exponent, imitated by others such as Nicolas Lancret and Jean-Baptiste Pater...
Category

Old Masters 1740s Figurative Paintings

Materials

Oil

Mercury and Io, a rediscovered painting by Jean-Baptiste Marie Pierre (ca. 1740)
Located in PARIS, FR
We would like to thank Mr. Nicolas Lesur for confirming the autograph nature of the entire composition after a direct examination of the painting on November 27, 2024. This painting...
Category

Old Masters 1740s Figurative Paintings

Materials

Canvas, Oil

Italian men portrait
By Giovanni Maria delle Piane dit Mulinaretto (Genoa 1670 - Monticelli d´Ongina 1745)
Located in BELEYMAS, FR
Giovanni Maria DELLE PIANE, known as IL MULINARETTO (Genoa, 1660 – Monticelli d'Ongina, 1745) Portrait of a man Oil on oval canvas H. 108 cm; L. 83 cm Provenance: Nino Ferrari Colle...
Category

Italian School 1740s Figurative Paintings

Materials

Canvas, Oil

18th Century Scagliola Panel on Slate Signed Sayter and Dated 1749
Located in Vicoforte, IT
An exquisite 18th-century scagliola panel on a slate support. The artwork belongs to the genre of inlaid scagliola with an engraved effect, which enjoyed great success thanks to the ...
Category

1740s Figurative Paintings

Materials

Slate

18th Century Oil on Canvas French Religious Painting Madonna with Child, 1740
Located in Vicoforte, IT
Antique French painting from the mid-18th century. Oil on canvas artwork depicting a Madonna with child of good pictorial quality. Painting of excellent proportion and small size, ea...
Category

1740s Figurative Paintings

Materials

Canvas, Oil

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Naval Battle Engagement at Sea Large Busy Battle Scene Many Ships, Signed Oil
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Shipping in Calm Waters, 18th Century Dutch Oil on Wood Panel, Man o War
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Antique English Grand Tour Old Master Oil Figures Classical Arcadian Landscape
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Figures Chatting outside Village Tavern in Mountain Landscape, Period Oil
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"Elegance of trees in winter" landscape painting acrylic linen canvas 92x65cm
Located in Saint Pol de Léon, Bretagne
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Fine Italian Old Master Oil Painting c. 1700 s The Madonna Christ Child St. John
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Old Masters 1740s Figurative Paintings

Materials

Canvas, Oil

King Charles 1st Antique Oil Painting Portrait of Famous British Monarch
Located in Cirencester, Gloucestershire
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Materials

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Fine 17th Century Dutch Old Master Oil Bathers by Wooden Pool Carved Wood Frame
Located in Cirencester, Gloucestershire
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Previously Available Items
Leda and the Swan by the workshop of Francois Boucher (Paris 1703 - 1770)
Located in PARIS, FR
At the Salon of 1742, François Boucher presented a painting inspired by the theme of Leda and the swan. By depicting her as a nymph pressed against the breast of a female companion, he offers a very personal reading of this theme highlighting its erotic character. The studio version we are proposing, similar in size to the original, is a very faithful rendition of the painting presented at the Salon, which is now in a private American collection. 1. François Boucher, the master of French rocaille The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale...
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Oil Painting Studio Canaletto: Neoclassical Scene with Architectural Ruins
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