Peter Robert Keil

Large Painting on Canvas Paloma Signed and Dated with COA

1997

Jean ABADIE (Tarbes 1921 – Ballan-Miré 2010) Market in Périgord Oil on canvas H. 73 cm; L. 92 cm Signed lower right Provenance: - Galerie France-Art, Paris, circa 1980 - Private col...

Soirée Philosophique (Philosophical Evening) 80 x 40 cm Acrylic on Canvas This captivating cubist painting by Grégoire Mathias portrays an intellectual gathering rendered in his sig...

Quelques Heures avec Aristote (A few Hours with Aristotle) Diameter 109.5 cm Acrylic on canvas This remarkable circular acrylic on canvas by Grégoire Mathias masterfully captures t...

Amoureuses (Women in Love) Acrylic on Canvas 41 x 33 cm In Amoureuses, Greg Mathias delivers an emotionally charged dual portrait that merges bold modernism with raw intimacy. Two female figures emerge from a tapestry of angular lines, fragmented planes, and vibrant contrasts. Black contours define and disrupt the forms, while saturated reds, yellows, and earth tones highlight the figures' lips, hair, and eyes with almost theatrical intensity. Mathias’s Diachronic Cubism is palpable in this compact yet powerful composition. The faces appear to hold more than one emotional state or temporal expression, inviting the viewer to imagine multiple layers of affection, memory, or desire unfolding across time. The figures are both stylized and expressive—unified yet distinct—suggesting a narrative of closeness, duality, or romantic introspection. Executed in acrylic on canvas, this smaller-format work makes an immediate impact and is well-suited for collectors of contemporary figurative cubism. It’s a standout piece for those interested in bold color palettes, emotional resonance, and distinctive portraits with modern edge. Perfect for: Collectors of modern figurative cubism, lovers of expressive portraiture, and buyers seeking a compact yet high-impact artwork. Ideal for interiors emphasizing bold lines, vibrant colors, and character-driven contemporary art. Keywords: Greg Mathias, Diachronic Cubism, Modern Cubist Portrait, Contemporary French Artist, Acrylic Painting, Abstract Figurative Art, Red Lips Painting...

Hommage à Davide Bowie 35 x 27 cm Acrylic on canvas Hommage à David Bowie is a bold and dynamic cubist portrait paying tribute to the legendary musician. Using Diachronic Cubism,...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Gabriele Varese (in Italian uniform), 1919 oil on canvas mounted on panel 116 x 90 cm stamp signature Exhibited: Solo exhibition, Stockholm, Nov-Dec 1917; The Royal Academy Stockholm 1973; Åmells Konsthandel – En internationell kubist, Stockholm & London 2008 Hälsinglands Museum 2011 Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life. Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers. In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm...

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 18" x 24" x 1.5" It is unframed. This is a abstract cubist painting usi...

Original painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers...

Original painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is stretched. Artwork is in excellent condition. Certificate of ...