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Philomé ObinPhilomé Obin - Haitian Carnival1950 - 1960
1950 - 1960
$30,000
£22,889.26
€26,057.61
CA$42,165.33
A$46,349.97
CHF 24,333.52
MX$551,134.49
NOK 312,497.63
SEK 284,651.57
DKK 194,692.19
About the Item
This work is by Haiti's second-most-important artist, Philomé Obin. Hector Hyppolite stands at the top of the list and just sold a painting for almost $450,000. If art history is a guide, the other painters in the Haitian school should follow Hyppolite's rise.
Philomé Obin has carved out his own distinctive style. It's grounded in meticulous attention to detail combined with a keen sense of patterning and design orchestration as he documents the world around him. The current work is a great example of Obin’s graphic talents as he nods to a moment in Haitian history.
The condition an
Signed lower right. Frame by House of Heydenryk. Provenance: Astrid and Dr. Halvor Jaeger, Regine Chassagne
Win Butler.
Frame Size - 37.75 x 31.50
Obin in Select Museum Collections: MoMA, NY (1948 Accession, Inter-American Fund); National Gallery of Art, Washington DC (2023 Accessions, Kay and Roderick Heller and Beverly and John Fox Sullivan).
Philome Obin's first solo show was held in NY, 1949. The following year Obin was the feature painter in an exhibition of 19 Haitian artists at the modern art Stedelijk Museum, Amsterdam.
Philomé and his brother Sénèque were members of the Masonic brotherhood which reflected in their works.The brothers incorporated many masonic symbols into their pictorial space as a result of their loyalty to the brotherhood.
The uploaded video on 1stDibs is coming up a bit off color. Refer to the still images for more accurate color
- Creator:Philomé Obin (1891 - 1986, Haitian)
- Creation Year:1950 - 1960
- Dimensions:Height: 24 in (60.96 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement Style:
- Period:
- Condition:very good to excellent.
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU385317218122
Philomé Obin
Philomé Obin was born in Cap-Haitian, Haiti, in 1891 and died in 1986. He was a descriptive self-taught painter, and the charm of his art lies in the subtle distortion that comes with the failure of his technique to follow the rules. He joined the Centre d’Art in its opening years, 1944, and his fame, though very late, did not change his way of living or style. Obin is the father of the Cap-Haitian school, a distinctive style of painting that emphasizes daily life, street, and historical scenes reflecting Haiti’s colonial past. Philomé Obin painted two of the murals in the well-visited Episcopal Cathedral in Port-au-Prince, which was unfortunately destroyed during the devastating earthquake of January 12, 2010. His paintings belong mainly to the permanent collections of the Museum of Modern Art in New York City, the Milwaukee Art Museum, and the Figge Art Museum in Davenport, IOWA, the finest Collection of Haitian Art in the UNITED STATES. Mrs. Jacqueline Onassis made a special trip to Cap -Haitian to see his art, and his paintings have been sold in major auction sales houses, Sotheby’s and Christie’s, everywhere in New York. Philomé Obin’s art, next to Hector Hyppolite’s art, is considered as one of the oldest and founding fathers of Haitian painting. He is a star in every important Haitian collection. His art is mentioned in all the leading Haitian Art books. “Obin’s concern with precision and the respect of reality injects a measure of coldness into his narrative works” (Gérald Alexis in his book, Peintres Haitiens)

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