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Pierre CoquetBlue chair, original canvas by Pierre Coquet
$2,991.61
£2,234.42
€2,500
CA$4,121.48
A$4,491.69
CHF 2,378.55
MX$53,949.96
NOK 30,112.91
SEK 27,685.86
DKK 19,045.67
About the Item
Blue chair, original painting by Pierre Coquet (1926-2021)
Oil on paper laid on a board, signed in the bottom right
38 x 41 cm (43 x 46 x 3,5cm frame included)
In a Pierre Bonnard style, this painting depicts a blue-draped chair with thick, visible brushstrokes, blending off-white and gray for depth and movement. The forms are fluid, with some lines defined and others merging into the background.
On the seat, a bowl holds fruits, apples and an orange painted impressionistically in vibrant tones that contrast with the blue. The background, in soft ochre and cream, is abstract, enhancing the chair's prominence and creating a serene atmosphere.
Balancing realism and abstraction, the painting evokes tranquility and intimacy, inviting viewers to appreciate the poetic beauty of simple, everyday scenes.
Reference number F468
- Creator:Pierre Coquet (1926 - 2021, French)
- Dimensions:Height: 14.97 in (38 cm)Width: 16.15 in (41 cm)Depth: 0.99 in (2.5 cm)
- More Editions Sizes:Original workPrice: $2,992
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Montfort l’Amaury, FR
- Reference Number:1stDibs: LU1806215624982
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View AllAbstract Composition - original painting by Pierre Coquet
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"A vibrant tapestry of color and texture, celebrating pure abstraction with a dynamic, tactile rhythm."
Pierre Coquet (1926–2021)
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Located in Montfort l’Amaury, FR
Reference number F355
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Located in Montfort l’Amaury, FR
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Located in Montfort l’Amaury, FR
Composition with jugs, oil painting by Pierre Coquet
Reference number F486
Framed with a natural oak floated frame
43 x 72 x 2 cm (48 x 77 x 3,5 cm frame included)
This work is painted with oil on a paper that is laid on a canvas and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right and stamp of workshop on the back.
With simple, soft colors, Pierre brings these objects together in a neutral atmosphere, enhanced by this orange, which adds a luminous touch to the composition. Mostly broad brushstrokes, sometimes barely a sketch in the background. The material effects stand out well, the light coming from the right reinforces the contours of each of the objects presented.
Still lives are one of Pierre favourite subjects. Always in a very quiet atmosphere, with simple objects or alive nature.
Provenance : Workshop of the artist (stamped and numbered on the back)
Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France.
He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...
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1980s French School Figurative Paintings
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Located in Montfort l’Amaury, FR
Pierre Coquet - Abstract Composition in white shades
Reference number A202
Framed with a natural oak floated frame
40 x 45 cm (45 x 50 cm frame included)
This work is painted with oil on a board. It is signed and dated 83 in the bottom right.
Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time.
Provenance : Workshop of the artist
Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France.
He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran, Edouard Mouriquand, Pierre Palué, Paul Philibert-Charrin, Antoine Sanner and Françoise Juvin. The latter will become his wife in 1948.
In 1949, he participated in an exhibition in Geneva, at the Musée de l'Athénée, entitled "Eleven French painters" with Jacques Truphémus and Jean Fusaro. Françoise and Pierre moved to Paris in 1950. There he met Alexandre Garbell, who encouraged him and whom he attended classes in his academy on Boulevard de Clichy. Working as an art teacher at the Corvisart school in Paris he painted a lot beside this activity.
His main subjects are “assemblages of objects” which evoke the memory of Giorgio Morandi, the roofs of Paris, still lifes, characters in situation, and abstraction. This sincere and modest man, turned inward in a climate of deep meditation, likes to express his feeling that “all painters encounter the same difficulties in wanting to express unspeakable emotions with painting. Everything is possible, at the condition it is true ” use to say Pierre.
I have known Pierre for a long time and organized several exhibition with their paintings. I am now taking care of the whole workshop providing beautifiul figurative and abstract works, paintings and many drawings with various sizes. Pierre was always working in his workshop, everyday, he needed it, painting was something vital to him.
Paintings by Pierre...
Category
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