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Pierre CoquetPersonnages au jardin du Luxembourg, Paris, original painting by Pierre Coquet
$2,978.99
£2,218.92
€2,500
CA$4,102.30
A$4,465.26
CHF 2,365.98
MX$53,701.45
NOK 30,082.82
SEK 27,567.58
DKK 19,048.34
About the Item
Personnages au jardin du Luxembourg, original painting by Pierre Coquet (1926-2021)
Oil on paper laid on a board
Framed with a natural oak floating frame
32 x 48 x 2,5 cm (35 x 51 x 3,5 cm frame included)
This nice painting depicts an almost abstract, impressionistic scene with characters settled in the Jardin du Luxembourg in Paris. The artist uses thick brushstrokes and pastel tones—beige, gray, off-white, with hints of yellow and orange—to suggest a crowd of blurred, indistinct figures. The focus is on movement and atmosphere rather than precise details.
The expressive style and soft palette create a calm yet lively mood, inviting viewers to interpret the scene freely. The work emphasizes emotion and collective energy, demonstrating how art can evoke impressions beyond literal representation.
Reference number F574
- Creator:Pierre Coquet (1926 - 2021, French)
- Dimensions:Height: 12.6 in (32 cm)Width: 18.9 in (48 cm)Depth: 0.99 in (2.5 cm)
- More Editions Sizes:Original workPrice: $2,979
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Montfort l’Amaury, FR
- Reference Number:1stDibs: LU1806215600692
Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran, Edouard Mouriquand, Pierre Palué, Paul Philibert-Charrin, Antoine Sanner and Françoise Juvin. The latter will become his wife in 1948.
In 1949, he participated in an exhibition in Geneva, at the Musée de l'Athénée, entitled "Eleven French painters" with Jacques Truphémus and Jean Fusaro. Françoise and Pierre moved to Paris in 1950. There he met Alexandre Garbell, who encouraged him and whom he attended classes in his academy on Boulevard de Clichy. Working as an art teacher at the Corvisart school in Paris he painted a lot beside this activity. His main subjects are “assemblages of objects” which evoke the memory of Giorgio Morandi, the roofs of Paris, still lifes, characters in situation, and abstraction. This sincere and modest man, turned inward in a climate of deep meditation, likes to express his feeling that “all painters encounter the same difficulties in wanting to express unspeakable emotions with painting. Everything is possible, at the condition it is true ” use to say Pierre.
I have known Pierre and Françoise for a long time and organized several exhibition with their paintings. I am now taking care of the whole workshop providing beautifiul figurative and abstract works, paintings and many drawings with various sizes. Pierre was always working in his workshop, everyday, he needed it, painting was something vital to him.
Paintings by Pierre Coquet are kept in the Museum Paul Dini in Villefranche. This well know museum has often exhibited works by the group « Sanzistes ».
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Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France.
He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran, Edouard Mouriquand, Pierre Palué, Paul Philibert-Charrin, Antoine Sanner and Françoise Juvin. The latter will become his wife in 1948.
In 1949, he participated in an exhibition in Geneva, at the Musée de l'Athénée, entitled "Eleven French painters" with Jacques Truphémus and Jean Fusaro. Françoise and Pierre moved to Paris in 1950. There he met Alexandre Garbell, who encouraged him and whom he attended classes in his academy on Boulevard de Clichy. Working as an art teacher at the Corvisart school in Paris he painted a lot beside this activity.
His main subjects are “assemblages of objects” which evoke the memory of Giorgio Morandi, the roofs of Paris, still lifes, characters in situation, and abstraction. This sincere and modest man, turned inward in a climate of deep meditation, likes to express his feeling that “all painters encounter the same difficulties in wanting to express unspeakable emotions with painting. Everything is possible, at the condition it is true ” use to say Pierre.
I have known Pierre for a long time and organized several exhibition with their paintings. I am now taking care of the whole workshop providing beautifiul figurative and abstract works, paintings and many drawings with various sizes. Pierre was always working in his workshop, everyday, he needed it, painting was something vital to him.
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