Items Similar to 19th C, Romanticism, Genre Painting, Sheepstable
Want more images or videos?
Request additional images or videos from the seller
1 of 11
19th C, Romanticism, Genre Painting, Sheepstable1849
1849
$4,758.05
£3,551.05
€3,980
CA$6,563.38
A$7,179.26
CHF 3,780.07
MX$85,713.01
NOK 48,177.59
SEK 44,071
DKK 30,321.05
About the Item
Pieter Plas placed himself with this pastoral scene in the tradition of the 17th-century painters and draughtsmen such as Nicolaes Pietersz Berchem, Karel du Jardin, Marcus de Bye and Paulus Potter. Nevertheless, the work carries the typical ideals of Romanticism. The Romantics wanted to return to nature they idealized. They believed in a connection between the individual and nature. The harmony between the shepherdess and her flock of sheep is part of this story. This line of thought must be placed against the background of the advancing industrialization that began to put pressure on the traditional rural society. Plas lets the light subtly enter the barn through a doorway. The rays of the sun that illuminate the sheep -in a slightly diagonal line – add depth and vibrancy to the scene. The farmer's wife carries a bucket of milk. In the region of Alkmaar and Texel, milk of sheep was used to make cheese. Naturally, these animals also provided raw wool material. Hay is stored on the wooden beams of the stable. It was supplementary food for the sheep. Pieter Plas(1810-1853 came from a well-known Alkmaar artist family. His father and the first teacher was the carriage- and landscape painter Louwerencius Plas (1776-1847).
The painter himself was also a carriage painter until the age of 24. After two years in Hilversum with Willem Bodeman and with the animal painter Jan van Ravenswaay, he specialized in painting landscapes with cattle. The flat North Dutch landscape was often his source of inspiration. Pieter Plas had several pupils and was director of the Drawing Company 'Kunst zij ons doel' in Alkmaar. Museum Willet-Holthuysen in Amsterdam and the Teylers Museum in Haarlem expose some of his works. Plas signs with a long 's' at the end of his name.
- Attributed to:Pieter Plas (1810 - 1853, Dutch)
- Creation Year:1849
- Dimensions:Height: 28.75 in (73 cm)Width: 23.23 in (59 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:brussel, BE
- Reference Number:Seller: 2861stDibs: LU150927942092
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
1stDibs seller since 2021
15 sales on 1stDibs
- ShippingRetrieving quote...Shipping from: brussel, Belgium
- Return Policy
More From This Seller
View AllExpressionism, Animal Painting, Auzoux
s Troglodytes Gorilla
s, Oil on Canvas.
Located in brussel, BE
Around the middle of the 19th century, the missionary Thomas Savage and the anatomist Jeffries Wyman described a new animal species – the Troglodytes Gorilla – in their Boston Societ...
Category
21st Century and Contemporary Expressionist Animal Paintings
Materials
Canvas, Oil
21st C., Expressionism, Animal Painting, Auzoux
s Troglodytes Gorillas
Located in brussel, BE
Around the middle of the 19th century, the missionary Thomas Savage and the anatomist Jeffries Wyman, described a new animal species – the Troglodytes Gorilla – in their article for ...
Category
2010s Expressionist Animal Paintings
Materials
Oil
17th C, Baroque, Hunting Scene, Wild Boar Hunt in the style of Frans Snijders
Located in brussel, BE
Hunting played an essential role in the lives of princes and nobles for centuries. It was no different in the 17th century. Paintings depicting hunting scenes were hung, for example, in the hunting lodges of elites. It should be noted that the upper bourgeoisie also began to show interest in painted hunting scenes during the 17th century. In the Southern Netherlands there were a number of skilled animal painters who produced hunting scenes, including Frans Snijders, Paul De Vos, Jan Roos, Pieter Boel and Jan Fyt. Snijders knew how to render the anatomy of the animals masterfully. Also, he managed to make his animals look intelligent. He let them express a variety of feelings. His colleague, Paul De Vos, seems to have been less familiar with animal anatomy. His animals lack a kind of individuality and psychological expression. The panel shows a boar hunt with dogs. It was a prevalent theme, portrayed by Rubens, Snijders, De Vos and others.
Buyers were especially interested in the showdown between animal species. The mental and physical strength appealed to their imagination. The painter of this little work has no solid knowledge of dog breeds. Due to a lack of insight into dogs' bone and muscle structure, he makes them look rather stiff. Mainly the heads have something naïve about them. It cannot be ruled out that the artist of this painting is Jan van Kessel...
Category
17th Century Baroque Landscape Paintings
Materials
Canvas, Oak, Oil
17th C painting of a peasant couple preparing for Carnival.Flemish School.
Located in brussel, BE
Preparation for Carnival: a three day festival of insatiable eating, drinking and carousing that preceded the forty days of Lent, a period of penitence when the pious drank only wate...
Category
17th Century Baroque Figurative Paintings
Materials
Wood Panel, Oil
18th C, Portrait of a Lady, Elisabeth Carter, Oil on Canvas, 92 x 71 cm, Framed.
By Joshua Reynolds
Located in brussel, BE
Sir Joshua Reynolds (16 July 1723 - 23 February 1792) was a leading 18th-century English portrait painter and President of the Royal Academy from 1769 to 1792. He was born on 16 July...
Category
18th Century English School Figurative Paintings
Materials
Canvas, Oil
18th C, In the Style of the Classicizing Baroque, Biblical, Rebekka and Eliëzer
Located in brussel, BE
Willem Muys was a Dutch, 18th-century painter of history pieces, portraits and cabinet pieces. Above all, he appears to have been active as a painter of ‘wallpaper’. Until the mid-18th century, ‘wallpaper’ was not painted on paper but on coarsely woven linen. Wealthy citizens had their mansions or country estates adorned with ‘wallpaper’ with landscapes, exotic birds or chinoiseries.
Willem Muys mainly painted ‘wallpaper’, which means that few of his works have been preserved. They are hardly represented in public collections. The works of his sons, Nicolaas en Robbert, both painters, are a little less rare. The painting with Rebecca and Eliezer...
Category
18th Century Baroque Figurative Paintings
Materials
Canvas, Oil
You May Also Like
Girl with horse. 2004. Oil on canvas, 65x75 cm
Located in Riga, LV
Girl with horse. 2004. Oil on canvas, 65x75 cm
Category
Early 2000s Romantic Figurative Paintings
Materials
Canvas, Linen, Oil
$6,455 Sale Price
20% Off
Pharaohs hunting. 2001. Oil on linen, 70x100 cm
Located in Riga, LV
Pharaohs hunting. 2001. Oil on linen, 70x100 cm
Category
Early 2000s Romantic Figurative Paintings
Materials
Canvas, Linen, Oil
$7,172 Sale Price
20% Off
Crete tune. 2010. Oil on linen, 80x90 cm
Located in Riga, LV
Crete tune. 2010. Oil on linen, 80x90 cm
Category
2010s Romantic Figurative Paintings
Materials
Canvas, Linen, Oil
$8,368 Sale Price
20% Off
Flute tune. 2008. Oil on linen, 80x100 cm
Located in Riga, LV
Flute tune. 2008. Oil on linen, 80x100 cm
Category
Early 2000s Romantic Figurative Paintings
Materials
Canvas, Linen, Oil
$7,890 Sale Price
20% Off
Major. (from series Music) 2011. Oil on linen, 70 x 80 cm
Located in Riga, LV
Major. (from series Music) 2011. Oil on linen, 70 x 80 cm
Category
2010s Romantic Figurative Paintings
Materials
Canvas, Oil, Linen
$9,205 Sale Price
20% Off
An Apples. 1998-2015. Oil on linen, 64, 5 x 75 cm
Located in Riga, LV
An Apples. ( To Steve Jobs Memory) 1998-2015. Oil on linen, 64,5 x 75 cm
Category
2010s Romantic Figurative Paintings
Materials
Canvas, Linen, Oil
$4,781 Sale Price
20% Off











