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Ritchelly OliveiraFeel the Blue III, 2025 - Ritchelly Oliveira (Figurative)2025
2025
$8,976.91
£6,670.06
€7,500
CA$12,296.52
A$13,414.84
CHF 7,114.96
MX$161,618.56
NOK 90,302.63
SEK 82,674.51
DKK 57,134.06
About the Item
“Feel the Blue III” by Ritchelly Oliveira, 2025
Charcoal and Acrylic on Canvas – 100 x 80 cm (39.3 x 31.5 in)
“Feel the Blue III” by Ritchelly Oliveira is a visually arresting work from 2025 that fuses portraiture, symbolism, and bold chromatic contrast. Executed in charcoal and acrylic on canvas, this 100 x 80 cm piece portrays a striking Black woman holding a bird atop her head, set against a vivid orange background. The subject’s calm yet alert expression, combined with the sculptural rendering of her hands and the feathered creature, gives this painting a dreamlike, ritualistic presence.
This artwork stands out for its balance of realism and abstraction. Oliveira’s technical mastery in charcoal brings a deep tonal range and volume to the figure and bird, while the vibrant orange field—painted in flat, saturated acrylic—provides a graphic and contemporary visual punch. The unexpected color pairing and symbolic placement of the bird evoke questions of identity, transformation, and inner strength, making it a compelling choice for collectors of modern figurative works.
The piece is in impeccable condition.
As part of the “Feel the Blue” series, this work reflects Oliveira’s interest in creating spaces of presence and narrative through contrasts, between color and grayscale, nature and figure, stillness and movement.
- Creator:Ritchelly Oliveira (1993, Brazilian)
- Creation Year:2025
- Dimensions:Height: 100 in (254 cm)Width: 80 in (203.2 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Porto, PT
- Reference Number:1stDibs: LU2214216335002
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enter visual arts at the Federal University of Goiás (UFG), he found
human figure a margin to present his speech about what he
understands the deeper aspects of emotional relationships. He works about what he suspects to be love and, believing that this is a universal feeling. Believing that affective relationships are built from the individual and
as their surroundings interfere with them, he tries to rescue the possibility
to construct discourses about love, especially black love. The importance
to reflect together on issues such as sexuality, responsibility
affective and colorism are necessary canons in this invitation to fulfill the ideals
dangerous and exclusionary forms of romantic love that circulate in our environments.
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