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Sanatan DindaNude Woman, Conte on Paper, Brown, Black, Contemporary Indian Artist "In Stock"2010
2010
$2,559
£1,948.62
€2,243.79
CA$3,626.33
A$3,900.63
CHF 2,084.61
MX$45,977.37
NOK 26,282.08
SEK 24,026.81
DKK 16,764.89
About the Item
Sanatan Dinda - Untitled - 28 x 20 inches (unframed size)
Conte on Paper
Proposed Frame Size : 3 inches mount on all sides and 1 Inch frame
Supported by Artist's Authenticity Certificate.
Inclusive of shipment in roll form.
Style : Sanatan Dinda discovers the beautiful a midst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture of Mother-goddesses – as an extension of mainstream art within the domain of modern installation art practices .
About the Artist and his work :
Born : 1971
Education : First class graduate in painting from the Government College of Art
Craft, Kolkata.
Works : His acceptance is far and wide, from Buckingham Palace to Sachin Tendulkar’s drawing-room. He grew in stature to be the first Indian artist having a displayed portrait of Mother Teresa at the Buckingham Palace. His connoisseurs include a diverse range of people, from Sanjib Goenka,Harsh Goenka,Tina Anil Ambani,Shaharukh Gouri Khan and Jyoti Vikram Thapar to Amitabh Bachchan. His work is included in private collections of that of Amjad Ali Khan, RPG Enterprises, Reliance Industries, Ballarpur Industries Limited, etc. His exhibition at the Hyatt Regency hotel in Kolkata on 28–29 January 2010 was inaugurated by Amjad Ali Khan and his wife.
- Creator:Sanatan Dinda (1971, Indian)
- Creation Year:2010
- Dimensions:Height: 36 in (91.44 cm)Width: 28 in (71.12 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Kolkata, IN
- Reference Number:1stDibs: LU60435907082
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Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...
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Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...
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