Post-Impressionist Figurative Paintings

Marie-Lucie Nessi Valtat Horseman in Summer, ca. 1950 Oil on canvas mounted on board 10 2/3 x 13 3/4 in l 27 x 35 cm Frame size: 12 2/3 x 15 3/4 in. l 32 x 40 cm Marie-Lucie Nessi V...

Anna Boberg (Stockholm 1864–1935 Stockholm) "Boats under the Snow" - Fishing boats at anchor in Lofoten Fishing boats at anchor in Lofoten Signed “A. Boberg” oil on canvas unframe...

Original oil on canvas painting of a lavish interior dinner party scene by Venancio Zolla. Signed lower right. Condition is excellent. Bibliography printed label on frame verso. O...

Children Playing on Beach Textured Oil on Canvas Hand signed lower right Image: H 40 x W 30 inches; Frame: H 40.5 x W 30.5 inches Beautiful muted pastel tone colors This depicts a ...

Original painting of the beautiful medieval French village of Saint Cirq Lapopie, Midi-Pyrénées, France, by leading Contemporary British Artist, Angela...

Signed divisionist landscape oil on panel circa 1920 by French painter Henri le Sidaner. This stunning piece depicts a white house framed by trees at nighttime. Light glows from the...

Wonderful fauvist abstract expressionist painting of a face titled "Nice Dark Head" by Northern California artist Judy Gittelsohn (American, born 1958), 2019. Signed lower left corne...

This French contemporary still life, “The Tea Time Sonata,” by artist Natalya Mougenot, is a vibrant colorful painting in large format that captures the poetry of everyday life throu...

An outstanding oil painting depicitng 3 figures seated around a table with flower vase. The bright colors and quick brush strokes are what makes this piece so attractive and desirabl...

Paris Palais Garnier (Opera House) with Figures 20th Century Post-Impressionism by Italian Artist, Mario Passoni (Italian, born 1927) Art measures 28 x 20 inches Frame measures 37 x...

ISMAEL GONZÁLEZ DE LA SERNA Spanish, 1898 - 1968 "PORTAL VIEW - SAILBOATS IN HARBOUR" unsigned oil on masonite 25-1/4 x 22-1/2 inches (64 x...

Vaudeville Theatre by Edouard Cortes was painted circa 1955-60 and signed lower left. It is oil on canvas measuring 18x22 in original unlined condition....

Portrait of a Woman with Teapot and Tropical Plants Striking portrait of a woman at a table with a teapot in a lush tropical setting by San Jose artist R. A. "Bobbie" Dixon (America...

Ernest Fiene depicts Fifth Avenue, looking down from 57th Street, with an unobstructed view of the Empire State Building, as an evocation of night. The artist captures a dark, moody blue sky, with light bouncing back from the clouds. This contrasts with the somewhat haunting yellow glow given to pedestrians and street traffic. The absence of newer glass-and-steel architecture provides the painting with the charm of old New York. The people have a slightly zombie-like quality, akin to George Tooker. Best viewed with a top and direct gallery light...

Suchitra Bhosle's "A Beautiful and Brave Gaze" is an original, hand made oil painting that depicts an Indian woman with a lit flame creating a beautiful orange glow around her. Abo...

Rome from the Pincio is an orginal modern artwork realized in 1973 by the Italian artist Mario Evangelisti. Mixed colore oil painting on canvas. Ha...

MANE-KATZ RABBIS, c. 1935 Oil on canvas 18 H. x 14 W. 1/2 in. (45.5 x 35.8 cm.) Signed PROVENANCE Dominion Gallery, Montreal Christies, New York, November 04, 1982. Lot 177: $11,000 Private Collection, New Jersey, 1982-2021 Estate of the above, 2021. Raised in an orthodox Jewish family in Russia, Mane-Katz was born in the Ukraine and became an early 20th-century artist, known especially for portraits and paintings with Jewish themes. From childhood, he had been influenced by stories of Jewish mysticism, which was reflected in his paintings. He had a peripatetic life between Russia, France, Israel, and America. He first studied art in Kiev at the Beaux Arts Academy, and in 1913, went to Paris where he associated with Chaim Soutine and Marc Chagall and continued his art studies there at the Beaux Arts Academy. During World War I, he tried to join the Foreign Legion but was rejected because he was too short. He went back in Russia again, this time joining the Soviet Revolution but rejected the cause because he was so horrified by Josef Stalin. He worked briefly for the Russian ballets, and in 1921, he returned to Paris where in 1927 he took French citizenship. For the next twelve years, he traveled widely, showing his art work and doing many paintings. In 1939, as World War II was breaking out, he was drafted by the French and then was taken prisoner by the Germans. He escaped and went to the United States and remained there until 1945, exhibiting his paintings at Katia Granoff Gallery and Wildenstein Gallery. After the war, he returned to Paris where he had exhibited in the Salons. In Paris to the end of his career, he worked happily, painting hundreds of portraits of rabbis...

Signed pointillist oil on panel figures in landscape by French neo-impressionist painter Yvonne Canu. This stunning piece depicts a couple resting under a parasol in a field of wildf...

The Guitarist Artist: Pierre Neveu (French b.1929) Medium: oil on canvas, unframed Canvas: 46 x 35 inches Signed and titled verso Condition: Good and sound condition Provenance: From...

Signed and dated post impressionist riverscape oil on canvas by French painter Ferdinand du Puigaudeau. This stunning and large work depicts a view of the river Loire in Nantes, Fran...

French Mid Century Post Impressionist view of Montmartre, Paris in the snow, oil on board by Louis Peyrat. The painting is signed bottom right and is presented in a distressed custom...

Amid the darkened walls and shadows, a direction appears for the first time in a long while. Then comes a step — taken not out of confidence, but out of trust. And once again, toward...

Oil on canvas. "Sunshine Bliss: The Aroma of Summer Watermelon" In this painting, a vivid and joyful spectacle unfolds before us, as if a sunbeam has penetrated directly onto the c...

Signed oil on canvas landscape circa 1930 by German post impressionist painter Max Clarenbach. The work depicts a winter scene, with snow laying thick on the ground. To the foregroun...

One of the most successful illustrators of the early 20th century Dean Cornwell Untitled (Crucifixion on the Battlefield) initialed DC (center left), oil on canvas, framed canvas: 33...

Beach Figures Artist: Pierre Neveu (French b.1929) signed lower left Medium: oil on canvas, unframed Canvas: 39.5 x 39.5 inches Condition: Good and sound condition Signed and titled ...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

Ludovic Vallee (French 1864 – 1939) Soiree a la guinguette Signed ‘L Valle’ (lower right) Oil on board 27 x 22 cm. It has an inscription on the reverse...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

IGNACIO GIL SALA (Barcelona, 1913–2003) Title: On the Way to Mass, Ibiza Date: c. 1960 Technique: Oil on canvas Dimensions: 38 × 46 cm — (14.96 × 18.11 in) Framed dimensions: 65 × 7...

Signed figures in landscape oil on canvas circa 1920 by British post impressionist painter William Lee Hankey. The piece depicts sail boats in La Rochelle, a seaport in the Bay of Bi...

Mid Century Modern Portrait of a Man in a Suit in Oil on Masonite Mid Century Modern portrait of an older man by Honora Berg (American, 1897-1985). This portrait is made of layers o...

Portrait of a Woman in Blue Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 24 x 20 inches Provenance: private collection, France Conditio...

Beautiful oil on wooden panel realized by Piero Marussig between 1928 and 1930. Very good conditions. Published in the general catalogue of the Artist...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 24 x 20 inches Provenance: private collection, France Condition: The painting is in overal...

A highly detailed India ink drawing with watercolor and Gouache. Each intricate circle and line is hand drawn to create a matrix within which the artist colors the scene to a fine realistic conclusion. Aladdin smiles at the Lantern that has given him his wishes, wealth and knowledge. Signed and dated "Ben Black 85" lower right. Image, 17"H x 27"L (portions of the work flow into the full mat length and width, which is: 20"H x 30"L). We have included a lower resolution image (#1) taken in subdued light to show the full range of colors we were unable to capture due to the extensive fine India ink designs throughout. Ben Black was born in Boston, he graduated from the Massachusetts College of Art 1947. He served in World War 2. He was an art director at one of Boston's leading advertising firms, later opened his own studio where his works were included in The New Yorker, Saturday Evening Post, Reader's Digest, establishing himself as a leading American Illustrator. He had many solo and group exhibitions throughout New England and his work is collected throughout the world. Originally known for his clowns, he created a limited edition series of plates for Royal Daulton as well as clown figurines...

Sur la Plage by Josine Vignon (French 1922-2022) signed lower right oil painting on canvas, unframed canvas: 20 x 25.5 inches Colors: Yellow gold and warm colors, red, blue and ora...

This painting was owned by Comte Robert de Montesquiou (1855–1921), Paris Literature: Jane Roberts, Jacques-Émile Blanche (2012), pg. 47 (color illus.), p. 191. Included as no. R...

Original oil painting by Huguette Baudrot (French, 1929-2023) *see further notes below Post-Impressionist oil painting by the well listed and admired female French painter, Huguett...

Twilight by John Bampfield (b. 1947) signed oil on canvas, framed framed: 23.5 x 33.5 inches canvas: 20 x 30 inches Provenance: private collection, UK Condition: very good condition...

ARTIST: Robert Poetzerlberger (1856-1930) Austrian / German TITLE: "Arabic Children On A Hillside With Their Donkey" SIGNED: lower left MEDIUM: oil on canvas SIZE: 70cm x 59cm incl...

Signed fauvist oil on canvas riverscape c.1908 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view of the River Seine in Rouen, with Saint Catherine'...

Shepherds at Sunrise French School, 1976 oil on canvas, unframed Canvas : 24 x 18 inches Inscribed verso Provenance: private collection, Paris Condition: very good condition Descrip...

Ozer Shabat 1978-1901 Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s. Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese. Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death. In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris. He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures. He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars. His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum. Select Solo exhibitions 1936 - Nadler Gallery, Haifa. 1943 - The Tel Aviv Museum of Art. 1952 - Artists House, Haifa. 1953 - Bezalel House, Jerusalem. 1955 - Gallery in Geneva, Switzerland. 1955 - The Writers' Club, Haifa. 1959 - Artists House, Haifa. 1960 - Museum of Modern Art, Haifa. 1962 - Museum of Modern Art, Haifa. 1963 - Gallery 220, Tel Aviv. 1968 - The Municipal Museum of Beit Emanuel, Ramat Gan. 1979 - Memorial exhibition marking the first anniversary...

This interesting British 1930's Post Impressionist town landscape oil painting is by noted Liverpool born artist Edwin Glasgow. Painted in 1936 and signed lower left, the painting wa...

Beautiful oil on mahogany panel painting of the bustling Port of Ostend in Belgium by Louis Clesse. Signed lower right and dated 1942. Titled verso and signed again by the artist ve...

Maurice Asselin (1882-1947) A Bouquet of anemones Signed lower left (partially hidden by the frame) Oil on canvas In good condition 21 x 28 cm Framed : 27 x 34cm Maurice Asselin ...

Portrait of a Child Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 13.75 x 10.5 inches Provenance: private collection, France Condition:...

Signed lower left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989), titled 'Paris' and painted circa 1965. Bearing 1965 exhibition label, verso, on stretcher bar. Precocious as...

The Artists Model, Nude Lady posing for the artist circa 1930's Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 22 x 18.5 inches Provenanc...

Double Sided Portrait Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on board, unframed Size : 16 x 13 inches Double sided Provenance: private collection, France C...

Portrait of a Young Lady Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: signed oil on board, unframed Dated 37' Size : 16 x 13 inches Provenance: private collection, Fr...

A wonderful oil on canvas by Louis Hayet depicting figures in a cityscape at evening time. Signed and dated 1932 lower left. Louis Hayet had a difficult and itinerant childhood, due to the instability of his father, an amateur artist. He began to draw and produce watercolours from the age of 12. By the age of 20 he produced works with great skill, as demonstrated by his pen drawing Boulevard, Evening, Paris. He made a living in Paris doing various jobs more or less to do with painting. He associated with Camille and Lucien Pissaro...

Signed figurative oil on panel circa 1938 by post impressionist painter Jacques Martin-Ferrieres. This wonderful piece depicts people marching to Prizen in the former Yugoslavia. Mar...

Title: Provence Village Flower Market Scene Watercolour French Post Impressionist Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): 7 x 5 inches Condition: Good overall with light handling to the sheet edges and the natural deckle of the paper; colours remain fresh and surface is sound, consistent with age. Provenance: From the artist’s studio sale in France; all works by this artist in our collection originate from the artist’s estate. Description: A lively and colourful French market scene by Pierre Neveu, capturing the vibrancy of daily life in a Provençal village square. Executed in expressive watercolour, the composition centres around a tree-shaded market stall surrounded by vivid flower displays in pots and baskets. The artist’s confident brushwork and instinctive sense of colour bring the bustling charm of southern France to life—yellow, crimson, and violet blooms set against the warm ochre tones of sunlit village façades. Hints of figures, awnings, and architectural details evoke the gentle rhythm of a Mediterranean morning. Neveu’s fluid handling of the medium allows the paint to breathe and shimmer, suggesting movement, light, and atmosphere rather than rigid form. This scene is typical of his Post-Impressionist style—combining structure and spontaneity to celebrate the poetry of everyday French life. Collectors of French market paintings...

Small head in pencil. original drawing painting André Derain (Chatou, June 10, 1880-Garches, September 8, 1954) was a French painter, illustrator and set designer, representative of...

Dorothy King was born and lived in London in 1907. She studied at the Hornsey School of Art under JC Moody, then briefly at the Slade School of Fine Art with Randolph Schwabe. She to...

A sailing break' is an original painting by Gordon Hunt. it shows a group of people out sailing. They have dropped anchor to take time to enjoy the beautiful turquoise water and brig...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: signed and dated oil on board, unframed Size : 16 x 13 inches Provenance: private collection, France Condition: The paint...

Signed oil on canvas landscape circa 1890 by French post impressionist painter Albert Charles Lebourg. The work depicts a view of a road to Hondouville, a commune in nothern France, ...