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Men Figurative Paintings

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Art Subject: Men
FINE 17TH CENTURY ITALIAN OLD MASTER OIL ON CANVAS - THE BATHING OF BATHSHEBA
Located in Cirencester, Gloucestershire
Artist/ School: Italian School, 17th century Title: The Bathing of Bathsheba Medium: oil painting, on canvas Size: frame: 23 x 19 inches, canvas: 18 x 14 inches Provenanc...
Category

17th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

Large 1970 s French Modernist Oil Painting The Card Game Players Casino Interior
Located in Cirencester, Gloucestershire
The Card Game in the Casino French Modernist, circa 1970's oil on canvas, unframed canvas: 21.5 x 25.5 inches provenance: private collection, France condition: very good and sound co...
Category

Mid-20th Century Modern Figurative Paintings

Materials

Oil, Canvas

Untitled
Located in New York, NY
Acrylic and acrylic ink on paper Signed in pencil, verso 10.5 x 8 inches, sheet 18.5 x 16 inches, frame This work is offered by ClampArt, located in New York City. Price includes frame.
Category

Early 2000s Contemporary Figurative Paintings

Materials

Paper, Acrylic, Ink

17th Century by Pietro della Vecchia Bacchus and Ceres Oil on canvas
Located in Milano, Lombardia
Pietro della Vecchia (Vicenza, Italy, 1603 – Venice, Italy, 1678) Title: Bacchus and Ceres Medium: Oil on canvas Dimensions: without frame 109 x 130 cm – with frame 128 x 152 x 8 cm...
Category

17th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

Red Cross Belt
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...
Category

21st Century and Contemporary Neo-Expressionist Portrait Paintings

Materials

Canvas, Acrylic

Red Cross Belt
Red Cross Belt
$1,320 Sale Price
20% Off
LOVE CREATURES
Located in CÓRDOBA, ES
Acrylic and markers on canvas. Original art by Daria Kusto. Shipped rolled in a tube From Spain.
Category

2010s Neo-Expressionist Figurative Paintings

Materials

Acrylic, Permanent Marker

[Bruce Sargeant (1898-1938)] Michael Hunting
Located in New York, NY
Oil on canvas Signed in red, u.r. 14 x 11 inches, canvas size 14.5 x 11.5 inches in distressed gold leaf frame This artwork is offered by ClampArt, located in New York City. “Bruc...
Category

21st Century and Contemporary Realist Portrait Paintings

Materials

Canvas, Oil

Lights Out
Located in Red Bank, NJ
Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...
Category

21st Century and Contemporary Outsider Art Figurative Paintings

Materials

Canvas, Oil Crayon, Acrylic

A Charming, Colorful 1930s Painting of a Young Woman Knitting by Francis Chapin
Located in Chicago, IL
A charming, colorful 1930s painting of a young woman knitting by famed Chicago Modern artist, Francis Chapin. A harmonious palette of cheerful yellows, reds and blues, where a young...
Category

1930s American Modern Figurative Paintings

Materials

Masonite, Oil

Reality
Located in Ibadan, Oyo
Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.
Category

21st Century and Contemporary Contemporary Portrait Paintings

Materials

Canvas, Oil, Acrylic

Reality
Reality
$2,336 Sale Price
25% Off
17th Century By Guidotti aka Cavalier Borghese Salomé and the Baptist Oil/canvas
Located in Milano, Lombardia
Cavaliere Paolo Guidotti, also known as il Cavalier Borghese (Lucca, Italy, 1559 - 1629) Title: Salomé and the Baptist Medium: Oil on canvas Dimensions: without frame 90 x 68.5 cm -...
Category

Early 17th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

Framed 18th Century Oil - Saint John the Baptist
Located in Corsham, GB
A beautiful 18th century religious portrait depicting Saint John the Baptist in a pastoral landscape. The saint is recognisable by his symbolic attributes and the inscription 'ECCE A...
Category

Early 18th Century Figurative Paintings

Materials

Oil

Large Pink Ethereal Seaside Abstract Figurative Painting "Shore Runners"
Located in Cape Town, ZA
As Gottlieb draws heavily from his work and experience in film, this artwork captures a fleeting moment of human joy at the ocean’s edge — children at play, bodies suspended, superim...
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Varnish, Acrylic

Summer Vacation, The Saturday Evening Post cover study
Located in Fort Washington, PA
Study for the Cover illustration for The Saturday Evening Post, June 30th, 1934 LITERATURE: C.D.B. Bryan, Mort Walker and the Art of Illustration, Architectural Digest, July 1988, ...
Category

1930s Figurative Paintings

Materials

Oil

Sir Rowland Cotton (1581 – 1634), Tudor Oil on Canvas, Life Size Painting
Located in London, GB
Oil on original canvas Image size: 78 1/4 x 44 inches (199 x 112 cm) Contemporary style frame Provenance Sir Rowland Cotton, 1608 Family Descent Private Collection Sir Rowland Cot...
Category

17th Century English School Figurative Paintings

Materials

Canvas, Oil

Let Go 2 - Original oil painting - Zack Zdrale
Located in Chicago, IL
Let Go 1, 2, 3 (Series) In these paintings, Zdrale depicts multiple figures—often iterations of the same man—locked in a cycle of struggle. The ropes that coil around or extend from ...
Category

21st Century and Contemporary Realist Figurative Paintings

Materials

Oil, Panel

Mid Century Figurative -- Adventures - Duleich
Located in Soquel, CA
Mid century figurative of romantic adventures by Duleich (American, 20th Century). Presented in a wooden frame. Signed "Duleich '59" lower left. Image size, 30.25"H x 24"W. Framed si...
Category

1950s American Impressionist Figurative Paintings

Materials

Canvas, Oil

"Windows"
Located in Lambertville, NJ
Jim's of Lambertville Fine Art Gallery is proud to present this work by Jacob Lawrence (1917 – 2000). Provenance: This painting is from the private collection of Gwen Lawrence, widow of Jacob Lawrence. Exhibitions: An attached photo (3rd photo) of the back of the piece shows its extensive exhibition history. Biography: Leading African-American narrative painter, Jacob Lawrence was born in Atlantic City, New Jersey in 1917. After his father abandoned his family in 1924, Lawrence spent several years in foster homes before reuniting with his mother in 1930 in Harlem, New York. In New York, he attended art classes organized at the Harlem Art Workshop with Charles Aston and the Harlem Community Art Center with Augusta Savage. There, he met fellow young painters, Aaron Douglas, and William Johnson...
Category

1970s Modern Figurative Paintings

Materials

Gouache

"Holy Communion of the apostles"
Located in Edinburgh, GB
Unidentified Austrian Artist (18th Century) "Holy Communion of the Apostles" Medium: Oil on canvas Dimensions (Framed): 133 x 193 cm Dimensions (Canvas): 120 x 179 cm No signatured Provenance: [If available, insert details] This grand 18th-century Austrian religious painting, titled "Holy Communion of the Apostles", presents a dramatic and deeply spiritual interpretation of one of the most sacred moments in Christian tradition. The composition is filled with expressive figures, capturing Christ as He offers communion to His apostles, enveloped in a warm and divine glow. The scene is set in an elaborate architectural background with classical columns, reliefs, and statuary, reinforcing the solemnity and grandeur of the occasion. Executed in the Baroque tradition, the painting showcases rich contrasts of light and shadow, dynamic movement, and intricate detailing. The use of chiaroscuro heightens the emotional depth, while the finely rendered garments, architectural elements, and the presence of cherubs add a theatrical yet reverential atmosphere. The inclusion of background figures engaged in various activities contributes to the narrative complexity, a hallmark of 18th-century Austrian religious art influenced by Italian and Flemish masters. Encased in an elegant gilded frame, this museum-quality work is an exceptional acquisition for collectors of Old Master religious paintings...
Category

18th Century Realist Figurative Paintings

Materials

Canvas, Oil

The Snowball Fight, 19th Century, Belgian, Realism, Figural, Children, Winter
Located in Wiscasset, ME
Henri van Seban was born in Brussels in 1825. He was a pupil at the Academy of Den Haag, studied with Hubertus van Hove and at the School of Xylography in Den Haag. An accomplished p...
Category

19th Century Realist Figurative Paintings

Materials

Oil, Wood Panel

Portrait of a Fisherman and his Fishing Basket 20th Century French Oil Painting
Located in Cirencester, Gloucestershire
Fisherman Portrait by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 47.5 x 24 inches condition: overall very good, minor surface s...
Category

Late 20th Century French School Figurative Paintings

Materials

Oil

"Shed n3"
Located in Edinburgh, GB
This building is lokatę in the beautiful old Austrian town Hallstatt, situated on the shore of a magnificent mountain lake. It is an ordinary farm building , but it radiates the warm...
Category

21st Century and Contemporary Realist Figurative Paintings

Materials

Canvas, Oil

Down Is The New Up 5 - Contemporary Expressive Figurative Oil Painting
Located in Salzburg, AT
The inspiration for Daniel Wimmer’s art consistently stems from the human body. He is particularly fascinated by the beautiful colors of the skin and is constantly searching for intr...
Category

2010s Contemporary Figurative Paintings

Materials

Oil

After Van Gogh - 1995 Oil, Peasants
Located in Corsham, GB
Titled and dated verso. Presented in a substantial wooden frame with a gilt inner window. On board.
Category

20th Century Figurative Paintings

Materials

Oil

French Impressionist Oil Painting of Windy Walk along the Coastal Path
Located in Cirencester, Gloucestershire
Title: French Impressionist Oil Painting of Windy Walk along the Coastal Path By Fanch Lel (French b. 1930) Size: 10.75 x 8.75 inches (height x width) Signed: Yes Oil painting on boa...
Category

20th Century Impressionist Landscape Paintings

Materials

Oil

"Italian Chair" (2024) Original Oil Portrait Painting by Michael Carson
Located in Denver, CO
Michael Carson's (US based) "Italian Chair" (2024) is an original, handmade oil painting and is framed in a black float frame. About the Artist: Mike Carson is a Minneapolis painte...
Category

2010s Impressionist Figurative Paintings

Materials

Oil, Wood Panel

A Soldier Blowing the Trumpet by French Artist Charles Bouchez, Oil on Canvas
Located in Stockholm, SE
Charles Bouchez (1811-1882) French A Soldier Blowing the Trumpet oil on canvas signed and dated ch. Bouchez 1842 canvas dimensions 6.29 x 4.13 inches (16 x 10.5 cm) frame 10.23 x 7...
Category

1840s French School Figurative Paintings

Materials

Canvas, Oil

Enfants à la plage (“Children at the Beach”)
Located in Stockholm, SE
Albert Roosenboom was a Belgian genre painter celebrated for his elegant depictions of everyday life in the mid to late 19th century. A pupil of the renowned Constantin Meunier, Roos...
Category

1870s Romantic Figurative Paintings

Materials

Oil, Wood Panel

Cupid and Psyche, Classic Art, Original oil Painting, Ready to Hang
Located in Granada Hills, CA
Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2003 Title: Cupid and Psyche Size: 20" ...
Category

2010s Impressionist Figurative Paintings

Materials

Canvas, Oil

My brave princess
Located in Zofingen, AG
This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "My Brave Princess" from the "PERICHORESIS SERIES...
Category

2010s Impressionist Interior Paintings

Materials

Canvas, Acrylic

Fine 17th Century Flemish Baroque Oil Painting Roman Charity Large Wood Panel
Located in Cirencester, Gloucestershire
Roman Charity Flemish Baroque period, first half 17th century circle of Peter Paul Rubens oil on wood panel, framed framed: 24.5 x 30 inches panel: 20 x 26 inches Provenance: Private...
Category

17th Century Baroque Figurative Paintings

Materials

Oil

To Marseille, Oil, Impressionist, Contemporary Figurative Original Andre Kohn
Located in Maricopa, AZ
"To Marseille, series #14" by renowned artist Andre Kohn is an original oil painting on museum wrap canvas and measures 42" x 18" overall with custom dark espresso frame. Complete wi...
Category

2010s Abstract Impressionist Figurative Paintings

Materials

Oil

Skull with Sacred Writings and Tablets of the Law - Tempera on Cardboard
Located in Roma, IT
Skull with Sacred Writings and Tablets of the Law is a superb and colorful tempera on cardboard, realized in 1766 by an anonymous artist of ...
Category

18th Century Old Masters Figurative Paintings

Materials

Tempera

Sketching Wisconsin original oil painting, Signed
Located in Milwaukee, WI
John Steuart Curry "Sketching Wisconsin," 1946 oil on canvas 31.13 x 28 inches, canvas 39.75 x 36.75 x 2.5 inches, frame Signed and dated lower right Overall excellent condition Presented in a 24-karat gold leaf hand-carved wood frame John Steuart Curry (1897-1946) was an American regionalist painter active during the Great Depression and into World War II. He was born in Kansas on his family’s farm but went on to study art in Chicago, Paris and New York as young man. In Paris, he was exposed to the work of masters such as Peter Paul Rubens, Eugène Delacroix and Jacques-Louis David. As he matured, his work showed the influence of these masters, especially in his compositional decisions. Like the two other Midwestern regionalist artists that are most often grouped with him, Grant Wood (American, 1891-1942) and Thomas Hart Benton (American, 1889-1975), Curry was interested in representational works containing distinctly American subject matter. This was contrary to the popular art at the time, which was moving closer and closer to abstraction and individual expression. Sketching Wisconsin is an oil painting completed in 1946, the last year of John Steuart Curry’s life, during which time he was the artist-in-residence at the University of Wisconsin in Madison. The painting is significant in Curry’s body of work both as a very revealing self-portrait, and as a landscape that clearly and sensitively depicts the scenery of southern Wisconsin near Madison. It is also a portrait of the artist’s second wife, Kathleen Gould Curry, and is unique in that it contains a ‘picture within a picture,’ a compositional element that many early painting masters used to draw the eye of the viewer. This particular artwork adds a new twist to this theme: Curry’s wife is creating essentially the same painting the viewer is looking at when viewing Sketching Wisconsin. The triangular composition of the figures in the foreground immediately brings focus to a younger Curry, whose head penetrates the horizon line and whose gaze looks out towards the viewer. The eye then moves down to Mrs. Curry, who, seated on a folding stool and with her hand raised to paint the canvas on the easel before her, anchors the triangular composition. The shape is repeated in the legs of the stool and the easel. Behind the two figures, stripes of furrowed fields fall away gently down the hillside to a farmstead and small lake below. Beyond the lake, patches of field and forest rise and fall into the distance, and eventually give way to blue hills. Here, Curry has subverted the traditional artist’s self-portrait by portraying himself as a farmer first and an artist second. He rejects what he sees as an elitist art world of the East Coast and Europe. In this self-portrait he depicts himself without any pretense or the instruments of his profession and with a red tractor standing in the field behind him as if he was taking a break from the field work. Here, Curry’s wife symbolizes John Steuart Curry’s identity as an artist. Compared with a self-portrait of the artist completed a decade earlier, this work shows a marked departure from how the artist previously presented and viewed himself. In the earlier portrait, Curry depicted himself in the studio with brushes in hand, and with some of his more recognizable and successful canvases behind him. But in Sketching Wisconsin, Curry has taken himself out of the studio and into the field, indicating a shift in the artist’s self-conception. Sketching Wisconsin’s rural subject also expresses Curry’s populist ideals, that art could be relevant to anyone. This followed the broad educational objectives of UW’s artist-in-residence program. Curry was appointed to his position at the University of Wisconsin in 1937 and was the first person to hold any such position in the country, the purpose of which was to serve as an educational resource to the people of the state. He embraced his role at the University with zeal and not only opened the doors of his campus studio in the School of Agriculture to the community, but also spent a great deal of time traveling around the state of Wisconsin to visit rural artists who could benefit from his expertise. It was during his ten years in the program that Curry was able to put into practice his belief that art should be meaningful to the rural populace. However, during this time he also struggled with public criticism, as the dominant forces of the art market were moving away from representation. Perhaps it was Curry’s desire for public acceptance during the latter part of his career that caused him to portray himself as an Everyman in Sketching Wisconsin. Beyond its importance as a portrait of the artist, Sketching Wisconsin is also a detailed and sensitive landscape that shows us Curry’s deep personal connection to his environment. The landscape here can be compared to Wisconsin Landscape of 1938-39 (the Metropolitan Museum of Art), which presents a similar tableau of rolling hills with a patchwork of fields. Like Wisconsin Landscape, this is an incredibly detailed and expressive depiction of a place close to the artist’s heart. This expressive landscape is certainly the result of many hours spent sketching people, animals, weather conditions and topography of Wisconsin as Curry traveled around the state. The backdrop of undulating hills and the sweeping horizon, and the emotions evoked by it, are emphatically recognizable as the ‘driftless’ area of south-central Wisconsin. But while the Metropolitan’s Wisconsin Landscape conveys a sense of uncertainty or foreboding with its dramatic spring cloudscape and alternating bands of light and dark, Sketching Wisconsin has a warm and reflective mood. The colors of the foliage indicate that it is late summer and Curry seems to look out at the viewer approvingly, as if satisfied with the fertile ground surrounding him. The landscape in Sketching Wisconsin is also revealing of what became one of Curry’s passions while artist-in-residence at UW’s School of Agriculture – soil conservation. When Curry was a child in Kansas, he saw his father almost lose his farm and its soil to the erosion of The Dust Bowl. Therefore, he was very enthusiastic about ideas from UW’s School of Agriculture on soil conservation methods being used on Wisconsin farms. In Sketching Wisconsin, we see evidence of crop rotation methods in the terraced stripes of fields leading down the hillside away from the Curry’s and in how they alternate between cultivated and fallow fields. Overall, Sketching Wisconsin has a warm, reflective, and comfortably pastoral atmosphere, and the perceived shift in Curry’s self-image that is evident in the portrait is a positive one. After his rise to favor in the art world in the 1930’s, and then rejection from it due to the strong beliefs presented in his art, Curry is satisfied and proud to be farmer in this self-portrait. Curry suffered from high blood...
Category

1940s American Realist Figurative Paintings

Materials

Canvas, Oil

The bearded man
Located in Genève, GE
Work on cardboard Golden molded wooden frame 60 x 50 x 4.5 cm
Category

19th Century Portrait Paintings

Materials

Oil

The Grape Seller - Workshop of Jacob Ochtervelt
Located in Stockholm, SE
Jacob Ochtervelt (Workshop) The Grape Seller oil on canvas unframed: 80.7 x 61 cm.; 31 ¾ x 24 in. framed: 109.5 x 89 cm.; 43 1/8 x 35 in. Essay: This captivating piece, originating from the studio of the revered Dutch artist Jacob Ochtervelt, mirrors the composition of a signed and dated 1669 canvas by Ochtervelt that is presently housed in the Hermitage museum. Its subject, "The Grape Seller" immerses us in a typical 17th-century interior, replete with characters from various strata of society. At the center, a fruit vendor is depicted bending over to weigh grapes for the buyer. A child hands some of the grapes to her mother to taste, their attentive maid standing by. The backdrop showcases typical Ochtervelt details: a hint of the city visible through the doorway, light filtering in through an overhead window, and a playful dog at their side. The exquisite quality of the piece is evident in the minutiae, such as the intricate detailing of the mother's earring, which in reality spans only a few millimeters yet boasts impressive attention to detail. Initially, Sotheby's considered this work to be an autograph piece by Ochtervelt. But due to some uncertainty, it was auctioned as Workshop of Jacob Ochtervelt. On the other hand, the esteemed Cabinet Turquin in Paris leans toward attributing the piece directly to Jacob Ochtervelt himself. The painting is framed in an authentic period frame, which has been delicately restored by Stockholm's Förgyllning och Bildhuggeri. The frame retains its age-old patina and, while in used condition, has minor imperfections adding to its charm. Another interesting thing worth to mention is the painting's provenance. It was once owned by the 1st Viscount Rothermere (1868-1940), the founder of the Daily Mail and Daily Mirror...
Category

17th Century Old Masters Interior Paintings

Materials

Canvas, Oil

Diaphanous
Located in Ibadan, Oyo
"Diaphanous" is a captivating artwork that captures the beauty of a moment in time. Created by the talented artist, Akinboye Akinola Peter, this...
Category

21st Century and Contemporary Contemporary Figurative Paintings

Materials

Canvas, Acrylic

Madonna and Child
Located in Genève, GE
Monogrammed work Oil on copper Wooden carved frame 57 x 47.5 x 5 cm
Category

Early 19th Century Figurative Paintings

Materials

Oil

Magic Melody, Figurative, Original oil Painting, Ready to Hang
Located in Granada Hills, CA
Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 1999 Title: Magic Melody Size: 22.5" x ...
Category

2010s Impressionist Figurative Paintings

Materials

Canvas, Oil

Fine 18th Century English Oil Portrait Smart Gentleman Squire holding Letter
Located in Cirencester, Gloucestershire
English School, circa 1780’s Circle of George Romney (1734-1802) oil painting on canvas, framed framed: 36 x 30 inches canvas: 30 x 25 inches private collectio...
Category

Late 18th Century Old Masters Figurative Paintings

Materials

Oil

Large 20th Century French painting of fruit gatherers by Paul Deltombe
Located in Petworth, West Sussex
Paul Deltombe (French, 1878 – 1978) Allegorie des recoltes Oil on canvas Signed ‘Deltombe’ (lower right) 68 x 38.3/8in. (172.8 x 97.5cm.) This monumental canvas by Paul Deltombe pre...
Category

20th Century Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

1970 s Impressionist Oil Painting, Mount Abu Market Busy Figurative Scene
Located in Cirencester, Gloucestershire
Artist/ School: Barbara Doyle, British b. 1917 Barbara Doyle (British b.1917, born in Halifax Yorkshire, lived most of her life on the South Coast of England. She was an extremely a...
Category

20th Century Figurative Paintings

Materials

Acrylic

Ritratto figurativo storico neoclassico fiorentino del XIX secolo con cornice
Located in Florence, IT
Non si tratta di uno studio preliminare al dipinto ma di una ulteriore messa a fuoco della fisionomia stravolta del protagonista, un ‘primo piano’ che ben corrisponde a quanto annota...
Category

1830s Other Art Style Portrait Paintings

Materials

Oil, Board

FRENCH IMPRESSIONIST SIGNED WATERCOLOUR - FISHERMAN IN TRANQUIL LAKE
Located in Cirencester, Gloucestershire
"Fisherman" by Maurice Mazeilie (French) watercolour painting on paper, unframed stamped verso painting: 5.5 x 9.5 inches A delightful original oil painting by the 20th century Fre...
Category

20th Century Impressionist Landscape Paintings

Materials

Watercolor

Elegant Smartly Dressed Couple Riverside Gardens, Signed Original Oil Painting
Located in Cirencester, Gloucestershire
The Elegant Couple by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas, framed canvas: 33.5 x 24 inches framed: 38 x 28 inches Very good ...
Category

Late 20th Century Impressionist Figurative Paintings

Materials

Canvas, Oil

Mujer con niños
Located in Miami Beach, FL
His paintings, created to the very last detail using the techniques of the Old Masters, work with classical compositions while depicting a subject of central importance to their crea...
Category

1980s Contemporary Figurative Paintings

Materials

Canvas, Oil

Black White Painting of Hammersmith Bridge in London by British Urban Artist
Located in Preston, GB
Black & White Painting of Figures at Hammersmith Bridge in London - a unique original from leading British Urban Landscape & Cityscape Artist, Angel...
Category

2010s Contemporary Landscape Paintings

Materials

Gesso, Canvas, Paint, Cotton Canvas, Oil, Acrylic

Large British Sporting Art Oil Painting - Huntsman on Horseback with Hounds
Located in Cirencester, Gloucestershire
Artist/ School: British School, mid 20th century, signed lower corner Title: Huntsman on horseback with hounds. Medium: oil painting on canvas, framed. Size: framed: 18 x 26...
Category

Mid-20th Century Victorian Animal Paintings

Materials

Oil

Guardians of Isolation- Separation Figurative Abstract Geometric Contemporary
Located in Pretoria, Gauteng
Title: Guardians of Isolation - Separation Figurative Abstract Geometric Contemporary What a strange world! Lock down... It left all of us in a peculiar place in that time. I lis...
Category

2010s Abstract Geometric Figurative Paintings

Materials

Acrylic

Cornish Fisherman Standing Smoking Clay Pipe Antique Newlyn School Oil Portrait
Located in Cirencester, Gloucestershire
Portrait of a Fisherman with a Pipe Newlyn (Cornish) School, 19th century oil painting on canvas, unframed canvas : 20 x 16 inches provenance: ...
Category

19th Century Victorian Portrait Paintings

Materials

Canvas, Oil

Important Victorian portrait of Alexander Smith
Located in New York, NY
Important Victorian painting depicting Alexander Smith. It has a fantastic frame and is in excellent condition. Written Alex Smith (...) on the letter.
Category

Mid-19th Century Victorian Portrait Paintings

Materials

Canvas, Oil

NYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary
Located in New York, NY
NYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary David Atkins (1910 – 2012) Subway Train Departure 24 x 30 inches Oil on can...
Category

1960s American Modern Interior Paintings

Materials

Canvas, Oil

Hieronymus FRANCKEN III - The Denial of Saint Peter, 17th c. Antwerp school
Located in PARIS, FR
Hieronymus FRANCKEN III (Antwerp 1611 - 1671) 17th century Antwerp School The Denial of Saint Peter Oil on panel, dim. h. 53 cm, l. 76 cm Framed, h. 82 cm, l. 106 cm Sold with the ...
Category

Mid-17th Century Old Masters Figurative Paintings

Materials

Oil, Wood Panel

Post Impressionist Bar Scene, Le Cafe du Commerce, Oil on Board
Located in Cotignac, FR
Early 20th Century oil on board interior bar scene by Simon Joseph Simon-Auguste. The painting is signed bottom right and presented in a fine gilt carved wood Montparnasse frame. The...
Category

Mid-20th Century Post-Impressionist Figurative Paintings

Materials

Oil

Victor (Male Portrait Pool Painting)
Located in Wilton Manors, FL
Patrick Terenchin (b.1970). Victor, 2025 Oil, acrylic, color pencil on wood panel. Panel measuring 20 x 20 inches inches. Signed, titled, dated on verso. The portrait is from...
Category

21st Century and Contemporary Abstract Figurative Paintings

Materials

Mixed Media

Contemporary French Abstract Portrait Three Children Standing in Snow signed oil
Located in Cirencester, Gloucestershire
Huguette Ginet-Lasnier (French 1927-2020), signed lower front inscribed verso oil painting on canvas 24 x 19.5 inches. All the paintings we have for sale by this artist have come fr...
Category

21st Century and Contemporary Modern Figurative Paintings

Materials

Canvas, Oil

Portrait of Doctor Dirigoni, the artist s cousin
Located in PARIS, FR
Oil on canvas 133,5 x 116 cm (161,3 x 146,5 cm avec l’encadrement) = 52.6 × 45.7 in (63.5 × 57.7 in with frame) Signed lower right A pile of luxurious fabrics, a velvet jacket and t...
Category

Late 19th Century Figurative Paintings

Materials

Canvas, Oil

"Screaming" Minimal Contemporary Abstract Portrait Painting
By Tim Johnson
Located in Houston, TX
Red tonal abstract painting of a portrait of a man screaming. The work is signed, titled, and dated by the artist on the back of the canvas. Th...
Category

Early 2000s Contemporary Figurative Paintings

Materials

Acrylic

Framed Belgian Luminist Oil Painting Le Petit Jardinier With Potted Geraniums
Located in Sutton Poyntz, Dorset
François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...
Category

Late 19th Century Impressionist Figurative Paintings

Materials

Canvas, Oil

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Located in Cirencester, Gloucestershire
Tending his Nets English School, signed by the artist, H Wright signed and dated 1860 oil painting on canvas, unframed canvas : 10 x 10 inches provenance: private collection, UK cond...
Category

19th Century Victorian Figurative Paintings

Materials

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