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Angel Annunciation Paint 17th Century Oil on canvas Old master Tuscany school

1630-1680

$8,601.27
$10,751.5920% Off
£6,434.32
£8,042.9020% Off
€7,176
€8,97020% Off
CA$11,842.13
CA$14,802.6620% Off
A$12,959.79
A$16,199.7320% Off
CHF 6,848.11
CHF 8,560.1420% Off
MX$154,683.64
MX$193,354.5420% Off
NOK 87,390.42
NOK 109,238.0320% Off
SEK 79,925.65
SEK 99,907.0720% Off
DKK 54,673.01
DKK 68,341.2720% Off

About the Item

Seventeenth-century Tuscan painter Angel of the Annunciation Oil on canvas 52 x 74.5 cm Framed 94 x 71 cm The work on offer, characterised by a refined sacredness, depicts the Archangel Gabriel in the act of delivering the supreme announcement to the Virgin Mary, offering her the canonical white lilies, symbol of purity and chastity. It is a splendid subject, executed with stylistic refinement, probably commissioned for private use and therefore particularly pleasing and easy to place. The Angel takes the form of a young man with delicate features, with his finger raised as if to emphasise his revelation, wrapped in a bright red drape and a white robe, with a dark background that emphasises the movements of the figure and the gesture of his hand. The work, characterised by fluid, vaporous brushstrokes and a luminism that is not overly marked, denotes a profane attention to iconography and compositional methods still common in late Mannerist Tuscan painting, an extraordinarily happy artistic period which, especially at the turn of the century, saw an impressive succession of leading artistic personalities. In this case, although it is difficult to attribute the work to a particular name, the stylistic characteristics suggest that it was painted by a master of the Florentine school, active in the 17th century. The composition is characterised by intense colours and a particularly lively chiaroscuro effect, emphasised by the intense red of the angel's clothes and the glow that illuminates the angel from the front. Good condition. Complete with a beautiful antique box frame. In wood painted to imitate marble. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and a descriptive iconographic card. We arrange and organise the transport of purchased works, both in Italy and abroad, through professional and insured carriers. In the event of purchase of the work by non-Italian customers, it will be necessary to obtain an export permit, which takes approximately 10-20 days. Our gallery will take care of the entire process until the permit is obtained. All costs for this procedure are included. It is also possible to view the painting in our gallery in Riva del Garda. We would be delighted to welcome you and show you our collection of works. Please feel free to contact us for any further information.
  • Attributed to:
    Tuscany school from 17th Century
  • Creation Year:
    1630-1680
  • Dimensions:
    Height: 37.01 in (94 cm)Width: 27.96 in (71 cm)
  • Medium:
    Oil
  • Movement Style:
    Old Masters
  • Period:
    17th Century
  • Condition:
  • Gallery Location:
    Riva del Garda, IT
  • Reference Number:
    1stDibs: LU988117272682

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Pieter de Witte, also known as Peter Candid (Bruges, 1548 - Munich, 1628) - Workshop/School The Annunciation oil on canvas (cm): 79 x 110 - framed 92 x 127 We are delighted to present a fascinating work, dating back to the beginning of the 17th century, inspired by the prototype of the Annunciation created around 1586-1595 by Pieter de Witte, also known as Peter Candid (Bruges, 1540/1548 - Munich, 1628), which has been lost but made famous thanks to an engraving made and published by Jan Sadeler I (1550-1600). A painter of Flemish origin with strong affinities to 16th century Italianising culture, De Witte tackles the theme of the Annunciation numerous times, revealing knowledge of both Roman and Florentine Mannerism, inherited from his Italian sojourn. Some of these works are now housed in various international museums, in addition to autograph or workshop works that can be found in numerous public or private collections; in this regard, we may mention the following: - National Museum in Prague [1] - Carrara Academy of Bergamo, Angelo Annunziante and Vergine Annunziata [2]. - Finnish National Museum, Helsinki  - Private property, religious institution Bergamo (Bergamo area) Observing the composition, we can admire the rather well-established iconographic scheme, with the two figures immersed in an almost dreamlike atmosphere: the Archangel Gabriel on the left, of an ethereal beauty, appears imperious as he delivers the supreme annunciation to the Virgin Mary, who greets him with lowered eyes, composed in her amazement; surprised in the act of reading a book, she receives the white lilies...
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