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17th Century Oil on Canvas Italian Religious Painting Madonna with Child, 1650

1650

Portrait of a Woman by the Window French, mid 20th century signed L. Bernard oil on canvas, unframed Canvas : 16 x 13 inches Provenance: private collection, France Condition: very go...

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention. From the outside looking in...

The rich sense of contrast between green and red hues lends an energetic disposition to this pastoral scene. In combination with a rugged textual treatment, this work’s color and des...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

Richly saturated color is applied heavily and expressively in "Snow Bird Wagon." Abound with complimentary color patterns and impressionist technique; Chamb...

"Intermission" discusses the latent nostalgia and the ephemeral nature of time as it passes us by. The abstraction of the figures, and expressive brushwork emphasize the notion of ob...

"Weed" depicts a simple small town scene. The affable subject matter is then contrasted by the abstract coloration and striking treatment of the medium, serving to imbue the work wit...

"I Saw This" employs a soft analogous color scheme of blues, greens, and yellows. In addition to the colors, the treatment of the paint across the surface of the canvas, and the lack...

This work’s strength comes from its range of abstract elements and coarse texture. In "Sunrise Park," Chambers draws upon a variety of mark making techniques and textures to imbue th...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...