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19th Century Oil - Immaculate Heart of the Virgin Mary

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In this painting, Nussbaum portrays a Rabbi, or Rebbe outside the synagogue The vibrant colors used in this painting seem to overlay each other without being previous mixed. Ervin B...

Het Lome Spiegelen van de Zomer in Aveyron Oil Painting on Panel In Stock Peter Bol, born in 1947 in Eindhoven, the Netherlands, is a Dutch painter renowned for his colorful and exp...

Verboden Schoonheid Forbidden Beauty Oil Painting on Linen Canvas In Stock Peter Bol, born in 1947 in Eindhoven, NL, is a Dutch painter renowned for his colorful and expressive land...

M. Ricket (British, mid-20th century) Café Interior Oil on canvas, signed lower right Presented in a carved gilt frame This engaging mid-century scene by M. Ricket captures the war...

Oil on canvas realized by Fabrizio Clerici in 1975 ca. and inspired by Bocklin's Isle of the Dead. Hand signed by the Artist lower left.  Published on "Annuario d'Arte Moderna 2001...

This mid-19th-century portrait depicts a seated lady rendered in the sober elegance characteristic of Victorian portraiture. She wears a black dress, modestly cut with long sleeves a...

Michael Grimsdale (b. 1936) Michael Grimsdale is a British painter known for his refined portrayals of horses, sporting subjects, and commissioned portraits. Born in London in 1936,...

In this neoclassical oil on canvas signed and dated “Otto Bache 1864”, the artist depicts Psyche standing with her back turned to the viewer beside a red draped table. Her hair is arranged in a tight knot, secured with a hairpin adorned with two large pearls. She holds a light drapery that covers her legs, while the rest of her body remains nude. With her head turned toward the right, she gazes downward toward the table, where a blue gown or drapery lies, the garment she is about to put on. Her softly illuminated profile emerges as she turns in the light falling from the upper left, creating a striking backlight that heightens the contrast along the contours of her body. On the richly red draped table before her rest her jewellery and, to her left, a large amphora-shaped jug and a tazza bowl. The light descending from above to the left defines the composition with sharp contrasts between brightness and shadow, revealing the delicate modelling of Psyche’s form and lending the scene a quiet sense of introspection and grace. Exhibited: Winkel & Magnussen October 1915 no. 5, ill. p. 5. Otto Bache was born in 1839 in Roskilde, Denmark, and died in 1927 in Copenhagen. At the age of only eleven he was admitted to the Royal Danish Academy of Fine Arts in Copenhagen where he studied drawing and painting under the supervision of artists such as Wilhelm Marstrand. His early training gave him a basis in the Danish “Golden Age” tradition of realism and naturalism, but he went on to travel and extend his horizons. In 1866 he received an Academy travel-scholarship and went to Paris, then Italy (1867–68). The influence of Paris is often noted: his palette became richer, his handling freer, his light stronger, and his subjects broader. Later in his career, from around 1887, he held the post as professor and on various occasions director of the Royal Danish Academy. Bache’s early work reflects his rigorous academic training: careful drawing, subdued palette and interest in genre scenes and rural life. After his travel in Paris and Italy he adopted a somewhat more robust handling of color and light, but still remained essentially realist and narrative in approach. He painted portraits, animal and hunting subjects, genre scenes, and large history-paintings depicting key moments from Danish history. In particular, during the 1880s and 1890s when he was commissioned to execute large history canvases for the Museum of National History at Frederiksborg Castle and similar institutions, depicting events such as the exploits of Danish soldiers...

La Corderie et le Pain de Sucre by Paulémile Pissarro (1884-1972) Oil on canvas 65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches) Signed lower left, Paulémile- Pissarro- Signed and titled on the r...

Ulster Bank by Hugues Pissarro dit Pomié (B. 1935) Oil on canvas 195 x 130 cm (76 ³/₄ x 51 ¹/₈ inches) Signed on the reverse Executed in 1992 This work is accompanied by a certifica...