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UnknownCuzco School - A Portrait of Archangel Raphael With Fish, 1800s, Oil on Canvas1800s
1800s
$4,651.30
$5,814.1320% Off
£3,472.42
£4,340.5320% Off
€3,920
€4,90020% Off
CA$6,462.07
CA$8,077.5820% Off
A$6,950.88
A$8,688.5920% Off
CHF 3,714.75
CHF 4,643.4420% Off
MX$81,931.02
MX$102,413.7720% Off
NOK 46,834.29
NOK 58,542.8620% Off
SEK 42,815.43
SEK 53,519.2920% Off
DKK 29,874.80
DKK 37,343.5020% Off
About the Item
Anonymous, Cuzco School
A Portrait of Archangel Raphael With Fish
oil on canvas
1800s
canvas dimensions 22.24 x 15.74 inches (56.5 x 40 cm)
frame 26.77 x 20.47 inches (68 x 52 cm)
Provenance:
A Swedish private collection
- Creation Year:1800s
- Dimensions:Height: 26.78 in (68 cm)Width: 20.48 in (52 cm)
- Medium:
- Period:
- Condition:Fina painting with old patina, there is some crack in the paint layer (normal for the age of the painting). New frame from 2022.
- Gallery Location:Stockholm, SE
- Reference Number:Seller: CA21711stDibs: LU144529748862
About the Seller
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Associations
International Confederation of Art and Antique Dealers
Associations
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Located in Stockholm, SE
Cuzco (Cusco) School, 19th century, Peru
Ángel Arcabucero (Angel with Arquebus)
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No signature
Provenance:
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Essay:
This painting portrays a celestial figure identified as an ángel arcabucero – literally an “arquebus-bearing angel,” shown as an archangel wielding an early firearm (arquebus) instead of the traditional sword. The angel is richly attired in the fashion of an Andean noble or Spanish aristocrat, with an ornate embroidered coat, lace collar, and billowing sleeves, in keeping with the distinctive iconography of these militaristic angels. Such ángeles arcabuceros emerged in the late 17th century in colonial Peru and were especially popular in Cuzco School painting, replacing the sword of Catholic warrior-angels with a gun to signify the heavenly army’s power in a modern guise. The graceful figure, dressed as a nobleman yet serving a divine role, underscores the fusion of earthly authority and celestial protection – a sartorial and symbolic innovation unique to the Andean region’s religious art. This iconography, found only in Spanish colonial territories, resonated with local believers and visually confirmed the angel’s identity as a heavenly soldier guarding the faithful, his delicate hands cradling a long-barreled arquebus as if it were a sacred instrument.
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