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Edna S. Rose - 1947 Oil, Fresh Eels at the Fish Market

1947

This delightful scene depicts men unloading their beached fishing boats at the end of a long day. The artist uses an accomplished hand to capture the textured materials on the boat, ...

Signed to the lower right. Presented in a gilt frame with a cotton slip. Inscribed with title verso. On board.

A fine 20th Century Impressionist style street scene showing an Italian square on a hot Summer's day, with street vendors selling their wares under umbrellas. The artist has signed t...

A charming watercolour study depicting figures gathering around a small fish market stall. Signed and dated to the lower left. Laid down to a white card mount. On paper.

A vivid mid-century impasto figurative cityscape oil painting of New York during the 1940s by Dorothy Rossen Greenberg (American, 1915-2005). A Fishmonger plies his trade amidst a ha...

S. C. Bjulf: Fish mongers. Oil on canvas. Signed Bjulf. Measures: 37 cm. x 30 cm. The frame measures 8 cm. In perfect condition.

Etching with drypoint and aquatint on laid Japon paper, 9 x 11 1/4 inches (228 x 280 mm); sheet 11 7/8 x 13 5/8 (302 x 346 mm), full margins. Signed, titled and inscribed "To my dear...

Attributed to Mary Adshead 1904 - 1995 London Costmongers Oil on canvas Image size: 30 x 36 inches Framed Costermongers were London people that sold fruit and veg and other ‘perishables’ from barrows. Often wheeling and then stationing their barrow on the street, so their customers could easily come and buy from them. Costermongers were fiercely independent, rebellious in their dress and outlook, and had little time for ‘middle class moralising’ and attempts to suppress or restrict their way of life. (Much like modern teenagers) The men depicted stop work for a break with cups of tea and a few read the newspapers. Next to the man with the yellow apron can be seen some cakes on a plate. A work place , a factory can be seen in the distance on the right. It is possible that the painting depicts a cabmen's shelter, as some did serve outside and many still survive today in London. The style of the painting is very much that of a student of the Slade School in London and has similarities with other artists work such as James Batemen or Herbert Ashwin Budd. On the back of the painting it has in chalk the name 'Rhoades', which could refer to the artist Geoffrey Hamilton Rhoades...