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Italian Old Master Oil Painting "Madonna" 18th Century

18th Century

$2,750List Price

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Fine 1700 s French/ Dutch Oil Painting on Copper Portrait Man Ruff Collar
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Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...
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This beautiful Italian 18th Century old masters oil painting on oval canvas with giltwood frame is attributed to Solimena and features a religious scene. In this splendid oval-shaped painting are depicted Saint Dominic...
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18th Century by Pietro Bardellino Mary Magdalene Painting Oil on Canvas
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18th Century by Antonio Mercurio Amorosi Portrait Little Girl with Cat
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17th century By Neapolitan Maestro San Vincenzo Ferreri Oil on canvas
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17th Century Neapolitan Maestro Title: San Vincenzo Ferreri Medium: Oil on canvas Dimensions: without frame 63 x 48.5 cm - with frame 77 x 63.5 cm Original shaped, carved, sculpted a...
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17th Century by Giuseppe Assereto Portrait of an Elderly Woman Oil on Canvas
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17th Century by Giovanni Battista Beinaschi Saint Bartholomew Oil on Canvas
By Giovanni Battista Beinaschi
Located in Milano, Lombardia
Giovanni Battista Beinaschi (Fossano, Italy, 1636 - Naples, Italy, 1688) Title: Saint Bartholomew Medium: Oil on canvas Dimensions: without frame 9...
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Striking Hollywood Regency Portrait of a Red Haired Lady by Kughler 1932
By Francis Vandeveer Kughler
Located in Rochester, NY
Hollywood regency portrait painting of a young woman by Francis Kughler (American 1901-1970). Oil on canvas board. Circa 1932. Unframed. Born in New York City in 1901, Francis Vandeveer Kughler attended Cooper Union, the Mechanics' Institute, and the National Academy of Design School of Art where he met Charlotte Livingston, an artist, whom he was later to marry. During this period he was the winner of a Tiffany scholarship, which provided him a summer of landscape painting at the Louis Comfort Tiffany estate at Oyster Bay, L.I. In the 1940s, Kughler became the President of the Salmagundi Club, a well-known art club in Washington Square in New York City.Well-known as a muralist, society portrait painter and lithographer, he was a prolific painter who made cityscapes, landscapes, and nudes. He and his wife, Charlotte Livingston, lived and worked in Bronx, New York. mid century modern wpa impressionist...
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Impressionist Painting of a Bohemian Woman Budapest 1925 Bertha De Hellebranth
Located in Rochester, NY
Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is of the artists sister Elena Maria De Hellebranth. Both sisters were accomplished artist and worked and exhibited together. See the photo of the sisters Elena on the left and Bertha on the right. Oil on canvas. In a period frame. Signed lower right. Inscribed on reverse. Provenance: label from Newman Galleries Philadelphia. BIOGRAPHY ; Bertha de Hellebranth and her sister Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. Both sisters showed artistic potential early, beginning to paint at four or five years of age. Their parents encouraged them, and had the means to send them to the best art schools of the time. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower.Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions.While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts.From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képz?m?vészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in museums and galleries too numerous to mention.The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics...
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"Man in Red and Blue" Mid 20th Century Portrait Painting Dated 1959
Located in Rochester, NY
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