Unknown

Madonna in Adorazione del Bambino dormiente, Copia da Guido Reni

1700s

Oil on walnut board. The painting follows early 16th-century Tuscan models (e.g., the pictorial mode of Domenico Puligo), but is of slightly later production and weaker hand, from "p...

Oil painting on canvas. Northern Italy school. The depiction of the Nativity is seen here as a contemplative moment of the Holy Child, by Mary and Joseph, accompanied by little angel...

The painting features the enthroned Madonna and Child, two praying angels, and Saints Nicholas of Tolentino, Augustine, Luke the Evangelist, and Monica, below an elegant canopy. The ...

Oil painting on canvas. Venetian school of the seventeenth century. Entirely in the foreground, this scene of a group of sacred figures, which presents the faces of Mary and the Chil...

"Madonna With Sleeping Child, Follower Of Giovan Battista Salvi Il Sassoferrato (1609 - 1685)" Madonna with Sleeping Child Follower of Giovan Battista Salvi known as 'il Sassoferrato...

Italian religious painting of the Lombard School Madonna and Child with St. John ca. 1650 with a good balanced and harmonious composition in the center of which is the Child with hi...

Anton Maria Piola (Genoa, 1654 - 1715) circle Madonna and Child Genoese school of the second half of the 17th century Oil on canvas 93 x 74 cm.- In antique frame 110 x 92 cm. (Work with expertise by Dr. Arabella Cifani) In the pleasing work proposed, depicting a classical Nativity scene, the Madonna is immortalised in adoration as she gently holds the sheet on which the Child is lying, with a gesture of protection and pride that facilitates an atmosphere of intimate recollection, in addition to the presence of three cherubs at the top. The stylistic analysis of the canvas can easily be traced back to a painter of the Genoese school and active during the 17th century, specifically with the devotional works from the workshop of Domenico Piola (Genoa, 1627-1703), an absolute protagonist of Genoese Baroque culture. Piola was the owner of the most important city painting workshop of the time, known as 'Casa Piola', where his sons Paolo Gerolamo and Anton Maria also collaborated. His production, which specialised in a type of highly decorative, profane and allegorical paintings, destined for the decoration of Genoese patrician palaces, also included a refined series of works of a religious nature. In particular, the style of our beautiful breast painting...

Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) circle/ workshop Madonna with sleeping child Oil on canvas 84 x 66 cm - Framed (19th century) 112 x 95 cm The paintin...