Unknown

Mid-16th-Century Romagnola School The Adoration Of The Magi, Nativity

c. 1530

US buyers pay no import tariffs on this item. This early 18th-century Spanish oil painting depicts an infant Jesus clutching a cross before a landscape. Dressed in a flowing white ...

This finely balanced early 17th-century oil painting, attributed to the workshop of Dutch artist Dirk-Raphaelsz Camphuysen (1586-1627), depicts a broad river dividing two settled ban...

US buyers pay no import tariffs on this item. This late 18th-century Italian oil painting fragment depicts Mary Magdalene kneeling alongside an alabaster jar. Christ’s hand is parti...

US buyers pay no import tariffs on this item. This extensive early 18th-century oil painting attributed to German artist Franz Joachim Beich (1665-1748) depicts a mountainous Italia...

Frans Franken III and aid, Adoration of the Magi Good condition The oil painting on wood, with a gold background, depicts an Adoration of the Magi. The Magi are dressed in sumptuous silk and brocade dresses; they wear precious hats and jewelery. The richness of their garments is in contrast with the humility of the Holy Family and of the other characters who, around curious, observe the scene. The hut is simple, made of wood and straw: above it shines the Comet, symbol of the divine event. In the distance, a group of wayfarers walk along a path that is lost on the horizon, blending into the gold of the bottom. The representation proposes a traditional iconography, in which the painter inserts some details that he lends himself to symbolic interpretations. Among these is the appearance of the Magi, who from the XIVth century differs iconographically: the wise astronomers represent the homage to Jesus of the then known parts of the world, namely Africa, Asia and Europe. To the right of the Magi, in the foreground, sits a monkey, considered a demonic creature and a symbol of lies and sin. It is depicted on the sidelines, as a defeat, next to a fragment of a classical column: ruin alludes to the end of paganism, of the old world that collapses with the advent of the new one, marked by the birth of Christ and liberation from the Original Sin. On the ruins he climbs the ivy, symbol of the immortality of the soul. The work is attributable to the workshop of the Flemish painter Frans Francken III...

Artist/School: After Filippo Lippi, Italian 1406-1469. The work is most likely by an English hand, late 19th century Title: The Adoration of the Christ ...

Catalan Baroque S.XVI The Adoration of the Magi Oil on wood 92cm x 68cm Dated 1527 At the beginning of the Renaissance period, Gothic forms coexisted in Catalonia with other new solutions, in which religious fervor was mixed with the attention to detail of everyday life. Following the medieval tradition, the altarpieces are thought from a narrative vision, and flat painting...

Original oil on canvas painting of the adoration of the magi, with Mother Mary and infant Christ. Framed over 5' wide x 4' tall, no signature/unknown artist. Canvas has craquelure, o...