Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Francesco de Mura
Latinus welcomes Aeneas and offers his daughter Lavinia in marriage

18th Century

You May Also Like

The Valley of the River Severn with a distant view of Shrewsbury
By Richard Wilson
Located in London, GB
Oil on canvas 20 x 37 ¼ inches; 50.8 x 94.6 cm Framed dimensions: 67.5 x 110.5 cm Not signed c.1744-1745 Collections: Possibly John Charles Middleton (1757-1793); Revd Frederick M...
Category

18th Century Old Masters Landscape Paintings

Materials

Canvas, Oil

18th century English portrait of a Hound or Gun Dog in a landscape
Located in Woodbury, CT
This exquisite early 19th-century English portrait of a gun dog or foxhound by Thomas Weaver is a masterpiece of sporting art that offers both historical...
Category

1790s Old Masters Landscape Paintings

Materials

Canvas, Oil

18th Century Galanti Scenes Van Limborch Rest Hunting Oil on Canvas Green Red
Located in Sanremo, IT
Pair of oval paintings measuring 66 x 89 cm without frame and 90 x 115 cm with coeval frame depicting two gallant moments during a rest from hunting by painter Hendrik Van Limborch (...
Category

1730s Old Masters Landscape Paintings

Materials

Canvas, Oil

A 17th c. Italian school, Capriccio with the Colosseum, circle of V. Codazzi
Located in PARIS, FR
A capriccio with the Colosseum in Roma 17th century Italian school Circle of Viviano Codazzi (1604-1670) Oil on canvas Dimensions: h. 35.43 in, w. 51.18 in Modern 17th century style ...
Category

17th Century Old Masters Landscape Paintings

Materials

Canvas, Oil

REGATTA IN THE GULF -English School Italian Sealing boat Oil on canvas Painting
By John Stevens
Located in Napoli, IT
Regatta in the gulf - John Stevens Italia 2006 - Oil on canvas cm.40x80. Using thin washes of oil paint, John Stevens slowly builds up his highly detailed paintings of scenes of nava...
Category

Early 2000s Old Masters Landscape Paintings

Materials

Canvas, Oil

VIEW OF CAPRI -Posillipo School - Italain Landscape Oil on Canvas Painting
By Francesco D Angiolo
Located in Napoli, IT
View of Capri - Francesco D'Angiolo Italia 2004 - Oil on canvas cm. 60x80 Gold leaf gilded wooden frame available on request.
Category

Early 2000s Old Masters Landscape Paintings

Materials

Canvas, Oil

NAPLES - Posillipo School - Italian Landscape Oil on Canvas Painting
By Ettore Ferrante
Located in Napoli, IT
NAPLES - Oil on oval canvas cm.30x50 by Ettore Ferrante, Italy 2003. Gold leaf gilded wooden frame cm.48x68 available on request Ettore Ferrante is a refined and excellent landscape ...
Category

21st Century and Contemporary Old Masters Landscape Paintings

Materials

Canvas, Oil

NAPLES - Posillipo School -Italian Landscape Oil on Canvas Paintings
By Ettore Ferrante
Located in Napoli, IT
Naples - Ettore Ferrante - Italia 2006 - Oil on canvas cm.30x80. Frame available on request from our workshop. Ettore Ferrante is a refined and excellent view painter of the past. ...
Category

Early 2000s Old Masters Landscape Paintings

Materials

Canvas, Oil

VENICE -In the Manner of Canaletto- Oil On Canvas Italian Landscape Painting
By Giancarlo Gorini
Located in Napoli, IT
Venice - Giancarlo Gorini Italia 2002 - Oil on canvas cm.50x100 Gold leaf gilded wooden frameavailable on request Giancarlo Gorini's canvas is an extraordinary work of Italian lan...
Category

Early 2000s Old Masters Landscape Paintings

Materials

Canvas, Oil

Wooden Landscape with Shepherds, Fountain and Flock - by Jan Frans van Bloemen
By Jan Frans van Bloemen (Orizzonte)
Located in Roma, IT
Bibliography: A.Busiri Vici, Jan Frans Van Bloemen Orizzonte e l’origine del paesaggio romano settecentesco, Ugo Bozzi Editore, Roma 1974, n.41 This artwork is shipped from Italy. U...
Category

18th Century Old Masters Landscape Paintings

Materials

Canvas, Oil

More From This Seller

View All
View of St. John’s Cathedral, Antigua
Located in New York, NY
Provenance: Robert Hollberton, Antigua, ca. 1841 Private Collection, New York The present painting depicts Old St. John’s Cathedral on the island of Antigua. The church was erected in the 1720s on the designs of the architect Robert Cullen. It measured 130 feet by 50 feet with north and south porches 23 x 20 ½ feet. The tower, 50 feet high with its cupola, was added in 1789. The church was elevated to the status of a cathedral, but disaster struck in the form of an earthquake that destroyed the building on 8 February 1843. A memorandum of that date relates the event: “On Wednesday, 8th February, 1843, this island was visited by a most terrific and destructive earthquake. At twenty minutes before eleven o’clock in the forenoon, while the bell was ringing for prayers, and the venerable Robert Holberton was in the vestry-room, awaiting the arrival of persons to have their marriage solemnized, before the commencement of the morning service, the whole edifice, from one end to the other, was suddenly and violently agitated. Every one within the church, after the first shock, was compelled to escape for his life. The tower was rent from the top to the bottom; the north dial of the clock precipitated to the ground with a dreadful crash; the east parapet wall of the tower thrown upon the roof of the church; almost the whole of the north-west wall by the north gallery fell out in a mass; the north-east wall was protruded beyond the perpendicular; the altar-piece, the public monument erected to the memory of lord Lavington, and the private monuments, hearing the names of Kelsick, Warner, Otley, and Atkinson, fell down piecemeal inside; a large portion of the top of the east wall fell, and the whole of the south-east wall was precipitated into the churchyard, carrying along with it two of the cast-iron windows, while the other six remained projecting from the walls in which they had been originally inserted; a large pile of heavy cut stones and masses of brick fell down at the south and at the north doors; seven of the large frontpipes of the organ were thrown out by the violence of the shock, and many of the metal and wooden pipes within displaced; the massive basin of the font was tossed from the pedestal on which it rested, and pitched upon the pavement beneath uninjured. Thus, within the space of three minutes, this church was reduced to a pile of crumbling ruins; the walls that were left standing being rent in every part, the main roof only remaining sound, being supported by the hard wood pillars.” The entrance from the southern side into the cathedral, which was erected in 1789, included two imposing statues, one of Saint John the Divine and the other of Saint John the Baptist in flowing robes. It is said that these statues were confiscated by the British Navy from the French ship HMS Temple in Martinique waters in 1756 during the Seven Years’ War and moved to the church. The statues are still in situ and can be seen today, much as they appeared in Bisbee’s painting, but with the new cathedral in the background (Fig. 1). Little is known of the career of Ezra Bisbee. He was born in Sag Harbor, New York in 1808 and appears to have had a career as a political cartoonist and a printmaker. His handsome Portrait of President Andrew Jackson is dated 1833, and several political lithographs...
Category

19th Century Old Masters Landscape Paintings

Materials

Canvas, Oil

Allegory of Abundance
Located in New York, NY
Painted in collaboration with Hendrick van Balen (Antwerp, 1575 – 1632). Provenance: Private Collection, Uruguay, since the 1930s. The eldest son of Jan Br...
Category

17th Century Old Masters Paintings

Materials

Copper

Ezekiel in the Valley of Dry Bones
By Philip Burne-Jones
Located in New York, NY
Provenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...
Category

Late 19th Century Victorian Figurative Paintings

Materials

Canvas, Oil

Two Scenes of Diana and Actaeon (a pair)
By Giovanni Battista Viola
Located in New York, NY
Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA Giovanni Battista Viola was born in Bologna a...
Category

17th Century Baroque Landscape Paintings

Materials

Copper

Still Life with Squash, Gourds, Stoneware, and a Basket with Fruit and Cheese
Located in New York, NY
Provenance: Selma Herringman, New York, ca. 1955-2013; thence by descent to: Private Collection, New York, 2013-2020 This seventeenth century Spanish still-life of a laden table, known as a bodegón, stands out for its dramatic lighting and for the detailed description of each object. The artist’s confident use of chiaroscuro enables the sliced-open squash in the left foreground to appear as if emerging out of the darkness and projecting towards the viewer. The light source emanates from the upper left, illuminating the array, and its strength is made apparent by the reflections on the pitcher, pot, and the fruit in the basket. Visible brush strokes accentuate the vegetables’ rough surfaces and delicate interiors. Although the painter of this striking work remains unknown, it is a characteristic example of the pioneering Spanish still-lifes of the baroque period, which brought inanimate objects alive on canvas. In our painting, the knife and the large yellow squash boldly protrude off the table. Balancing objects on the edge of a table was a clever way for still-life painters to emphasize the three-dimensionality of the objects depicted, as well a way to lend a sense of drama to an otherwise static image. The knife here teeters on the edge, appearing as if it might fall off the table and out of the painting at any moment. The shape and consistency of the squash at left is brilliantly conveyed through the light brush strokes that define the vegetable’s fleshy and feathery interior. The smaller gourds—gathered together in a pile—are shrouded partly in darkness and stand out for their rugged, bumpy exterior. The stoneware has a brassy glaze, and the earthy tones of the vessels are carefully modulated by their interaction with the light and shadow that falls across them. The artist has cleverly arranged the still-life in a V-shaped composition, with a triangular slice of cheese standing upright, serving as its pinnacle. Independent still-lifes only became an important pictorial genre in the first years of the seventeenth century. In Italy, and particularly through the revolutionary works of Caravaggio, painted objects became carriers of meaning, and their depiction and arrangement the province of serious artistic scrutiny. Caravaggio famously asserted that it was equally difficult to paint a still-life as it was to paint figures, and the elevation of this new art form would have profound consequences to the present day. In Spain Juan Sanchez Cotan...
Category

17th Century Old Masters Still-life Paintings

Materials

Canvas, Oil

Head of the Virgin
Located in New York, NY
Provenance: Private Collection, Paraguay. This unpublished Head of the Virgin is a new addition to the rich corpus of paintings by Giovanni Battista Tiepolo. While the artist freque...
Category

18th Century Old Masters Figurative Paintings

Materials

Oil, Canvas

Still Thinking About These?

All Recently Viewed