Genevieve Hamel

Total Attraction

2022

Genevieve Hamel Untitled Gestural Abstraction Oil on Canvas Year: 2021 Size: 48x30x1.5 Signed by hand COA provided Ref.: 924802-1398

Genevieve Hamel Soft & Fluffy Oil on Wood Panel Year: 2024 Size: 36 x 18 x 1.625 inches Signed by hand COA provided Ref.: 924802-2096 Soft & fluffy are the perfect words to describe...

Ted Hinrichs Vehement Acrylic on Canvas Year: 2021 Size: 48x40in Framed: 50x42x2.5in Signed by hand COA provided Ref.: 24802-1716 *Framed in black Wood ...

Genevieve Hamel You are my Light Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.5 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for design...

Painting for me is about capturing the light and beauty of the day. Usually a landscape will hit me and say, “paint me”. Then I know I must capture it. My reactions and interpretat...

Jennifer J L Jones (b.1971 Virginia)  is an American artist raised in rural Virginia and on the central east coast of Florida. She received her Bachelor of Fine Arts from the School ...

Jennifer J L Jones (b.1971 Virginia)  is an American artist raised in rural Virginia and on the central east coast of Florida. She received her Bachelor of Fine Arts from the School ...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...