Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 21

Giovanni Battista Ramenghi, known as Bagnacavallo (Bologna, 1521 - 1601)
Holy Family Ramenghi Paint Oil on canvas Old master 17th Century Religious Art

1600-1630

$8,177.72
$10,222.1520% Off
£6,075.47
£7,594.3420% Off
€6,864
€8,58020% Off
CA$11,338.77
CA$14,173.4720% Off
A$12,193.90
A$15,242.3820% Off
CHF 6,520.10
CHF 8,150.1320% Off
MX$147,054.99
MX$183,818.7420% Off
NOK 82,451.17
NOK 103,063.9620% Off
SEK 75,123.63
SEK 93,904.5420% Off
DKK 52,315.08
DKK 65,393.8520% Off

About the Item

Bolognese school of the seventeenth century Circle Giovanni Battista Ramenghi, known as Bagnacavallo (Bologna, 1521 - 1601) Oil painting on canvas (86 x 72 cm. - With antique frame 107 x 93 cm.) This interesting painting depicts one of the most widespread iconographic subjects in the Christian tradition, presented here according to an ancient and tested scheme that wants the Virgin in prayer and the Sleeping Child in the center of a tender devotional representation, completed by the presence of Saint Joseph, on the right, placidly leaning on his cane. To enrich this canonical Holy Family appears on the right the little Saint John the Baptist who, as if wanting to address the viewer directly, makes a sign of silence with his hands so as not to disturb the little sleeper and to invite him to contemplate the scene with devotion. Regarding the stylistic characteristics of our canvas, it is easy to grasp the preponderant influences of Bolognese painting, and in particular the relationship with the works of one of the greatest artists of the full sixteenth century, Giovan Battista Ramenghi. The solid and clear volumes, the physiognomic features, the geometrically detected drapery and the gestural eloquence of the characters, as well as the clear layout in space, certainly allow to bring the execution closer to his pictorial way, although the solutions are taken from an analytical glance. more synthetic in the rendering of the figures, they lead more prudently to consider the canvas as a valid work of an author of his circle, to be placed in the early seventeenth century. The painting presents us with one of the favorite themes of the Bolognese painter, or more likely by his clients, and frequently re-proposed by his workshop, albeit with always different compositional inventions. In our version we can detect all the elements that contributed to define its formal culture: from the classicism underlying the monumental balance of the group, of Bolognese heritage, to the clear mention of Raphael in the figure of Saint Joseph, up to the refinement of the Tuscan-Roman manner. inspirational of colors. The excellent conservation conditions allow the vision of the splendid scene, capturing all the pictorial and chromatic peculiarities, with the pleasant and uniform crackle that characterizes the entire surface. Giovanni Battista Ramenghi (Bologna, 1521 - 1601) Son of Bartolomeo Ramenghi, known as Bagnacavallo, Giovanni Battista Ramenghi trained in his father's workshop. In 1535 he was already enrolled among the freshmen of Bolognese artists, but soon, at the request of Francesco Primaticcio, he moved to Fontainebleau, where he worked between 1537 and 1545 approximately. In 1546 he is in Rome, where he collaborates with Giorgio Vasari. Giovanni Battista refines his production with elegant inflections assumed by Pierino del Vaga, being first linked to Raphael's lesson deduced through his father. From 1555 we find it in Bologna, where it assumes a central role in painting linked to the Catholic Counter-Reformation, implementing skilfully balanced compositions between the sinuosity of the figures and their rigorous symmetrical arrangement, elaborating the themes with a clear and immediate religious message. ADDITIONAL INFORMATION: The work is sold complete with a pleasant frame and accompanied by a certificate of authenticity and a descriptive iconographic card. We take care and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the Riva del Garda gallery, we will be happy to welcome you to show you our collection of works. Contact us, without obligation, for any additional information.
  • Creator:
    Giovanni Battista Ramenghi, known as Bagnacavallo (Bologna, 1521 - 1601) (1600 - 1630)
  • Creation Year:
    1600-1630
  • Dimensions:
    Height: 42.13 in (107 cm)Width: 36.62 in (93 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Riva del Garda, IT
  • Reference Number:
    1stDibs: LU988111079202

More From This Seller

View All
Madonna Holy family Tisi 16/17th Century Paint Oil on canvas Old master Italy
Located in Riva del Garda, IT
Benvenuto Tisi, il Garofalo (Garofalo, Rovigo 1476 - Ferrara 1559) workshop/follower Madonna with Child and Saint Joseph Oil on canvas 125 x 90 cm - In frame 143 x 109 cm. I...
Category

16th Century Old Masters Paintings

Materials

Oil

Holy Family Piola Paint Oil on canvas Old master 17th Century Maria Religious
Located in Riva del Garda, IT
Genoese school of the second half of the seventeenth century Circle of Domenico Piola (Genoa 1627-1703) The Holy Family Oil painting on canvas 83 x 68 cm. - in an antique frame 99 x...
Category

17th Century Old Masters Paintings

Materials

Oil

Holy Family Giovannino Bronzino Paint Oil on table 16th Century Old master Italy
By Agnolo Bronzino
Located in Riva del Garda, IT
Agnolo di Cosimo, known as 'il Bronzino' (Monticelli of Florence, 1503 – Florence, 1572) The Holy Family with San Giovannino Oil on table (120 x 90cm. - I...
Category

16th Century Old Masters Paintings

Materials

Oil

Madonna Maria Piola Paint Oil on canvas 17/18th Century Old master Religious
Located in Riva del Garda, IT
Anton Maria Piola (Genoa, 1654 - 1715) circle Madonna and Child Genoese school of the second half of the 17th century Oil on canvas 93 x 74 cm.- In antique frame 110 x 92 cm. (Work with expertise by Dr. Arabella Cifani) In the pleasing work proposed, depicting a classical Nativity scene, the Madonna is immortalised in adoration as she gently holds the sheet on which the Child is lying, with a gesture of protection and pride that facilitates an atmosphere of intimate recollection, in addition to the presence of three cherubs at the top. The stylistic analysis of the canvas can easily be traced back to a painter of the Genoese school and active during the 17th century, specifically with the devotional works from the workshop of Domenico Piola (Genoa, 1627-1703), an absolute protagonist of Genoese Baroque culture. Piola was the owner of the most important city painting workshop of the time, known as 'Casa Piola', where his sons Paolo Gerolamo and Anton Maria also collaborated. His production, which specialised in a type of highly decorative, profane and allegorical paintings, destined for the decoration of Genoese patrician palaces, also included a refined series of works of a religious nature. In particular, the style of our beautiful breast painting...
Category

17th Century Old Masters Paintings

Materials

Oil

Madonna Child Maria Sassoferrato Paint Oil on canvas 17th Century Old master Art
Located in Riva del Garda, IT
Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) circle/ workshop Madonna with sleeping child Oil on canvas 84 x 66 cm - Framed (19th century) 112 x 95 cm The paintin...
Category

17th Century Old Masters Paintings

Materials

Oil

Madonna Maria Sassoferrato Paint Oil on canvas Old master 18th Century Italian
Located in Riva del Garda, IT
Madonna with Sleeping Child Follower of Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) Roman painter 18th century Oil on canvas Measurements: canvas 64 x 50 cm, in frame 76 x 62 cm. This delicate depiction of the Madonna in adoration of the Child exhibits all the human dimension and sweetness of the maternal atmosphere: Mary clasps the sleeping child to her in a tender embrace, which touches her cheek, enveloped and protected by the mantle and even a flap of the mother's veil. The pictorial style and composition recall the ambit of Giovan Battista Salvi, the Sassoferrato, who distinguished himself expressly for this subject, with the Virgin immortalised in a humble and strongly earthly pose, depicted with simple white, red and blue colours and delicate plays of nuances on the faces and hands. This iconographic prototype was so successful that it became the painting for countless works destined for devotion during the 17th and 18th centuries, particularly appreciated for private commissions due to its marked gentleness and formal perfection, particularly of the faces. Born in Marchigiano, Salvi developed his activity in Rome, following the dictates of the classicist sacred painting of the Bolognese school of Reni, Carracci and Domenichino, but succeeding in having an autonomous and therefore clearly distinguishable style.  In very good overall condition, there are some small scattered restorations and some unravelling of the painted surface. Framed in a beautiful gilded frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and descriptive iconographic card. We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda...
Category

18th Century Old Masters Paintings

Materials

Oil

You May Also Like

Holy Family with the Young St John The Baptist and St Elizabeth
Located in Stoke, Hampshire
Scipione Pulzone, called Il Gaetano (Gaeta 1544 - Rome 1598) Holy Family with the Young St John The Baptist and St Elizabeth Oil on canvas A Royal Coat of Arms lower left Canvas size...
Category

16th Century Old Masters Figurative Paintings

Materials

Oil

17th century . Holy Family with the Saint John the Baptist - Bolognese School
Located in Firenze, IT
The Holy Family with the Infant Saint John the Baptist - Bolognese School, 17th century Attribution: Attributable to Francesco Brizio (Bologna, 1574-1623) Medium: Oil on canvas Dimen...
Category

17th Century Italian School Figurative Paintings

Materials

Oil, Canvas

The Holy Family, 16th Century Venetian School, Oil on Canvas, Hand Carved Frame
Located in London, GB
Oil on canvas Image size: 26 x 37 inches (66 x 94 cm) Period hand carved gilt frame The pictorial arrangement of the Holy Family, with various saints in a landscape, was very popular in sixteenth-century Venice, following the prototype of Giovanni Bellini. Possibly intended for private devotion, this picture is a representative example of the compositional type known as the sacra conversazione...
Category

16th Century Figurative Paintings

Materials

Canvas, Oil

Holy Family with Saint John, first half of the 16th century
Located in Milan, IT
Panel depicting the Holy Family with San Giovannino. At the center of the scene is the Virgin, with a red tunic and a blue cloak edged with gold embroidery,...
Category

16th Century Other Art Style Figurative Paintings

Materials

Oil

16th Century Oil on Canvas Tuscan School Antique Religious Painting Holy Family
Located in Vicoforte, Piedmont
Great Italian painting from the second half of the 16th century. Oil on canvas painting depicting a Holy Family from the Tuscan school of remarkable pictorial quality. We find the typical stylistic features of the Renaissance with a wonderful pyramidal composition, a refined chromatic palette and particular attention to the drapery. In the center is the Madonna with the baby Jesus in her arms who reaches out toward Saint John the Baptist with a lamb at his side, a symbol of Christ's sacrifice. At the top left we see Saint Joseph sleeping...
Category

Antique 16th Century Italian Paintings

Materials

Canvas

Fine 17th C Italian Old Master Oil Painting Madonna Infant Christ with Joseph
Located in Cirencester, Gloucestershire
The Holy Family 17th century Genoise School, unsigned as typical of the period follower of Luca CAMBIASO oil on canvas, unframed canvas: 29.5 x 22 inches inscribed verso Provenance: ...
Category

17th Century Renaissance Figurative Paintings

Materials

Oil, Canvas