Interior Paintings

5-112 Italian oil on canvas Displayed in custom wood frame Image size 10.5x13.5" Signed A. Colli

This is an abstract work on canvas, created in mixed media using paper, modeling paste, acrylic, and spray paint. The composition is built on an expressive combination of rich gold, ...

An American Still Life of an Apple, Pear and Grapes Oil on canvas on board Signed illegibly circa late 1800s 9 3/4 x 5 7/8 (16 x 12 3/4 frame) inches This is an example of late 19...

Frameless. Artwork Information: "Combarro, Galicia" by Rafael Duran Benet Title: Combarro, Galicia Artist: Rafael Duran Benet (1931-2015) Medium: Oil on canvas Dimensions: 46...

Beautiful original painting by French artist, Alexandre de Valentini (1787-1887). Pencil and gouache on paper, 14 x 18.5 inches; 19 x 23.5 inches matted. Signed and dated with Paris...

I recently watched the latest adaptation of Dracula, and it inspired me so much that I spontaneously created an ink sketch. Later, this sketch evolved into an oil painting. It does n...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Potpourri ...

Leigh Ann Van Fossan's "Breathe in the Warm Salty Air" is an original acrylic and charcoal painting depicting a blue vase with flowers next to a picturesque scene featuring a blue oc...

Esteban La Rotta Mi Familia, 2025 oil on panel 48h x 60w in 121.92h x 152.40w cm ELM001 Esteban La Rotta is an emerging artist from Bogotá, Colombia, whose practice uses painting as...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Serge Marshennikov's "Sleeping Beauty," is an original, handmade hyper realistic oil painting on stretched canvas that depicts a feminine model in a...

The presented diptych explores the theme of the night landscape, creating two interconnected images. The fabulous sky with streams of northern lights adds mystery to the painting...

The 19th-century British School blended technical precision, emotional storytelling, and a deep interest in society and nature. While it was initially rooted in traditional and conse...

Cubist Still Life, Tomatoes by Michele Bardet (French mid 20th century) oil on canvas, framed in original wooden surround frame framed: 21 x 41 inches canvas : 20 x 40 inches provena...

Coral Flower Still Life signed by Fanch Lel (French b. 1930) Size: 10.75 x 8.75 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor si...

Artist: Fermin Santos Alcade Title: Catedral d Toledo, Espana Year: Circa 1960 Medium: Oil on canvas Canvas size: 29 x 21.5 inches Framed size: 35 x 27.5 inches Signature: ...

This exquisite painting showcases a vibrant bouquet of bearded carnations, bursting with rich pink-red colors and intricate details. Each flower is depicted with delicate, fringed p...

Large Abstract Acrylic Painting – Vibrant Modern Wall Art (100x140 cm) Add a bold statement to your interior with this stunning abstract acrylic painting, measuring 100x140 cm. This...

This artwork is part of the Flowing Energy Collection. It is ready to hang with the edges painted and on the back will have two metallic hangers. Gallery quality. Dimensions: 50x50X...

Vintage American modernist still life oil painting. Oil on canvas. Framed. Signed. Measuring: 25 by 21 inches overall, and 24 by 20 painting alone. Handsomely framed in modern wood...

CLOTO TESSE IL FILO DELLA VITA - Oil on canvas painting cm.70x100, Antonio Minopoli Italia 2009 Frame available on request from our workshop.

“Summer Bouquet” – Vibrant Floral Impressionist Painting on Canvas Bring the beauty of summer into your home with this stunning hand-painted floral artwork titled “Summer Bouquet.” ...

Nicely painted American school modernist portrait. Oil on canvas. Framed. Ready to hang excellent condition.

"The Stair in the Tower" - original large art by Paula Craioveanu Original, large, unique painting, oil on canvas, 31.5x23.6in / 80x60cm. Shipped rolled in a tube. Check 1stDibs code FREESHIP This painting, a study of an elaborate spiral staircase, demonstrates the artist’s skill in merging architectural elegance with a dynamic sense of movement and mystery. The subject itself—a wrought iron spiral staircase—becomes more than a functional object; it transforms into a metaphor for transcendence, curiosity, and the infinite. The staircase is richly ornate, with swirling ironwork patterns and intricate details that capture the eye. The artist emphasizes the craftsmanship, elevating the staircase into a work of art itself. The ornamental designs echo Baroque or Rococo influences, known for their flamboyance and decorative excess. The spiral is inherently dynamic, drawing the viewer’s gaze upward in a continuous loop. This quality imbues the staircase with motion and energy, almost as if it is alive, spiraling into another dimension. The artist employs a dramatic perspective, positioning the viewer at the base of the staircase, looking upward. This composition evokes a sense of aspiration or awe, as if the staircase ascends to an unknown destination. The light filtering through the structure accentuates the curvature and creates a contrast between the solid metal of the staircase and the soft, ephemeral glow of the environment. This interplay of light and shadow enhances the mood, making the staircase seem both tangible and ethereal. The cool metallic grays and silvers of the staircase reflect its materiality, suggesting durability and permanence. At the same time, the reflective surfaces give it a shimmering, almost celestial quality. The background is suffused with warm, earthy tones—yellows, browns, and muted greens—that contrast with the cold metal of the staircase. This contrast creates a sense of tension between the man-made structure and the organic or natural environment surrounding it. Symbolism. Spiral staircases are often symbolic of a journey, both physical and spiritual. They represent the process of ascent, growth, and transformation. This staircase seems to lead into a vortex of light, suggesting a path to enlightenment or transcendence. The spiral is a recurring motif in art and nature, often representing infinity, cycles, and continuity. The staircase's design hints at a journey without end, encouraging reflection on the passage of time and the eternal nature of life. The destination of the staircase is deliberately obscured, leaving the viewer to wonder where it leads. This creates a sense of mystery, drawing the viewer into an imaginative exploration of the unknown. The swirling patterns in the ironwork mirror the overall spiral shape of the staircase, creating a sense of harmony and cohesion. These designs also add a decorative richness to the piece, tying it to the tradition of Romanticism or Gothic Revival, where even utilitarian objects were imbued with beauty and meaning. The background is loosely rendered, with soft, swirling brushstrokes that echo the spiral of the staircase. This abstraction contrasts with the detailed depiction of the staircase, making the environment feel less defined and more dreamlike. The staircase appears to float in a liminal space, further emphasizing its symbolic and otherworldly qualities. The viewer’s vantage point and the sheer scale of the staircase evoke a feeling of awe. It could symbolize humanity’s ambitions to reach higher realms—intellectually, spiritually, or artistically. The absence of people in the painting draws attention to the object itself, suggesting introspection or solitude. The staircase might represent a solitary journey, one that each individual must take alone. The intricate design and upward motion of the staircase, combined with the lack of a specific time or place, imbue the piece with a sense of timelessness. It could exist in any era, representing universal human themes. In comparison to the artist’s other works, this painting shifts focus from mythological and figurative themes to an architectural subject. Yet, it retains the artist’s characteristic use of ornamentation, bold perspectives, and symbolic depth. Like the Minotaur or Zeus paintings...

This authentic 19th-century Mexican ex-voto is a powerful testament to faith and survival, painted in oil on tin with ink circa 1869 by an anonymous Mexican artist. It is elegantly displayed in a custom, hand-carved frame enhancing its historical and artistic significance. The ex-voto itself measures 6 ½ x 9 ¾ inches, while the outer frame spans 14 ¼ x 17 ½ inches, making it a compelling piece for collectors of religious folk art. A Miraculous Healing – A Story of Devotion The heartfelt inscription tells the story of Mrs. Dia Anacleto Rodriguez, who, in 1860, faced a life-threatening childbirth with little hope of survival. In desperation, her husband, Mr. Epimenio Manzano, turned to Santo Niño de Atocha...

In this painting, I captured the vibrant energy of a sunlit vineyard at dawn, blending impressionism and realism to evoke warmth and renewal. The golden hues reflect the morning ligh...

Signed lower left, 'Alf. Broge' for Carl Harald Alfred Broge (Danish, 1870-1955) and dated '1918'. Alfred Broge first studied with Helger Gronvold and, from 1889 to 1891, at Denmar...

A stylish, colorful Mid-Century Modern portrait of a seated young woman in a pink dress by famed Chicago Modern artist, Francis Chapin. A fashionably dressed, young model is seated ...

In an intimate atmosphere dominated by warm colors, Nicolas Loir offers us here a first thought, tightly focused and rigorously arranged, of the Adoration of the Shepherds in the Louvre Museum, in which he expresses his admiration for the art of Nicolas Poussin. 1. Nicolas Loir, a 17th-century Parisian artist inspired by Bourdon and Poussin Nicolas Loir was born in Paris in 1623. His father, a goldsmith, first placed him with Simon Vouet and then with Sébastien Bourdon. At the age of 23, in 1647, he left for Rome, where he stayed for two years, drawing inspiration from the classicism of Raphael and, above all, Nicolas Poussin, whom he met and deeply admired. On his return to France in 1649, he received his first major commissions for religious paintings for Parisian churches, the most prestigious of which was the May of Notre Dame for the year 1650. He also received numerous secular commissions for hotels and châteaux in the Paris region. Admitted to the Academy in 1663, he joined Le Brun's team and participated in the decoration of the royal castles of Vincennes, the Tuileries, and Versailles. Appointed professor at the Academy in 1666, then assistant to the rector in 1668, he died in 1679. He married Marguerite Cotelle, daughter of the painter Jean I Cotelle, a specialist in monochrome paintings, and sister of the painter Jean II Cotelle. Dezallier d'Argenville, who owned several of his drawings, tells us that he was a man of gentle and modest temperament, deeply honest, and highly esteemed by his contemporaries, including as a portrait painter. We can see his amiable character features reflected in his portrait by Jean Tiger, which is kept at the Palace of Versailles (4th photo in the gallery). 2. Description of the painting and related artworks Our painting depicts the adoration of the Holy Child, presented in the center of the composition on a pristine white cloth that catches the eye, by the shepherds. While the figure draped in yellow on the left is likely Saint Joseph, the Virgin Mary is depicted from the front, contemplating the Child with her right hand raised, her fingers spread as if to indicate her amazement at the realization of this Mystery. The five figures on the left, all dressed quite simply, are the shepherds who have come to worship the Child, as evidenced by the kid goat lying at his feet. Two cherubs carrying phylacteries fly in the sky and complete the composition. Our Nativity was painted in oil on canvas coated with a brown-red preparation, visible in the two upper corners left unpainted, which is typical of French painting in the mid-17th century and found in the work of Nicolas Poussin. The overall atmosphere of the painting reveals Poussin's decisive influence, whether through the color palette dominated by primary colors (the blue of the Virgin's cloak, the orange-red of the shepherds' cloaks on the right, the bright yellow of St. Joseph's cloak on the left), the rather tubular treatment of the figures, but also through numerous direct references to Poussin's paintings. Examples include the two cherubs, which seem to be inspired by those above the Martyrdom of Saint Erasmus...

Tranquil XXI - Large Pallet Knife Relief Blue Gradient Abstract Painting ia a spectacular huge XXXL original abstract artwork from the Tranquil serie. This artwork is shipping UNMOUNTED and ROLLED UP in a tube so you can stretche it easily at your local framer. The technique I used is: stretched...

Exquisite 19th century Italian orientalist oil painting depicting a romantic sunset scene with a young Middle Eastern woman at an ancient well. The composition features a beautifully...

Purple irises. 1998, canvas, oil, 35x25 cm Juris Jurjans (1944-2023) - Painter Juris Jurjāns graduated from J. Rozentals School of Art in Riga (1962), and Painting Department of Latvian Art Academy (1969) with diploma work “Summer” (under the guidance of E. Kalniņš). The artist takes part in exhibitions since 1969. Self-exhibitions in: Straupe (1974), Riga (1975, 1984, 1991, 1994), Lielupe (1975), Mersrags (1983, together with A. Jurjane), Smiltene (1986), Liepaja (1986, together with A. Jurjane), Leningrad (1989). J. Jurjans is a member of Latvian Artists’ Union since 1975. 1969 – 72 he worked as a teacher in Riga secondary school No 20. 1972 – 88 Jurjans was an artist of the company “Māksla”. 1972 – 88 teaches at the Latvian Art Academy. Since 1988, he is a lector of the Latvian Art Academy Pedagogic Department. Since 1992, the artist is an assistant professor of the Latvian Art academy Painting...

Work on canvas

ABOUT THE ARTWORK "I Structure My Thoughts" from the "Perichoresis" series explores the process of organizing the inner world, where the body becomes a reflection of thoughts, sensat...

A bouquet of light peonies in the blue vase will never leave you indifferent, this artwork will give you a sense of harmony and lyrical mood, the picture will become a wonderful gift...

Still Life of Fish (see notes below) by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed canvas: 20 x 24 inches condition: This painting is in very goo...

Represented by George Billis Gallery, Los Angeles -- Artist Statement Nothing But Neon, 2021 I see beauty in old neon signs. I have always been fascinated by the glow inside the h...

Edward Dufner The Screen Door, 1923 Signed lower left Oil on board 10 x 8 inches Exhibited New York, National Academy of Design, Winter Exhibition, November 17 - December 16, 1923, ...

Three Terrier Dogs in Barn Interior Attributed to George Armfield (British 1808-1893) oil on canvas, framed within antique oval inset gilt swept frame framed: 27 x 31 inches canvas: ...

* Title: Fish painting * Size: 28 by 20 inches * Materials: oil, stretched canvas, palette knife * Shipping: Gallery standards packaging. shipped with tracking number, stretched in b...

Abstract textured acrylic painting on canvas 90x90x2 cm (35,4 x 35,4 x0,8inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides of ...

"Look at the flowers. It is simply unbelievable how happy flowers are." -Osho Ethereal Drift (100 x 100 x 4 cm / 39.4 x 39.4 x 1.6 inches) is an original acrylic painting on natural...

Title: Modern French Oil Painting Still Life with Glass Bottles and Fruit in Blue Tones by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting...

Artwork sold with frame (114 x 93 x 6 cm) Jules-Ami Courvoisier was a prominent Swiss painter, illustrator, and poster artist, born in La Chaux-de-Fonds in 1884. He studied under Ch...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

Original French Artwork by Robert Ladou (French 1929-2014) original acrylic painting on artist paper stuck on card, unframed size: 12 x 13.5 inches condition: very good provenance: ...

Large-scale feminist painting reinterpreting classical mythology through a contemporary queer lens. In Bacchantes, Natasha Lelenco revisits the Dionysian motif of communal pleasure a...

Roses In Vase by Josine Vignon (French 1922-2022) signed on front oil painting on canvas, unframed canvas: 18 x 13 inches Colors: Blue colors, grey, beige, brown and white Very go...

The picture shows a beautiful naked girl against the background of a window lit by the light of a neon lamp. On the left we see the back of a chair with her clothes. Outside the wind...

Artist: Harry McCormick, American (1942 - ) Title: Suzie Year: circa 1980 Medium: Oil on Canvas, signed l.r. Size: 41 x 52 inches (104.14 x 132.08 cm) Frame Size: 42.5 x 52.5 inches

Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the...

Pink Flower Still Life by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 13 x 16 inches condition: overall very good, minor surface ...

The painting was painted from life on a sunny summer day. We see a window, behind which summer greenery has bloomed profusely, illuminated by the bright sun. Despite the apparent sim...

Triumphal arch. 2023. Oil on canvas, 45x70 cm Hyperrealistic atrwork with Triumphal arch 1976 Born: Jurmala, Latvia 1987–1994 Rozental’s Art School, Riga, Latvia 1998 Bachelor of Ar...

6073 Oversized Modernist Flower arrangement

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 21 by 25 inches overall and 14.5 by 18.5 painting alone.

In this piece, I sought to capture the essence of dawn's first light—soft yet stirring, gentle yet awakening. Through the delicate application of acrylics, I layered colors to evoke ...

Bernard Blommers 1845 – The Hague – 1914 Dutch Painter 'First Steps' Signature: signed lower right 'B/Blommers' Medium: oil on canvas, ca. 1865 Dimensions: image size 56,5 x 76,5 c...