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Dasha PogodinaAgeless eyes2025
2025
$2,135.82
£1,592.77
€1,800
CA$2,972.95
A$3,190.65
CHF 1,710.31
MX$38,397.99
NOK 21,564.52
SEK 19,663.85
DKK 13,714.91
About the Item
ABOUT THE ARTWORK
The painting "Ageless Eyes" from the MADELEINE series is a meditation on memory that does not age, on a gaze that holds centuries, and on feminine resilience passed down through generations. It is not merely an image of the past, but a symbol of its presence in the now—where faces, expressions, clothing, and gestures are not archival relics, but active forces.
The work explores how collective and embodied memory is transmitted through visual codes: the posture, the tilt of the head, the expression of the face. These women are not characters from another time, but bearers of living knowledge—of the land, of labor, of care, of resistance. Their gaze—direct, unyielding, and warm at once—looks not only backward, but forward, holding time in balance.
The painting speaks to how tradition lives in details—in fabric, in color, in gesture. But even more importantly, it shows how these details are absorbed into the unconscious, becoming inner landmarks, even when their source is no longer consciously remembered.
"Ageless Eyes" is an image of memory that does not require explanation—because it is always nearby: in a grandmother’s voice, in the movement of a hand, in the sense that you’ve seen this before—even if you never actually have. It is a gaze that sees through generations and stays with you forever.
Madeleine series
In the Madeleine series, Daria Pogodina turns to the phenomenon of involuntary memory, known in psychology and culture as the “Proust effect.” The artist explores how ordinary objects and sensory impressions from the past are transformed into emotional anchors—inner pillars of the self.
The objects and images chosen by the author—such as a mother’s sweater, childhood food, or the voice of a television announcer—become points of access to the unconscious resources of the psyche, places of comfort and stabilization. Without falling into nostalgic idealization, Pogodina captures the subtle mechanism of interaction between the conscious and the unconscious, where the mundane becomes sacred, and seemingly banal details acquire profound meaning.
These works are not about escaping the present into the past, but about seeking inner light and strength in both personal and collective experience—a testament to the human ability to find resilience in the everyday during times of crisis.
- Creator:Dasha Pogodina (1992, Ukrainian)
- Creation Year:2025
- Dimensions:Height: 70.87 in (180 cm)Width: 59.06 in (150 cm)Depth: 0.99 in (2.5 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:1stDibs: LU2203217051102
Dasha Pogodina Ukrainian artist, based in Switzerland. Paintings are in private collections in the USA, South Korea, Italy, Great Britain, Germany, and Switzerland. Exhibitions
2022 Solo Exhibition Stärke und Verletzlichkeit / Escape Vide - Thun, Switzerland
2022 Group exhibitions In Ukraine / ZRC - Ljubljana, Slovenia
2018 Group exhibitions Room of my Minds, Ukraine
2017 Group exhibitions Garden as an Art, Kyiv, Ukraine
2014 Group exhibitions Gift of Volhvs Severodonetsk, Ukraine
2013 Group exhibitions Fragment of Life, Luhansk, Ukraine
2012 Collaborate Project Light of Hearts, Luhansk Ukraine Dasha Pogodina about her art New sexuality and personal integrity - are the basic areas of search in my artistic practice.
In my practice, I problematize the ideal of the metamodern world with its total moderation and the desire to return to high ideals and values. As an artist, I concentrate on the nature of the corporeal, I perceive the body as a membrane reflecting me into this world and communicating the world to me. In search of answers, I enter into dialogue with the body-sensory lexicon of Kiki Smith and Paula Modersohn Becker and also find support in the sublime physicality of the early Gothic of the 13th century from Giotto, unencumbered by the tension of formal anatomy. My works are filled with color, and ethnic decoration and are illustrative at the same time. This turns my paintings into light, at first glance, stories, which, however, do not call the viewer to cold contemplation, but, on the contrary, open up the opportunity to safely return to their secret “I”.
I use the space of naive archetypal images, creating a safe haven from aggressive modernity, with the opportunity to dive into the psychological depths of my own worldview. I build into my paintings the mechanics of oscillation of naivety and mockery, trust and cynicism, chastity and debauchery, strength and kindness, as a manifesto of courage to be vulnerable and herbivorous in a world where food chains still exist.
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