Henrik Nordenberg

A Moment of Quiet Reflection by Düsseldorf School Artist Henrik Nordenberg

late 1800s

ILONA SAPKA studied at the School of Applied Arts, "Schola Posnaniensis" in Poznan. She received her diploma from the Faculty of Painting in the studio of stained glass led by prof. ...

Roberto Bompiani (Italy, 1821-1908) "The Confirmation" Museum Quality Oil Painting circa 1871 Extraordinary oil painting by listed Italian artist. T...

JOSÉ VILLEGAS CORDERO Spanish, 1844 - 1921 THE BARBER OF SEVILLE signed & dated "J. Villegas. / Junio 1913." (lower left) oil on canvas 19-3/8 x 28-3/4 inches (49 x 73 cm.) framed: 27-1/2 x 36-3/4 inches (69.5 x 93 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "Interior of Alcazar of Seville" Signed & located "F. Liger, Sevilla " (lower left) Oil on canvas 2...

Description: Fabio Fabbi: A Master of Orientalist Intrigue The painting is signed on the bottom left side. Fabio Fabbi, an esteemed Italian artist of the late 19th and early 20th centuries, emerged as a prominent figure within the Orientalist art movement. Born in Rome in 1861, Fabbi’s passion for capturing the exotic and mysterious landscapes and cultures of the East would define his artistic career and leave an indelible mark on the art world. Fabbi’s artistic journey began with formal training at the Accademia di Belle Arti in Rome, where he developed a deep appreciation for classical techniques and aesthetics. However, it was his encounters with Orientalist themes and subjects that ignited his imagination and set him on a path to becoming a renowned master of Orientalist art. One of Fabbi’s most captivating works, “Harem Girls in the Palace Courtyard,” stands as a testament to his exceptional talent for depicting scenes of intrigue and sensuality within the luxurious settings of the Ottoman Empire. This mesmerizing painting invites viewers into the opulent world of a harem, where a group of beautiful women gracefully gather in a sunlit courtyard. Fabbi’s brushwork skillfully captures the vibrant colors, exquisite textiles, and intricate architectural details that define the environment. In “Harem Girls in the Palace Courtyard,” Fabbi delves into the alluring realm of the harem, exploring the interplay between power, desire, and secrecy. With meticulous attention to detail, he captures the expressions and body language of the women, evoking a sense of mystery and sensuality. The play of light and shadow adds depth and dimension to the composition, further immersing viewers in the rich atmosphere of the scene. Fabbi’s ability to weave narratives within his artworks sets him apart. “Harem Girls in the Palace Courtyard” not only showcases his technical skill but also tells a story—a glimpse into a hidden world that fascinates and captivates. Through his artistry, Fabbi offers a nuanced portrayal of Eastern culture, emphasizing the beauty and complexity that lie beneath the surface. Throughout his career, Fabio Fabbi gained recognition and admiration for his Orientalist works. His paintings were exhibited in prominent galleries across Europe, where audiences marveled at his ability to transport them to distant lands and evoke a sense of wonder and intrigue. Fabbi’s talent for capturing the essence of Orientalist themes and his exquisite attention to detail earned him a place among the most respected artists of his time. Fabio Fabbi’s legacy lives on through his remarkable artworks. His ability to portray the mysteries and allure of the East continues to inspire and captivate art enthusiasts worldwide. “Harem Girls in the Palace Courtyard” exemplifies Fabbi’s mastery of the Orientalist genre, inviting viewers to step into a world of beauty, enchantment, and hidden desires. His paintings exhibited at prestigious venues in Turin and Milan. Knighted in the Order of the Crown of Italy in 1892. Notable works include the Sacred Heart...

M. Ricket (British, mid-20th century) Café Interior Oil on canvas, signed lower right Presented in a carved gilt frame This engaging mid-century scene by M. Ricket captures the war...

Unknown Artist (probably American, nineteenth century) Tavern Scene Oil on canvas, 15 x 12 inches Framed: 21 x 18 inches (approx.)

JOSÉ JIMÉNEZ ARANDA Spanish, 1837 - 1903 PARTIDA DE TRESILLO signed, located & dated “Jz. Aranda / Madrid. 1893.” (lower right) oil on canvas 31-1/2 x 39-1/3 inches (80 x 100 cm) unframed BIBLIOGRAPHY - This painting being mentioned and reproduced in “LA ILUSTRACION ESPAÑOLA Y AMERICANA”, Madrid, September 15th, 1895 - B. Pantorba, José Jiménez Aranda, 1973, p. 75, 203 - José Jiménez Aranda, 1837-1903: Centro Cultural El Monte, Sevilla, October, 2005, reproduced on p. 102 EXHIBITED Madrid, Esposición Nacional de Bellas Artes, 1895 PROVENANCE Private Collection, USA José Jiménez Aranda (7 February 1837 – 6 May 1903) was a Spanish painter and brother of the painters Luis Jiménez...

At Home by Melissa Franklin Sanchez is an Oil on Canvas Painting. Looking closely at At Home by Mellissa F. Sanchez you will notice the background with objects. It is Melissa Fr...

The painting depicts the outer apse of a church nestled in Wilanow Park, Warsaw.The central idea is that the Crucifixion is not positioned openly, but pleased deep within a dark nich...