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Joanne Tod
La Banque

2025

$75,000
£57,204.79
€65,142.43
CA$105,397.88
A$114,951.20
CHF 60,893.39
MX$1,378,101.60
NOK 775,511.10
SEK 709,147.35
DKK 486,677.70

About the Item

Joanne Tod (b. 1953) is a renowned Canadian painter acclaimed for her unwavering approach to realism, technical precision, and critical wit. She is also one of the country's most celebrated living portrait artists. Tod has frequently depicted institutional buildings such as banks, museums, and post offices to explore the architecture of authority and trust. These essential urban institutions shape our lives whether we acknowledge them or not. In her paintings, decorative elements such as columns and classical façades convey importance and permanence, while demanding our respect or even dependence. Tod highlights the aesthetic characteristics of these edifices, showing how power can be conveyed through beauty and awe. This painting depicts the grand foyer of the Montreal headquarters for the Bank of Montreal, or BMO. It is one of the key landmarked buildings of Place d'Armes. Located at 119 Rue Saint-Jacques, this building has been an iconic landmark since 1819. Constructed in a neoclassical style, the structure was inspired by the Roman Pantheon. The lavish lobby features 32 corinthian columns made with green syenite, gold capitals, and a decorated coffered ceiling. Tod visited the building to attend the unveiling of a portrait she was commissioned to paint of the departing CEO, William Downe. Tod captures the ornate features of the historic building in "La Banque" in her signature brand of realism. There is both a precision and softness in her approach. One of Tod's painting strategies is applying thin layers of paint to emphasize and illuminate the brighter hues. While her treatment of light is typically attentive, it's emphasized in this canvas given the numerous light sources and almost entirely reflective surfaces. This painting is a paradigm of Tod’s ability to amplify interiors into charged, almost theatrical settings or portals. For Tod, portraying deep space is as much an entity as a subject sitting for a portrait. Tod is originally from Montreal, so her Place d'Armes have a special resonance for her. See another painting from the series here. Joanne Tod's works can be found in most major public institutions across Canada, including the National Gallery of Canada, the Art Gallery of Ontario (AGO), and the Musée des beaux-arts de Montréal. Questions about this piece? Contact us. "La Banque" Canada, 2025 Oil on canvas 72"H 54"W Signed, titled, and dated, verso Very good condition
  • Creator:
    Joanne Tod (1953, Canadian)
  • Creation Year:
    2025
  • Dimensions:
    Height: 72 in (182.88 cm)Width: 54 in (137.16 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
    Very good condition.
  • Gallery Location:
    Toronto, CA
  • Reference Number:
    Seller: 10-251stDibs: LU215217130572

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Joanne Tod (b. 1953) is a renowned Canadian painter acclaimed for her unwavering approach to realism, technical precision, and critical wit. She is also one of the country's most celebrated living portrait artists. Tod has frequently depicted institutional buildings such as banks, museums, and post offices to explore the architecture of authority and trust. These essential urban institutions shape our lives whether we acknowledge them or not. In her paintings, decorative elements such as columns and classical façades convey importance and permanence, while demanding our respect or even dependence. Tod highlights the aesthetic characteristics of these edifices, showing how power can be conveyed through beauty and awe. This painting is a portrait of the New York Life Insurance building, located at Place d'Armes in Old Montreal. The city was once known as a powerhouse of commerce, particularly in the 19th century, with most of the corporate headquarters based in this area. At the time of completion, circa 1899, this building was the tallest structure in the city and one of the most prestigious office buildings. Today this structure remains impressive, standing out with its striking red sandstone exterior, elegant clock tower and lavish interior. Tod is originally from Montreal, so her Place d'Armes paintings have a special resonance for her. See another painting from the series here. Tod captures the decorative features of the historic building in "New York Life." Painting in her signature realist style, she treats each surface with care, applying thin layers of paint to amplify the brighter hues. The veined marble...
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