Oil Interior Paintings

I enjoy working on impressionist artworks with an expressive touch. This artwork was done with oil paints on a heavyweight professional paper. In my artworks I transform my energy ...

This contemporary expressive floral vibrant artwork of "Blooming irises" celebrates my love to the beauty of the south of France and in particularly, to Provence region. These purpl...

Artist/ School: French School, indistinctly signed and dated. Title: The Gardeners Table, beautiful French Impressionist still life flower...

Kaleidoscope is an original oil painting created underwater at a depth of 7.6 meters by artist Olga Nikitina, a pioneer in the rare and physically demanding practice of underwater pa...

A fine and unusual 19th century oil on canvas depicting an intimate domestic scene. At the centre, a gentleman in formal attire faces a lady in a blue dress, the composition suggesti...

Abstract expressionist library with colorful books. Worked in oil and with a knife, the subject ends up disappearing in favor of abstraction, the colors are soft but vibrate a lot. S...

Nature Morte French School, late 20th century signed verso oil painting on canvas, unframed canvas: 13 x 16 inches provenance: private collection, France condition: very good and sou...

Contemporary British artist, 21st century oil on canvas , unframed size: 22 x 18 inches This came from a private collection, England The painting is in overall very good and sound co...

Jordan Wolfson's (US based) "Still Life with Flowers XXIII" is a striking original still-life oil painting, presenting a bright arrangement of flowers in a translucent vase, resting ...

'Bouquet on an entablature' by Denise Dardel (French, mid 20th century) signed and dated 1944 oil on board, framed framed: 23 x 29 inches board: 19.5 x 26 inches provenance: private ...

Ornate Flowers in Vase Pair of original French paintings, circa 1950's period signed with monograme 2 x oil paintings on unframed board, with added collage/ mixed media each of the b...

Provence Landscape by Pamela Cawley, British 20th century oil painting on canvas, unframed canvas: 20 x 24 inches Stunning original Impressionist oil painting by the 20th century ...

Yellow & Red Flowers French Impressionist artist, circa 1950's signed oil on board, unframed board: 12.5 x 9 inches provenance: private collection, France condition: a few minor scuf...

This mesmerizing piece, "Sardines", was painted entirely underwater at a depth of 7.1 meters by artist and professional diver Olga Nikitina. Executed in her signature underwater impr...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Samuel Rothbort (1881-1972) Floral, oil on canvas mounted board 22 x 30 1/2 in (55.9 x 77.5 cm), Hand signed lower right. Provenance: From the estate of the artist by descent to the granddaughter. Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. While not associated with the WPA, he was an artist of that period and sensibility. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's art work and helped further his career. Rothbort received much recognition for his naive folk art paintings which he often displayed in unique primitive frames that he had hand-carved he is also known for his social realist street scene paintings. In 1952, Rothbort wrote a book on his sculpture, entitled "Out of Wood and Stone", which he dedicated to Hamilton Easter Field. A significant expression for Samuel Rothbort's career occurred in the late 1930's through the 1940's when he began painting "memory paintings " or recreation of his boyhood experiences of life in the ghettos and surrounding areas of the woodlands and marshes of Polesia - White Russia. A prized winning documentary, "Memories of The Shtetl" was produced by Harriet Semegram (previously titled " The Ghetto Pillow ") and shown at the Edinburgh Film Festival. It utilized 215 of Samuel Rothbort's watercolors and became the major visual resource material for Jerome Robbins movie and play, " Fiddler On The Roof ". Another award winning documentary on Jewish Folk Art " The Lost Wooden Synagogues of Eastern Europe " which was produced by Albert Barry and Florida Atlantic University, used many of Rothbort's paintings in the film to show life in pre-war Eastern Europe. The film was shown at the U.S. Holocaust Museum in Washington, D.C. and on Public Television. He was a member of The Brooklyn Soc. of Artists; Soc. of Indp. Artists; and Brooklyn WCC. He exhibited at the SIA, 1917-40; Pratt Inst., 1919-22; Salons of Am., 1922-34; Brooklyn Mus., 1922-33; Charles Barzansky Gal., NY, 1940-44; Jewish Mus., NYC, 1984-85. His works hang in the NMAA; Brooklyn Mus.; Heckscher Mus.; Mus. of Stony Brook; Montclair AM; Sardoni AG; and Rutgers Univ. AG. Samuel was best known for his scenes painted in and around NYC. He had a bold style marked by heavy impasto. Selected Solo Exhibitions: 2003 New York, NY; Luise Ross Gallery New York, NY; Hollis Taggart Galleries 1998 East Hampton, NY; Morgan Rank Gallery New York, NY; Benjamin Cardozo Gallery, Yeshiva University Museum 1997 New York, NY; Giampietro Gallery 1985 Brooklyn, NY; Chassidic Art Institute 1968, 64 New York, NY; Kaufman Art Center 1940-6, 54, 56, 61, 65 New York, NY; Charles Barzansky Galleries 1960 Chicago, IL; Welna Gallery 1940 Brooklyn, NY; Tilden Gallery 1938 Brooklyn, NY; Lincoln Gallery 1934 Brooklyn, NY; Grant Studios Selected Group Exhibitions: 1998 Huntington, NY; Heckscher Museum, Celebrating New York: A Centennial Exhibition 1984-86 New York, NY; The Jewish Museum, The Jewish Heritage in American Folk Art (Travelling exhibition) 1968 New York, NY; National Arts and Antiques Show 1940-68 New York, NY; Charles Barzansky Galleries 1964 Bethesda, MD; Chevy Chase Gallery 1963 Huntington, NY; Heckscher Museum 1944 Richmond, VA; Virginia Museum of Fine Arts 1917-23, 25-31, 34, 38-40 New York, NY; Society of Independent Artists 1939 New York, NY; Academy of Allied Arts Gallery 1937-39 New York, NY; Vendome Gallery 1934, 39 New York, NY; Fifteen Gallery...

This work reflects the romantic mood that we get while on vacation. Beautiful roses in the garden on the shore of the southern sea. White sails and blue sky, all this resembles a par...

Radiant Blooms signed by Fanch Lel (French b. 1930) size: 16 x 13 inches dated 84' oil painting on board, unframed condition: the painting is in very good condition. It has previousl...

signed Sinai French Post-Impressionist School, late 20th century signed oil painting on canvas, unframed canvas: 15 x 18 inches inscribed verso provenance: private collection conditi...

I have worked on a new series of small oil paintings. This is the one of them. This series is dedicated to the scenes of everyday life, especially to the moments spent at the beach w...

In this oil painting, I've channeled the vitality of the sea and the stoic grace of a ship at rest. Using an expressive touch, I blend realism with impressionistic flair, capturing t...

In this expression of my soul, I captured a ship gliding gracefully through a serene bay, flanked by towering cliffs. The interplay of light and shadow, crafted with oil paints, brea...

Artist/ School: French Modernist, signed with initials, dated 1988 Title: Man at a Bar, drinking. Medium: signed oil painting on board, framed framed: 18.75 x 21.75 inches canvas...

Untitled 018 [Remains of the Remains 018], 2019 oil on canvas 78 47/64 H x 59 1/16 W in. 200 H x 150 W cm The large-sized paintings, signed by Zsolt Berszán...

Doorless Bar, 2019 Oil on canvas 31 1/2 H x 47 1/4 W in. 80 H x 120 W cm The artwork was part of the solo show ONIRIX. ONIRIX is a project about how we remember and interpret our ...

This artwork "Au Cafe (Three Women Sitting)" is an oil painting on canvas by noted Israeli artist Isaac Maimon, b.1955. It is signed at the lower right corner by the artist. The canvas size is 19.75 x 23.75 inches, framed size is 37.75 x 33.75 inches. It is custom framed in a gold frame, with double liner. It is in excellent condition. About the artist: Painting in bold colors society scenes, Isaac Maimon was born in Israel in 1951 to French-speaking parents, and in his artwork, he shows much influence of the "boulevard culture" of French society and the Paris school of art...

Work on canvas

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Still Life of Fish by Georges Bordonave (French contemporary) oil painting on canvas, unframed canvas: 19.75 x 16.75 inches condition: very good provenance: from a large private col...

An old-fashioned typewriter sits on its worn green case against ripped and stained wallpaper; a blue mug lays beside it—the coffee spilled across the black and white tile floor. The ...

Still Life Interior by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 24 high by 15 inches wide condition: ...

Coral Reef Painting Underwater Textured Original Art * Materials: oil, stretched canvas, mixed media * Shipping: gallery standards packaging, express shipping with tracking number. ...

Still Life of Fruit (apples, watermelon, oranges, banana) by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1993 oil painting on canvas, framed canvas: 18.5 x 24 in...

"Cyclamen" French artist, mid 20th century signed, dated 1958 oil on canvas, framed framed: 25 x 17.5 inches canvas: 22 x 15 inches provenance: private collection, France condition: ...

Untitled 3 (ABlackJECTION 3), 2012 Oil on canvas 78.74 H x 39.37 W in. 200 H x 100 W cm The notion of “abjection”, which at the beginnings referred to the idea of spirit degradat...

Still Life of an Exotic Fish by Georges Bordonave (French contemporary) signed oil painting on canvas, unframed dated 1973/5? unframed: 12 x 24 inches condition: very good provenan...

Beautiful impressionistic bouquet of peonies is a wonderful wall decor, the painting is created in pleasant purple colours with blue background. The artwork is painted in the artist'...

Purple Flower Bunch by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 10.75 high by 13 inches wide condition...

Interior Scene by Jacob Markiel (Polish 1911-2008) *See notes below oil on canvas, unframed canvas: 34 x 30 inches provenance: the artists estate, south ...

Artist: Varvarov Anatoly Viktorovich Title: Knock - you will open Sise: 39.5x29.5 inches, (100x75 cm) Medium: Oil on Canvas Hand painted, original, one of a kind, Ready to Hang Step...

The average African Child is usually faced with uncertainty and struggles relating to his future, with only a handful going on to attain higher learning at a serious cost with a so-c...

William J. Schultz, American (1919 - 2005) William J. "Bill" Schultz had been a renowned American Impressionist artist and teacher for over sixty-five years. Co-Founder, and Director of the AIS had inspired numerous professional artists and teachers through his teaching. He also was a Master Pastelist in the Pastel Society of America and had won many awards for his oil and pastel paintings. Born in Pittsfield, Massachusetts in 1919, he died in Vero Beach, Florida in 2005. He served in the Army in World War II including duty in Europe. He was discharged in 1946 with rank of First Sergeant. Schultz began his art studies with Martin C. Hoy, a fine artist and student of Robert Henri and William M. Chase. He graduated from The Vesper George School Of Art in Boston, Massachusetts in 1949. He then studied under National Academicians Jerry Farnsworth, Ivan Olinsky (a student of John Singer Sargent) and Robert Brackman. Winner of many awards for oil and pastel works. Was a noted portrait artist. He was a founding Director of the American Impressionist Society and an award winning member of the Pastel Society Of America. He studied under notable National Academicians Robert Brachman, Ivan Olinsky and Jerry Farnsworth. Schultz opened his own art studio and school in Lenox, Massachusetts and taught impressionist painting to hundreds of students, some of whom are now nationally recognized themselves. After 25 years at that location Schultz and his wife moved to Vero Beach, Florida where he continued to teach, as well as provide lectures and exhibitions around the country. Illustrated articles about Schultz and his work have appeared in "American Artist", "Southwest Profiles", "Artists Of Florida" and other periodicals. For a short time he studied alongside Norman Rockwell at a studio in Stockbridge, Massachusetts where Rockwell had established the base for his illustration work. Schultz was the proud possessor of an autographed sketch of himself that Norman Rockwell had created and was signed by Rockwell. Schultz's art has been exhibited in museums and galleries in Boston, New York City, Sante Fe, and numerous Florida locations...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Expressive Mid-Century figural painting of two women and child in pastel hues by Harold Kitner (American, 1921 - 2004). Image, 33"H x 48"W Walnut frame, 34"H x 49"W x 2"D Harold Kitner was born on May 18, 1921 in Cleveland, Ohio and was the son of Isaac and Frieda Kitner. He obtained his MA from Case Western Reserve University in 1947. Kitner was a postgraduate from Cleveland Institute, Ohio University, Cleveland College, Washington and Lee University. He obtained his Doctorate from Kent State University. Exhibition: Harold Kitner - Active / Figure / Exaltation at Kent State School of Art Gallery in Kent, Ohio in 2014. Harold Kitner taught for over 30 years at the Kent State University School of Art. Harold Kitner began teaching art and art history at Kent State University in 1947. During his career, he served as Director and Chairman of the Fine Arts Division. Kitner played a significant role in creating the Art School’s core program, organizing the Kent State Arts Festival, and the Blossom Festival School. He also served as President of the Kent chapter of the American Association of University Professors, and was an art critic for the Akron Beacon Journal. In 1967, Kitner became Kent State University’s first Faculty Ombudsman, officially titled Dean for Faculty Counsel. He held this position until 1974. At the time of the Kent State shootings, Kitner’s position as Ombudsman meant that he was involved in many of the decisions regarding University administration in the weeks and months following the Kent State shootings. Kitner began a partial retirement in 1980, and left Kent to become the director of the Institute of the South Florida Art...

The Stove by Édouard Righetti (1924-2001) signed and dated. Signed lower front oil painting on canvas, beautifully painted with thick impasto oil and bold colors. very good condi...

In creating this piece, I channeled the raw emotions of renewal and vibrant growth. The choice of acrylics allowed me to layer colors boldly, reflecting the intense, yet serene clash...

Post-Impressionistic architectural landscape painting of a church in Brittany France by Emile Glevarec. The work features a bright, sunny view of the steps leading up to a church cou...

Artwork sold with frame (36.5 x 42.5 cm ) Louis Henri Salzmann was a Swiss painter active during the first half of the 20th century. Born in 1887 and passing away in 1955, Salzman...

Hazel Morgan, British 20th century Boxer dog by fire signed oil painting on canvas, framed framed: 20 x 24 inches canvas: 16 x 24 inches provenance: priva...

Oil on canvas signed lower left This captivating work depicts a dramatic and tense scene of human interaction. In a dark interior, three men appear to be holding back a fourth indivi...

Signed lower right, 'Agger' for Knud Agger (Danish, 1895-1973) and painted circa 1940. Born in Holstebro, Denmark, Knud Agger was exposed at a young age to theories of art and paint...

The sunny winter painting is filled only with positive energy and emotions.A beautiful play of sunlight and purple shadows create the magical atmosphere of a winter forest. The artw...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: signed and dated 59' oil on board, unframed Size : 13 x 9.5 inches Provenance: private collection, France Condition: The ...

Underwater Oil Painting Created During Scuba Diving by Olga Nikitina This captivating original oil painting was created underwater at a depth ...

The central theme of "Journey of Love" revolves around the feeling of uncertainty that often accompanies the onset of a romantic relationship between two young people. As we gaze at the artwork, we witness the subtle apprehension in their eyes and body language, hinting at the initial hesitancy that comes with opening one's heart to another. Adewale beautifully captures the vulnerability of these young souls, making it evident that they are navigating uncharted waters, unsure of what the future may hold for their budding connection. The woman, almost positioned in front of the young man, symbolizes her subtle dominance in the relationship. This arrangement not only suggests her strength and independence but also highlights the significance of women in guiding the course of love. The painting subtly challenges traditional gender norms, emphasizing the equal partnership and influence both individuals have in shaping their shared journey. Moreover, "Journey of Love" doesn't shy away from portraying the doubts and fears that can plague the minds of those in the early stages of a relationship. The artist masterfully captures the subtle tension in their clasped hands, portraying the emotional tightrope that they walk together. This poignant aspect of the artwork resonates deeply with viewers who have experienced the vulnerability and anxiety that come hand in hand with falling in love. However, amidst the uncertainty and challenges depicted, Adewale's artwork also showcases the hope that drives these young hearts forward. In the gentle smiles and the glimmer of optimism in their eyes, we see the belief in the magic of love, the idea that their journey will be one of shared joy and personal growth. It is precisely this hope that allows them to face the challenges head-on and continue on their path despite the unknown future. The journey of love, as depicted in the artwork, is not without its trials and tribulations. Adewale subtly incorporates various elements in the background, such as swirling winds and turbulent skies, as metaphors for the external forces that may try to sway their commitment. The young couple's ability to withstand these challenges and remain standing together is a testament to the strength of their bond. As viewers immerse themselves in the layers of the "Journey of Love," they cannot help but reflect on their own experiences with love and relationships. The artwork becomes a mirror that allows them to ponder the uncertainties they have faced, the doubts they have battled, and the triumphant moments that have shaped their romantic endeavors. In conclusion, "Journey of Love" by Busari Adewale...

Initialed lower right 'K.I.' for Kraesten Iversen (Danish, 1886 - 1955) and painted circa 1915. Born in Copenhagen in 1886, Kraesten Iversen first studied with Hendrik Gronvold at ...

Artist Jill Keller Peters abstract color-field oil paintings communicate ideas through color. By juxtaposing pure and vivid hues that speak to each other when combined, Keller Peters...

Oil on canvas, signed in the lower right. Measures 36" x 41" including the frame. Johann Georg Meyer Von Bremen (German 1813-1886) was a genre painter. He was the son of master baker Johann Georg Meyer. His mother was strictly religious. From 1833 he studied at the Düsseldorf Academy of Fine Arts , which was led since 1826 by Friedrich Wilhelm von Schadow, the son of the sculptor Johann Gottfried Schadow. In addition to Schadow, Karl Ferdinand Son was his teacher there. Meyer acquired the necessary craftsmanship skills to make a living from the sale of his paintings, but he was initially unable to do so. From 1841 to 1852 he maintained his own studio in Düsseldorf. On his travels to Brussels and Antwerp Meyer experienced the works of Peter Paul Rubens and Anthonis van Dyck. In 1851 he married the singer Julia Beer...

Original oil painting on canvas, cityscape painting made under natural light. This artwork is painted using high-quality fine linen canvas and sold unframed, stretched, and ready to ...